Nanny McPhee arrives to help a harried young mother who is trying to run the family farm while her husband is away at war, though she uses her magic to teach the woman's children and their two spoiled cousins five new lessons.
Upon moving into the run-down Spiderwick Estate with their mother, twin brothers Jared and Simon Grace, along with their sister Mallory, find themselves pulled into an alternate world full of faeries and other creatures.
Wilbur the pig is scared of the end of the season, because he knows that come that time, he will end up on the dinner table. He hatches a plan with Charlotte, a spider that lives in his pen, to ensure that this will never happen.
A young girl discovers her father has an amazing talent to bring characters out of their books and must try to stop a freed villain from destroying them all, with the help of her father, her aunt, and a storybook's hero.
Mr. Cedric Brown has just lost his wife and is now left with his seven children who misbehave so much that all the nannies have run away. Now he is told by a mysterious voice that he should get Nanny McPhee who is a magical woman with special powers. Written by
During the food fight scene, Aunt Adelaide gets a slice of cake fired at her face, leaving a thick layer of light green color. Then next scene, Aunt Adelaide is walking away, and the frosting is a dark green color. See more »
There is something you should understand about the way I work. When you need me but do not want me, then I must stay. When you want me but no longer need me, then I have to go. It's rather sad, really, but there it is.
[Nanny McPhee turns around to walk out of the room, but stops once she hears Simon]
We will never want you!
Then I will never go.
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The end credits are animated, and include the children as cartoons, causing mayhem, and some of the credits change as Nanny McPhee bangs her cane. See more »
I almost missed this one because I was turned off by the commercials and previews, with their emphasis on the silliest parts (the dancing donkey, etc.). What a mistake that would have been -- I'd have missed one of the driest, archest, loveliest scripts in years. Emma Thompson can do more with a slightly quirked eyebrow and a quiet "Hm" than most actresses can with an entire Shakespearean soliloquy. The whole cast, children and adults alike, is pretty near perfect, some of the best of the British theater even in the tiniest roles (Derek Jacobi, Imelda Staunton et al). The kids are tough and tart, without a simper in the lot, unlike most US child stars.
Don't let the trailers keep you away -- this is well worth seeing, sort of what Lemony Snicket should have been but wasn't.
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