Frank loses his memory after being shot in small desert town in Texas. As he tries to retrace his steps and figure out his true identity, Frank believes he may be part of a plot to ... See full summary »
A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
Vera is a femme fatale for the 21st century; a beautiful, capricious young woman living in New York whom begins exploring the limits of her sexual and intellectual power. She picks up men on the street and has sex with them in her apartment. She also videotapes a sexual romp with a female lover, and has sexually frank discussions with her potential employer. As the daughter of wealthy, indulgent parents, Vera seems to be improvising her way through the beginning of her life as an adult. Her boyfriend, Ford, is a fast-talking hustler prepared to do anything to make a buck. Aware of Vera's promiscuity, Ford sees a chance to make big money when he meets an aging Italian media mogul, named Count Tommaso, who is enamored of Vera because of her sexuality, her intelligence, and what he perceives as her naiveté. Ford cooks up an idea to pimp Vera out to the Count for $100,000, easy money, if he can only talk Vera into it. Incredibly, she agrees. Everything appears to be going even better than... Written by
The painting that Vera painting in her apartment early in the film is immediately a different painting when the camera changes angle, and then a few scenes later the painting reverts to its original form. See more »
[on his cellphone]
Yeah, but is it lucrative? Yeah, you gotta consider... You gotta always consider the cost-path ratio. Ask Yuri. Hold on a second... Hello?... Yo, wassup?
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i have never rated a movie before because i have never been so compelled to rate a movie as i have this one. this is without a doubt the worst movie that i have seen since cabin fever. but what makes it worse than cabin fever is that i rented this movie based on roger ebert's review. i will exercise more caution in the future when it comes to ebert's recommendations. the dialog is poorly written and poorly delivered. the editing is clumsy and chaotic. the music score, horrible! music should compliment the story line rather than overpower it. but then again how do you compliment such a bad story? maybe turning up the music even louder and drowning it out was what was needed to make this movie work. i will keep an eye out for future toback movies-so that i can avoid them!
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