Páll is an artistic and sensitive young man. Getting dumped by his girlfriend, Dagny, triggers his descent into madness. We follow him on his way to inevitable doom; at home with his ... See full summary »
Is he the village idiot or a genius in disguise? 17 year old Noi drifts through life on a remote fjord in the north of Iceland. In winter, the fjord is cut off from the outside world, ... See full summary »
The tragicomic story of lone rebel Boddi Steingrimsson who lives in a small town in Northern Iceland. Boddi hates materialistic modern society in its entirety and on his blog-page he ... See full summary »
Ólafur Darri Ólafsson,
Hilmir Snær Guðnason,
Thirty-year-old Hlynur still lives with his mother and spends his days drinking, watching porn and surfing the net while living off unemployment checks. A girl is interested in him, but he ... See full summary »
Hilmir Snær Guðnason,
Hanna María Karlsdóttir
Three tales of three people who have a lasting effect on one another. A young writer whose career is skyrocketing finds himself in a stormy marriage. He divorces his wife after the death of... See full summary »
Sveinn Ólafur Gunnarsson
Old Thorgeir must leave his home far off in the Icelandic 'countryside' and move into a home for senior citizens in Reykjavik. There he meets an old friend from his childhood, Stella. ... See full summary »
In 1833, when the fledgling Belgian kingdom still fears a Dutch invasion, recruits were selected annually from an age cohort by a draw of lots in each locality. In this grim, then ... See full summary »
A 40-year-old is hiding in a self-made prison of mundane life. The film opens as he finally becomes resolved to dare gaze at and come to terms with someone's totally different life. His unthinkable past. He turbulently sheds the cobwebs to find that light and happiness have been awaiting him. And this potentially cold cinematic knock on life's door becomes a defiantly uplifting work of art. Written by
As I was watching this film I realized once again how lucky we are to have other sources of film than Hollywood. The plot repeatedly comes to a stop, in order to allow the full development of a moment - a child listening to the sounds of a new born baby in the night, the long wait by fisherman families at a dock for the return of a capsized boat (along with the discovery of who perished) - the repeated view of the great mountain above the village, the perilous threat of the sea, the family breakfast and bedroom moments, ... the short telephone call to his love, announcing that he was joining his life to hers. So much interior development. Which is where it occurs, right? The film passes a key test of quality for me - one week after viewing I am still thinking and remembering it with interest and pleasure.
Caveat: I'm Icelandic myself (i.e., my Grandfather was) - but wouldn't have a problem panning a poor quality Icelandic film.
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