Playboy does to softcore sex films what HBO's Tales from the Crypt did for horror. Contains the stories: "Natalie Would"; "Modivation"; "Put Asunder"; "Save The Wetlands"; "The Thief"; "... See full summary »
R'n'B pop wunderkind Usher, captured here wowing the ladies with his infectious blend of rhymin' and jivin'. Hits include 'U Don't Have to Call', 'I Need a Girl', and 'You Make Me Wanna', among others.
Failing to kill anymore because of his conscience, a troubled hit-man seeks aid from a forger to help him get papers to China. However, the drug-lord has hired replacements to finish the job and kill the hit-man.
Beginning with a stirring African folk song (Zélié performed by Angélique Kidjo) the roots are established and rapidly swell into a trunk thickened by the hardships of the Great Depression (Gamblin' Man performed by David 'Honeyboy' Edwards) and the oppression of segregation (Jim Crow Blues performed by Odetta). Finally, this Blues family tree shows off vibrant new growth as it reveals the Blues' influence on our modern wealth of talented musicians (Midnight Special performed by John Fogerty and Hound Dog done by Macy Gray). Ruth Brown gives Blll Cosby a full-throttle serenade (and a playful smoldering gaze), along with Mavis Staples and Natalie Cole. Angélique Kidjo persuades Buddy Guy to an unforgettable rendition of 'Voodoo Child,' shortly before Bonnie Raitt and Robert Cray accompany B.B. King and Lucille for the final number, 'Paying the Cost to be the Boss.' This documentary presents to the audience, with authority and candor, an authentic history of this musical form. The ... Written by
I really enjoyed this movie. It was a mixture of Blues history, music, interviews and historical footage - heavy on the Blues music. It was a treat to have some of the oldies, especially Buddy Guy, getting intense and passionate while doing their music. "Voodoo Chile" was magical. I also enjoyed the younger/newer artists doing covers on some of the songs. I would have given this movie a "9 or 10" except for one inappropriate performance. Chuck D did his sloppy version of one of the classics and used it to interject his negative opinion of President Bush. It didn't fit the rest of this "classy" film. I highly recommend this film to anyone that likes the Blues. It would be an especially good film to watch with a few music-loving friends because it feels like you're getting a personal concert. Check it out!
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