The fledgling romance between Nick, a playboy bachelor, and Suzanne, a divorced mother of two, is threatened by a particularly harrowing New Year's Eve. When Suzanne's work keeps her in ... See full summary »
Newlyweds Nick (Ice Cube) and Suzanne (Long) decide to move to the suburbs to provide a better life for their two kids. But their idea of a dream home is disturbed by a contractor (McGinley) with a bizarre approach to business.
Seeking to offer his son the satisfying summer camp experience that eluded him as a child, the operator of a neighborhood daycare center opens his own camp, only to face financial hardship and stiff competition from a rival camp.
Cuba Gooding Jr.,
The first appearance of Fat Albert. This special inspired the creation of the series "Fat Albert and the Cosby Kids". The plot was based on the 'go-kart skit' from Bill Cosby's 1966 album 'Wonderfulness'.
An obese boy named Fat Albert and his friends Rudy, Mushmouth, Bill, Dumb Donald, Russell, and Weird Harold, pulls into trouble when they "fall" out of their TV world into the real world, where Fat Albert tries to help a young girl, Doris, make friends. However, the simple life of the group is interrupted when Fat Albert falls for Doris' older sister, Lauri, sparking his friends to worry that their leader may never want to return to his cartoon world again. Written by
Anthony Pereyra <firstname.lastname@example.org>
The people listed in the closing credits of the TV Land cartoon broadcast are all real-life Hollywood professionals, and some are credited with having served on the crew of this movie. The first on the list, D.J. Gugenheim, is listed as "Asst. to Z. Diddy." Joel Zwick's nickname during production was Z. Diddy, and D.J. Gugenheim was his assistant. See more »
When Fat Albert opens the door for Lauri as they get into the car on the way to the dance, the right front metal gate "door" hinges at the front and Lauri steps behind it to get in the right front seat. In the next shot, Fat Albert closes the door, and the door is now hinged at the rear. See more »
As the end credits begin, the animated Fat Albert starts to sing the title song again. Suddenly the live action Fat Albert bursts halfway through the picture, 'looking out' at the audience and picking out audience members, saying that he has to stop the movie so he can help them and telling one guy in the back getting out of his seat that he needs to stick around for the end credits. At this point the cartoon versions of the Cosby Kids finally manage to pull Albert back into their world, and the end credits continue. See more »
A refreshing break from all the raunchy "kids" movies out there.
For the most part, when "family" and "movie" are right next to each other in the same sentence, my first instinct is to run as fast as I can the other way. But with a movie pass about to expire, and nothing else in the theater that piqued my interest (Christmas With the Kranks? NO THANK YOU!), I sat down in my seat with no expectations. I haven't seen the original TV series in years, but I've always been a big fan of Bill Cosby, and I was immediately put at ease when the credit "Written by Bill Cosby" came up. Bill's script keeps the spirit of the original characters intact, and incorporates them into the real world without an overkill of "Oh, wow! Things are so different now!" style of jokes. This movie is made for kids, not at kids. Things are kept simple without being condescending, and at no time will adults have to talk their way out of explaining something "adult" to the kiddies. In the end, while this movie won't win any technical or artistic awards, it's still a fun little movie that the whole family can enjoy, and for once, that's a good thing. B-plus.
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