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Overview

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5.8/10   406 votes »
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Plot:
After living on the tough streets of LA for a while, India hopes that every gay basher will meet his destiny... See more » | Add synopsis »
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Cast

  (in credits order) (complete, awaiting verification)

Joe Lia ... India

Allan Louis ... Destiny

Lance Lee Davis ... Spencer

Adam Larson ... Guy
Joshua Paul ... Quentin (as Josh Paul)

Art Roberts ... Pornographer (as Arthur Roberts)

Minerva Vier ... Lester

Vince Parenti ... Officer Vic Damone

Bryan Fox ... Deryl (as Brian Endress-Fox)

Justin Meloni ... Ari
Thomas Magazeno ... Stan
Tara Nova ... Matinee
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Directed by
Everett Lewis 
Joe Lia (segment director) (uncredited)
 
Writing credits
(in alphabetical order)
Everett Lewis 

Produced by
Tom Abell .... executive producer
Kahloon Loke .... executive producer
Christian Martin .... producer
Garret Scullin .... associate producer
 
Original Music by
William V. Malpede 
 
Cinematography by
Gavin Kelly 
 
Film Editing by
Everett Lewis 
 
Costume Design by
Allan Louis (uncredited)
 
Sound Department
Scott Westley .... foley artist
Scott Westley .... sound effects editor
 
Camera and Electrical Department
Catalina Ausin .... grip
Eduardo Barraza .... first assistant camera
Andrew Burnop .... assistant camera
Matt McUsic .... gaffer
 
Music Department
Garret Scullin .... music supervisor
 

Distributors
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Additional Details

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Runtime:
95 min
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Did You Know?

Quotes:
Destiny:Child, I feel just like Mrs. Brady. So white. So suburban. I'm gonna have to get me a pert blonde wig, honey. 'Cause I just feel pert. Pert, pert, pert.See more »
Movie Connections:
References Saturday Night Fever (1977)See more »

FAQ

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4 out of 8 people found the following review useful.
Weak, 3 September 2006
Author: Tony from Sydney

It starts off in a promising way. Some interesting characters with some way-out ideas. It even reminded me a little of an Almodovar film at the beginning, and that's always a good thing.

However, it doesn't live up to its early promise. The characters turn out to be very shallow. Some of the more interesting ones just disappear from the plot without a trace of explanation. There are some "twists" in the plot which which had my eyes rolling around in my head. I wanted to scream out a request for a bit of originality.

Worst of all, it relies, like far too many other films, on the outrageous concept that problems of violence can be solved with guns. This notion is not just annoyingly simplistic. It's extremely dangerous

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