'Every day is another day closer to the day I'll never have to do this again.' Five women, one restaurant, one night, one birthday, one breakdown. Then the phone rings. A famous actor is ... See full summary »
Alexandra Maria Lara
An undercover FBI agent falls in love with a recently widowed mafia wife, who is trying to restart her life following her husband's murder while being pursued by a libidinous mafia kingpin seeking to claim her for himself.
While trying to fix his Mustang on the road, Jimmy McGee gets a lift in the Cadillac of a sweet lady, Missy Lofton. Missy invites Jimmy to stay at her house in Lost Junction, a very small ... See full summary »
In the rail yards of Queens, contractors repair and rebuild the city's subway cars. These contracts are lucrative, so graft and corruption are rife. When Leo Handler gets out of prison, he ... See full summary »
Vera is a femme fatale for the 21st century; a beautiful, capricious young woman living in New York whom begins exploring the limits of her sexual and intellectual power. She picks up men on the street and has sex with them in her apartment. She also videotapes a sexual romp with a female lover, and has sexually frank discussions with her potential employer. As the daughter of wealthy, indulgent parents, Vera seems to be improvising her way through the beginning of her life as an adult. Her boyfriend, Ford, is a fast-talking hustler prepared to do anything to make a buck. Aware of Vera's promiscuity, Ford sees a chance to make big money when he meets an aging Italian media mogul, named Count Tommaso, who is enamored of Vera because of her sexuality, her intelligence, and what he perceives as her naiveté. Ford cooks up an idea to pimp Vera out to the Count for $100,000, easy money, if he can only talk Vera into it. Incredibly, she agrees. Everything appears to be going even better than... Written by
The painting that Vera is painting in her apartment early in the film is immediately a different painting when the camera changes angle, and then a few scenes later the painting reverts to its original form. See more »
[on his cellphone]
Yeah, but is it lucrative? Yeah, you gotta consider... You gotta always consider the cost-path ratio. Ask Yuri. Hold on a second... Hello?... Yo, wassup?
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I am sorry, but this might have been the absolute worst film I have ever seen. I am not usually a harsh critic, but this movie made me ashamed to call myself a fan of Neve Campbell's work. It has no plot, makes no sense, begins stories that it doesn't finish, and goes nowhere. In a word, it sucks. I mean, who cares about a spoiled, rich girl and her sexual escapades. And wow - she's like girls too. A novelty in twenty-first century film-making. Not even the sex scenes were stimulating. Personally, I could have done quite well without being subjected to Neve's pained expressions while being done from behind by her slimy pimp of a boyfriend. And what is with the "African" professor? He is there in the beginning, and then suddenly he's just gone (thank god). I'm not sure if the fact that it is barely over an hour long is a positive or a negative. Negative, because who wants to pay what it costs today to see a film for a mere hour of movie-watching, but positive because I don't think I could have stood a minute longer of such utter crap. I don't think I have ever seen so many people walk out of a theatre mid-movie. The only reason I didn't leave myself was my unfulfilled hope that somehow the movie would redeem itself with an interesting ending. Apologies for my crudeness, but crap is truly what this wannabe Cruel Intentions meets Wild Things meets Indecent Proposal is.
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