John Beckwith and Jeremy Grey, a pair of committed womanizers who sneak into weddings to take advantage of the romantic tinge in the air, find themselves at odds with one another when John meets and falls for Claire Cleary.
Friendless Peter Klaven goes on a series of man-dates to find a Best Man for his wedding. But when his insta-bond with his new B.F.F. puts a strain on his relationship with his fiancée, can the trio learn to live happily ever after?
Divorce mediators John Beckwith and Jeremy Grey are business partners and lifelong friends who share one truly unique springtime hobby--crashing weddings! Whatever the ethnicity of the wedding party--Jewish, Italian, Irish, Chinese, Hindu--the charismatic and charming duo always have clever back stories for inquisitive guests and inevitably become the hit of every reception, where they strictly adhere to their proven rules of wedding crashing to meet and pick up women aroused by the very thought of marriage. At the tail end of another successful season of toasting brides and grooms, Jeremy learns that the daughter of Treasury Secretary William Cleary and his wife, Kathleen, is getting married in what is sure to be the Washington D.C. social event of the year. After infiltrating the lavish affair, John and Jeremy quickly set their sights on two bridesmaids, Claire and Gloria Cleary. With the lavish reception in full swing, Jeremy works his game plan to perfection in seducing Gloria, ... Written by
Sujit R. Varma
At the Italian Wedding, the guy sitting next to Owen Wilson who laughs at the "Jabroni" joke is Wilson's Uncle. See more »
When John and Secretary Cleary are having cigars on the balcony at the wedding, their backs are to the camera. We hear Cleary speaking when he obviously should not be able to because he is puffing on his cigar. See more »
The Frat-Pack, are surely the hardest working collective in Hollywood. Hardly a month goes by without a movie featuring Ben Stiller, Vince Vaughn, Jack Black, Will Ferrell, or those Wilson boys Luke and Owen being released.
When Starsky and Hutch paired Owen Wilson and Ben Stiller it was good, when Dodgeball put Vince Vaughn with Ben Stiller it was better, but "Wedding Crashers" could well be the finest Frat-Pack pairing to date.
Although Wilson and Vaughn have appeared in four movies together so far, this is the first where they've both taken star billing. In "Wedding Crashers", John Beckwith (Wilson) and Jeremy Klein (Vaughn), are a pair of divorce mediators whose passion in life is sneaking into weddings to take advantage of the free food.. and of course score with girls.
They have a strict 'crashers rulebook', which dictates the etiquette of the pick-up, such as 'never use your real name'. It also suggests, by behaving raucously, loudly and generally being the life-and-soul, people will think you're so obnoxious, you can't not have been invited.
The pair eventually find themselves at odds with each other when John meets and falls for a bridesmaid at the Washington society wedding of the year.
Although "Wedding Crashers" is at times formulaic, the comic performances raise this movie above par and in lesser hands the main characters could have descended into Rom-Com cliché. The fast-talking machine-gun delivery of Vaughn is the perfect accompaniment to Wilson's laconic style. Their single-guy banter's often painfully accurate, as is the acknowledgement they're both a little too old to be acting so carelessly. There are also some great comic set-pieces too, notably the divorce meeting, the weddings montage, the cringe-worthy football game and the hunting trip.
The supporting cast are also an asset, Christopher Walken expertly walks the tightrope of being both broodingly intimidating and likable, while Rachel McAdams' 'Claire' has a charming vulnerability and an easy-to-fall-in love with quality. Former "Home and Away" pin-up Isla Fisher however, is less convincing.
I admit "Wedding Crashers" is far from perfect, at time situations seem too contrived, the nudity is laughably gratuitous, and Claire's evil fiancée Sack (Bradley Cooper) is an almost too heavy-handed device to make Wilson look good.
But if you can look past all that, and simply accept it for what it is, you're left with a very funny film. 8/10
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