Anna Ivers returns home to her sister Alex after a stint in a mental hospital, though her recovery is jeopardized thanks to her cruel stepmother. Her dismay quickly turns to horror when she is visited by ghastly visions of her dead mother.
A young hospice worker helping care for an invalid who lives in a remote mansion in the Louisiana bayous finds herself caught in the middle of morbid happenings centered around a group of Hoodoo practitioners. Written by
When Caroline first finds the door in the attic, there's a flowery pattern on it. When she goes back to unlock it later, it's not the same doorknob. See more »
[reading from Treasure Island]
I lost no time, of course, in telling my mother all that I knew, and we saw ourselves at once in a difficult and dangerous position. Something must speedily be resolved upon, and it occurred to us at last to go forth together and seek help in the neighboring hamlet. No sooner said than done. Bare-headed as we were, we ran out at once into the gathering evening and the frosty fog. The hamlet lay not many hundred yards away, though out of view on the ...
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Having seen the lacklustre trailer for this film, I wouldn't have bothered to see it at the cinema if it wasn't for some very positive reviews here in the UK. It isn't the most original film and the ending, while good, isn't gob-smacking. But it is very well shot and has some strong acting performances in it. Kate Hudson is particularly good as the inquisitive nurse. Her character generally doesn't need to be told things twice and I liked the way her thought processes appeared logical. I felt like she was doing what I'd have done in her circumstances. I've never been to the Southern USA, but the sets and locations felt very atmospheric. I'm sure to folks from those parts it looked a bit hackneyed, but to a UK viewer it felt mysterious and brooding. Overall, a very enjoyable was to spend an hour and a half. See it in the cinema, as I feel that the pacing and atmosphere could be lost on a small screen in a living room.
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