Jean-Baptiste Grenouille, born with a superior olfactory sense, creates the world's finest perfume. His work, however, takes a dark turn as he searches for the ultimate scent.
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The movie is based on the infamous "Stanford Prison Experiment" conducted in 1971. A makeshift prison is set up in a research lab, complete with cells, bars and surveillance cameras. For ... See full summary »
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Jean-Baptiste Grenouille, born in the stench of eighteenth century Paris, develops a superior olfactory sense, which he uses to create the world's finest perfumes. His work, however, takes a dark turn as he tries to preserve scents in the search for the ultimate perfume. Written by
Nuno Cordeiro
Author Patrick Süskind is known to be very skeptical and for a long time did not want to sell the movie rights to his novel. His experience with producer Bernd Eichinger and others who desperately wanted to turn "Das Parfum" into a movie was shown in the satire Rossini, for which he wrote the screenplay himself. His character is the strange author Jakob Windisch, Producer Bernd Eichinger is portrayed in the character Oskar Reiter. In Rossini, the book everybody was fighting over was changed into a novel about the Loreley-legend. Other characters in this movie are caricatures of the Munich media business. See more »
Goofs
While Grenouille is hanging heads down above the water filled barrel his hair changes from dripping wet to dry to dripping wet. See more »
Quotes
[first lines]
Court Official:
Quick. We can't hold them back much longer. Hurry. Come on!
See more »
"Tarentelle"
(Traditional)
Performed by Saboï and its Members
Asta Coulomb, Christian Coulomb, Sebastien Coulomb, François Hecquet, Bertrand Mercier, Nicolas Pillard,
Edo Pols, Jocelyn Raulet, Simon Staelens, Remi Tran-No
By arrangement: Christian Coulomb See more »
I didn't expect too much of the film as the producer, Bernd Eichinger, didn't succeed in my point of view with other book to film transitions like the name of the rose, the house of spirits or Smilla's sense of snow. they were all far too corny and even though each film had its moment, the films just weren't very good. I suspected the same to happen with the perfume. the teaser trailer was excellent, but the regular trailer spoilt a lot as it just showed too much and didn't capture the film's quality at all. so i entered the film with trepidation and was convinced otherwise. Tom Tykwer showed us again and again that he is a huge talent, be it winter sleeper, Lola runs or the warrior and the empress. the perfume is a visual feast. all roles are perfectly cast, the music, the camera, everything fits together like a perfect jigsaw puzzle. And the film isn't Hollywood-like mainstream like e.g. the Da Vinci Code at all. thank god. it has lots of black humor without getting cynic, it is quite amoral and at other times just immersed in beauty - and every penny of its 50 Mio euro budget shows. how much better to spend 50 Mio in the perfume than 150 Mio in crap movies like Wolfgang Petersen's latest. i am already very much looking forward to Mr Tykwer's next film. he plays in another league now.
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I didn't expect too much of the film as the producer, Bernd Eichinger, didn't succeed in my point of view with other book to film transitions like the name of the rose, the house of spirits or Smilla's sense of snow. they were all far too corny and even though each film had its moment, the films just weren't very good. I suspected the same to happen with the perfume. the teaser trailer was excellent, but the regular trailer spoilt a lot as it just showed too much and didn't capture the film's quality at all. so i entered the film with trepidation and was convinced otherwise. Tom Tykwer showed us again and again that he is a huge talent, be it winter sleeper, Lola runs or the warrior and the empress. the perfume is a visual feast. all roles are perfectly cast, the music, the camera, everything fits together like a perfect jigsaw puzzle. And the film isn't Hollywood-like mainstream like e.g. the Da Vinci Code at all. thank god. it has lots of black humor without getting cynic, it is quite amoral and at other times just immersed in beauty - and every penny of its 50 Mio euro budget shows. how much better to spend 50 Mio in the perfume than 150 Mio in crap movies like Wolfgang Petersen's latest. i am already very much looking forward to Mr Tykwer's next film. he plays in another league now.