Fat Albert, Mushmouth, Rudy, Bill, and the Cosby kid gang are rehearsing their Christmas play in their junkyard clubhouse when suddenly Mr. Tyrone, who owned the junkyard as well as the ... See full summary »
The first appearance of Fat Albert. This special inspired the creation of the series "Fat Albert and the Cosby Kids". The plot was based on the 'go-kart skit' from Bill Cosby's 1966 album 'Wonderfulness'.
An obese boy named Fat Albert and his friends Rudy, Mushmouth, Bill, Dumb Donald, Russell, and Weird Harold, pulls into trouble when they "fall" out of their TV world into the real world, where Fat Albert tries to help a young girl, Doris, make friends. However, the simple life of the group is interrupted when Fat Albert falls for Doris' older sister, Lauri, sparking his friends to worry that their leader may never want to return to his cartoon world again. Written by
Anthony Pereyra <firstname.lastname@example.org>
The people listed in the closing credits of the TV Land cartoon broadcast are all real-life Hollywood professionals, and some are credited with having served on the crew of this movie. The first on the list, D.J. Gugenheim, is listed as "Asst. to Z. Diddy." Joel Zwick's nickname during production was Z. Diddy, and D.J. Gugenheim was his assistant. See more »
When Fat Albert opens the door for Lauri as they get into the car on the way to the dance, the right front metal gate "door" hinges at the front and Lauri steps behind it to get in the right front seat. In the next shot, Fat Albert closes the door, and the door is now hinged at the rear. See more »
As the end credits begin, the animated Fat Albert starts to sing the title song again. Suddenly the live action Fat Albert bursts halfway through the picture, 'looking out' at the audience and picking out audience members, saying that he has to stop the movie so he can help them and telling one guy in the back getting out of his seat that he needs to stick around for the end credits. At this point the cartoon versions of the Cosby Kids finally manage to pull Albert back into their world, and the end credits continue. See more »
Not Gonna Drop
Written by Ali Dee, Anders Bagge and Jonas Jeberg
Performed by Mya
Produced by Bag & Jay Jay for Murlyn Music and Ali Dee for Deetown Productions
Mya performs courtesy of A&M / Interscope Records See more »
What a disappointment this movie was ... one of the most original and brightest cartoons of it's time deserved a lot more than this poorly-written, unimaginative effort - the characters were more two-dimensional than their original cartoon counterparts!
The acting was OK, it was the script that was the real disaster - where was Fat Albert to help out with *that* particular problem ?
the 'plight' of Doris and her sister barely raised enough concern in the audience to sustain a half-hour cartoon, let alone a feature film - with the long list of issues and concerns facing adolescents these days, the producers chose the softest possible interpretation of what Fat Albert was all about - kids sticking together and helping each out when problems arise - the 'problems' facing Doris were barely worth addressing - even the problems in the cartoon-within-the-movie ('Danielle' running away and leaving school) where more pressing ...
The whole 'cartoon's come to life' scenario was pretty lame - either do a full feature cartoon or make a movie about the characters as if they were real people - combining the cartoon world with the real world just didn't work in the hands of these writers - they could barely muster a single gag in what was supposedly a light-hearted comedy ffs ...
the characters were tampered with in a most displeasing way - Rudy was robbed of his original personality to be made more 'P.C.' - the makers of the original cartoon gave Rudy a cocky, smart-ass attitude to balance out the saccharine righteousness of Fat Albert and Bill Cosby - the gang didn't need anymore 'nice guys', and there could have been a lot of fun to be had with Rudy's character had he retained his original 'edge'. Russell's non-appearance in physical form was puzzling and uneccessary ... where the hell was Mudfoot ?!? ... only the tiniest reference was made to the Brown Hornet - surely something more imaginative could have been written with such an integral and fun character ?
Fat Albert the Movie was a by-the-numbers waste of celluloid and cellulite ...
11 of 15 people found this review helpful.
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