Fat Albert, Mushmouth, Rudy, Bill, and the Cosby kid gang are rehearsing their Christmas play in their junkyard clubhouse when suddenly Mr. Tyrone, who owned the junkyard as well as the ... See full summary »
The fledgling romance between Nick, a playboy bachelor, and Suzanne, a divorced mother of two, is threatened by a particularly harrowing New Year's Eve. When Suzanne's work keeps her in ... See full summary »
Seeking to offer his son the satisfying summer camp experience that eluded him as a child, the operator of a neighborhood daycare center opens his own camp, only to face financial hardship and stiff competition from a rival camp.
Cuba Gooding Jr.,
Newlyweds Nick (Ice Cube) and Suzanne (Long) decide to move to the suburbs to provide a better life for their two kids. But their idea of a dream home is disturbed by a contractor (McGinley) with a bizarre approach to business.
While on a trip to Hollywood to help a celebrity starlet's depressed Chihuahua, Maya Dolittle (Kyla Pratt) gets caught up in the Hollywood glitz and glamour when she is offered her own TV ... See full summary »
Brandon Jay McLaren
Lisa Dolittle sends her daughter to 'Durango', a Dude Ranch, to find herself. While there, she uses her talent to talk to the animals in order to save Durango from being taken over by a neighboring Ranch.
The first appearance of Fat Albert. This special inspired the creation of the series "Fat Albert and the Cosby Kids". The plot was based on the 'go-kart skit' from Bill Cosby's 1966 album 'Wonderfulness'.
An obese boy named Fat Albert and his friends Rudy, Mushmouth, Bill, Dumb Donald, Russell, and Weird Harold, pulls into trouble when they "fall" out of their TV world into the real world, where Fat Albert tries to help a young girl, Doris, make friends. However, the simple life of the group is interrupted when Fat Albert falls for Doris' older sister, Lauri, sparking his friends to worry that their leader may never want to return to his cartoon world again. Written by
Anthony Pereyra <email@example.com>
As the end credits begin, the animated Fat Albert starts to sing the title song again. Suddenly the live action Fat Albert bursts halfway through the picture, 'looking out' at the audience and picking out audience members, saying that he has to stop the movie so he can help them and telling one guy in the back getting out of his seat that he needs to stick around for the end credits. At this point the cartoon versions of the Cosby Kids finally manage to pull Albert back into their world, and the end credits continue. See more »
Breathe, Stretch, Shake
Written by Mase (as Mason Betha) and Ricardo Thomas
Performed by Mase featuring Sean Combs (as P. Diddy)
Courtesy of Bad Boy Records, Inc. & Universal Records
Under license from Universal Music Enterprises See more »
Fat Albert is well enough intentioned... I do not think that the film makers set out to destroy one of the Saturday Morning Gods in such an atrocious manner. While this genre, like the more successful comic book genre, can be done somewhat successfully (i.e. Scooby Doo), there is a fine line to walk without making the characters look empty and embarrassing. Fat Albert unfortunately does this. It takes the two dimensionality of the original characters and focuses on it until they loose whatever vibrancy they had previously. The story is contrived and supremely predictable. Grandberry is his usual chewing-on-the-scenery self. Thompson is passable as Fat Albert, but should stay far far far away from rap music for the remainder of his days. The only really enjoyable scenes in the movie were the ones with Bill Cosby. All in all, this movie is a total floater. Don't look at it, just flush.
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