Nick Persons is a selfish player who owns a collectables sports shop in New York. Everything in his life is perfect until he meets Suzanne Kingston, a business woman who has something Nick ... See full summary »
Newlyweds Nick (Ice Cube) and Suzanne (Long) decide to move to the suburbs to provide a better life for their two kids. But their idea of a dream home is disturbed by a contractor (McGinley) with a bizarre approach to business.
An obese boy named Fat Albert and his friends Rudy, Mushmouth, Bill, Dumb Donald, Russell, and Weird Harold, pulls into trouble when they "fall" out of their TV world into the real world, where Fat Albert tries to help a young girl, Doris, make friends. However, the simple life of the group is interrupted when Fat Albert falls for Doris' older sister, Lauri, sparking his friends to worry that their leader may never want to return to his cartoon world again. Written by
Anthony Pereyra <firstname.lastname@example.org>
Some of the characters in the movie take their names from Bill Cosby's old sketches, such as his girlfriend's name of Doris, his running track at Temple and high jumping, and the "Buck, Buck" sketch that opens the cartoon part of the movie. See more »
When the guys are in the junkyard looking to build some "wheels" to take the girls to the party, the train that rolls by is a Los Angeles Metropolitan Transit Metrolink. See more »
As the end credits begin, the animated Fat Albert starts to sing the title song again. Suddenly the live action Fat Albert bursts halfway through the picture, 'looking out' at the audience and picking out audience members, saying that he has to stop the movie so he can help them and telling one guy in the back getting out of his seat that he needs to stick around for the end credits. At this point the cartoon versions of the Cosby Kids finally manage to pull Albert back into their world, and the end credits continue. See more »
Fat Albert is well enough intentioned... I do not think that the film makers set out to destroy one of the Saturday Morning Gods in such an atrocious manner. While this genre, like the more successful comic book genre, can be done somewhat successfully (i.e. Scooby Doo), there is a fine line to walk without making the characters look empty and embarrassing. Fat Albert unfortunately does this. It takes the two dimensionality of the original characters and focuses on it until they loose whatever vibrancy they had previously. The story is contrived and supremely predictable. Grandberry is his usual chewing-on-the-scenery self. Thompson is passable as Fat Albert, but should stay far far far away from rap music for the remainder of his days. The only really enjoyable scenes in the movie were the ones with Bill Cosby. All in all, this movie is a total floater. Don't look at it, just flush.
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