Realism and fantasy collide in Jonathan Lethem's genre-bending coming-of-age story, which follows two estranged brothers as they try to leave New York City for a new life in California only... See full summary »
Anthony M. Bertram
Carmen Uranga is a 42 year-old woman who after 20 years jurisdiction of her native country (Argentina), she returns to solve a family problem related with the inheritance that her sick ... See full summary »
Gael García Bernal,
Wisconsin Death Trip is an intimate, shocking and sometimes hilarious account of the disasters that befell one small town in Wisconsin during the final decade of the 19th century. The film ... See full summary »
A motiveless malignancy? Elvis leaves the Navy and heads for Texas where he contacts his father, whom he's never met, the pastor at a Christian community church. Pastor Dave tells Elvis to stay away and, without telling his family that Elvis is his son from a pre-conversion liaison, tells them to have nothing to do with him. But Elvis has already connected with Malerie, the pastor's 16-year old daughter. Elvis embarks on the seduction of Malerie, while Dave examines his conscience and comes to a new conclusion. Can anyone get right with the Lord? Does the Lord hear? Written by
James Marsh did not know the real age of the actress Pell James, who was playing 17-year-old Malerie Sandow, was until the end of the shoot, when she gave him a Thank You card revealing her true age. Marsh said that it was better that he didn't know as it would have proved a distraction. See more »
The boom mic is visible When Paul confronts Elvis at Elvis' residence. The boom mic drops into frame for a moment whilst the camera is on Paul. See more »
This film has gained a bit of stick from advance audiences, and the writers faced some hostile questioning following the screening I attended at the London Film Festival. I am frankly bemused as to why. I feel that, at worst, this is a solid and compelling indie flick and, at best, it has some important and lasting points to make about American identity, the nature of sin and the power of faith. My personal opinion is that many of those who see it are offended by either the film's refusal to judge the evil of it's main protagonist (played ever-perfectly by Gael Garcia Bernal), the portrayal of Latino as killer, the perceived failure to criticise the tee-total, creationist excesses of the Bible Belt, or a combination of the above. After all, southern-style Christianity is about as popular as Nazism right now among the arty set. I would prefer to view the film as what it is - an open-ended tragedy refusing to answer its own questions for the audience. I have thought of it frequently in the days since.
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