The movie's plot is based on the true story of a group of young computer hackers from Hannover, Germany. In the late 1980s the orphaned Karl Koch invests his heritage in a flat and a home ... See full summary »
Life could be just great for bank robber Keek: His buddy Kalle is doing time for their last coup, while Keek has to retain the loot. Kalle will spend two more years in jail, so Keek is not ... See full summary »
This drama focuses on three very different siblings, all searching for happiness. Hans-Jörg is a sex addicted librarian, who is interested in young students. Werner is a successful ... See full summary »
Shy, sensitive gymnasium (high school)-outsider Jakob Moormann is miserably lacking immaterial support at home, where his strict father, uniformed cop Claas, and selfish mother are too busy... See full summary »
Wotan Wilke Möhring,
In October 1989, the part of the West Berlin borough of Kreuzberg called SO 36, had been largely shut off by the Wall from the rest of the city for 28 years. A lethargic sub-culture of ... See full summary »
Two young men, Martin and Rudi, both suffering from terminal cancer, get to know each other in a hospital room. They drown their desperation in Tequila and decide to take one last trip to ... See full summary »
Jan Josef Liefers,
Thierry van Werveke
The movie deals with the championship-winning German soccer team of 1954. Its story is linked with two others: The family of a young boy is split due to the events in World War II, and the ... See full summary »
For two weeks, 20 male participants are hired to play prisoners and guards in a prison. The "prisoners" have to follow seemingly mild rules, and the "guards" are told to retain order without using physical violence.
Otto, a young man from East-Frisia comes to the big city (Hamburg) to make his fortune. Most of all he is engaged with two problems: How can he impress Silvia, a rich young girl, and where ... See full summary »
Sky du Mont
QUIET AS A MOUSE (Marcus Mittermeier - Germany 2004)
This low-budget film from director Marcus Mittermeier and writer Henrik-Jan Stahlberg was one of the biggest surprises in German cinema of 2004. Recently I saw it again (after seeing it in the cinema for the first time) and it still holds up beautifully.
The main character Mux, played by Henrik Jan Stahlberg, is on a personal vendetta against small crime, like vandalism, shoplifting and pornography. He tries to educate people in behaving like good citizens again, but at the same time forcefully imposing his own view of the world on them in order to educate them. Shot as a pseudo-documentary, the usage of the hand-held camera is perfectly integrated in the story as the main character is patrolling the streets of Berlin with his assistant Gerd, who is operating the camera in order to film their actions. Mux is cultured, intelligent and well mannered, but his major flaw is his incapability imagining other people may not share his world-view. His lack of trust in other people also affects his love life, or the fact that he hasn't got one. He soon estranges the one girl he likes, because he thinks he's got to protect her from... what? He doesn't really seem to know himself. Off course his actions on the streets of Berlin are wrong and most of the time he is annoying, but somehow it's hard to dislike him.
Henrik Jan Stahlberg carries the movie almost single handedly with a fascinating performance. One of the few examples of a writer who can make a good performance out of his own material and in this case Stahlberg fits the role of Mux perfectly. Although the makers clearly are trying to incorporate a message in the film, it never becomes heavy handed. Together with a very dark sense of humor, that seems to come completely natural in most of the scenes, the film is never forced or straining for effect. Many of the confrontations between Mux and his "victims" come out as quite touching as well, especially the scene with the elderly man being caught whilst buying ch*ld p*rnography and the one where Mux starts singing in a poor folks café. A beautiful and very touching scene.
The soundtrack is another asset. According to the mood of the scene, the same composition is used in different ways, from up-tempo house to classical music. The love of Berlin is also apparent, throughout the film there are shots of the city. A beautifully sharply written commentary of contemporary Germany. Cynical, but with a refreshing sense of humor. Considering the modest means the makers had at their disposal during the making of this film, it's one of the best German films in years.
Camera Obsura --- 10/10
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