Nanny McPhee arrives to help a harried young mother who is trying to run the family farm while her husband is away at war, though she uses her magic to teach the woman's children and their two spoiled cousins five new lessons.
Wilbur the pig is scared of the end of the season, because he knows that come that time, he will end up on the dinner table. He hatches a plan with Charlotte, a spider that lives in his pen, to ensure that this will never happen.
Molly Mahoney is the awkward and insecure manager of Mr. Magorium's Wonder Emporium, the strangest, most fantastic, most wonderful toy store in the world. But when Mr. Magorium, the 243 year-old eccentric who owns the store, bequeaths the store to her, a dark and ominous change begins to take over the once remarkable Emporium.
Mr. Cedric Brown has just lost his wife and is now left with his seven children who misbehave so much that all the nannies have run away. Now he is told by a mysterious voice that he should get Nanny McPhee who is a magical woman with special powers. Written by
Make-up designer Peter King designed the final look of the main character at the first attempt - a rare occasion for makeup designers as they would design many make-ups before the selection. See more »
When Mrs. Blatherwick sits in the rocking chair in the kitchen, before the "mouse" races across the floor, in the first shot her left hand lies on her belly, with her right hand over her left, patting it gleefully. When it cuts to a close-up, her hands are in the opposite position. See more »
I can't support my own family. I never have been able to. There are so many of you. But You're all so delicious. When Aggy came along and your mother was so ill, I said to her, "I think we will have to stop now, dear," and she said... She said, "I know."
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The end credits are animated, and include the children as cartoons, causing mayhem, and some of the credits change as Nanny McPhee bangs her cane. See more »
I almost missed this one because I was turned off by the commercials and previews, with their emphasis on the silliest parts (the dancing donkey, etc.). What a mistake that would have been -- I'd have missed one of the driest, archest, loveliest scripts in years. Emma Thompson can do more with a slightly quirked eyebrow and a quiet "Hm" than most actresses can with an entire Shakespearean soliloquy. The whole cast, children and adults alike, is pretty near perfect, some of the best of the British theater even in the tiniest roles (Derek Jacobi, Imelda Staunton et al). The kids are tough and tart, without a simper in the lot, unlike most US child stars.
Don't let the trailers keep you away -- this is well worth seeing, sort of what Lemony Snicket should have been but wasn't.
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