Jean-Baptiste Grenouille, born with a superior olfactory sense, creates the world's finest perfume. His work, however, takes a dark turn as he searches for the ultimate scent.
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The movie is based on the infamous "Stanford Prison Experiment" conducted in 1971. A makeshift prison is set up in a research lab, complete with cells, bars and surveillance cameras. For ... See full summary »
Director:
Oliver Hirschbiegel
Stars:
Moritz Bleibtreu,
Christian Berkel,
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Director:
Alejandro González Iñárritu
Stars:
Emilio Echevarría,
Gael García Bernal,
Goya Toledo
In 1984 East Berlin, an agent of the secret police, conducting surveillance on a writer and his lover, finds himself becoming increasingly absorbed by their lives.
Director:
Florian Henckel von Donnersmarck
Stars:
Martina Gedeck,
Ulrich Mühe,
Sebastian Koch
A ballet dancer wins the lead in "Swan Lake" and is perfect for the role of the delicate White Swan - Princess Odette - but slowly loses her mind as she becomes more and more like Odile, the Black Swan.
Director:
Darren Aronofsky
Stars:
Natalie Portman,
Mila Kunis,
Vincent Cassel
A mentally unstable Vietnam war veteran works as a nighttime taxi driver in New York City where the perceived decadence and sleaze feeds his urge to violently lash out, attempting to save a teenage prostitute in the process.
Director:
Martin Scorsese
Stars:
Albert Brooks,
Robert De Niro,
Jodie Foster
A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.
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Jean-Baptiste Grenouille, born in the stench of eighteenth century Paris, develops a superior olfactory sense, which he uses to create the world's finest perfumes. His work, however, takes a dark turn as he tries to preserve scents in the search for the ultimate perfume. Written by
Nuno Cordeiro
During preproduction, director/screenwriter Tom Tykwer, Director of Photography Frank Griebe, Production Designer Uli Hanisch, and Costumer Designer Pierre-Yves Gayraud studied the complete works of Caravaggio, Rembrandt and Joseph Wright in order to ensure the film's aesthetic correctly captured 18th century France. See more »
Goofs
Midway through the movie a whore appears with a Pekingese dog. The Pekingese were not formally introduced into Europe until midway through the 19th Century when Britain and France "sacked" the Chinese Empire (circa 1860). The Pekingese were kept exclusively in the Chinese Imperial Palace (Forbidden City) until then and maintained by eunuchs. The movie takes place in the mid 18th Century. While it may be possible British or French royalty could have had a Pekingese (although extremely unlikely), a French harlot owning a Pekingese in the 1700's is an impossibility. See more »
Quotes
[first lines]
Court Official:
Quick. We can't hold them back much longer. Hurry. Come on!
See more »
"Tarentelle"
(Traditional)
Performed by Saboï and its Members
Asta Coulomb, Christian Coulomb, Sebastien Coulomb, François Hecquet, Bertrand Mercier, Nicolas Pillard,
Edo Pols, Jocelyn Raulet, Simon Staelens, Remi Tran-No
By arrangement: Christian Coulomb See more »
I didn't expect too much of the film as the producer, Bernd Eichinger, didn't succeed in my point of view with other book to film transitions like the name of the rose, the house of spirits or Smilla's sense of snow. they were all far too corny and even though each film had its moment, the films just weren't very good. I suspected the same to happen with the perfume. the teaser trailer was excellent, but the regular trailer spoilt a lot as it just showed too much and didn't capture the film's quality at all. so i entered the film with trepidation and was convinced otherwise. Tom Tykwer showed us again and again that he is a huge talent, be it winter sleeper, Lola runs or the warrior and the empress. the perfume is a visual feast. all roles are perfectly cast, the music, the camera, everything fits together like a perfect jigsaw puzzle. And the film isn't Hollywood-like mainstream like e.g. the Da Vinci Code at all. thank god. it has lots of black humor without getting cynic, it is quite amoral and at other times just immersed in beauty - and every penny of its 50 Mio euro budget shows. how much better to spend 50 Mio in the perfume than 150 Mio in crap movies like Wolfgang Petersen's latest. i am already very much looking forward to Mr Tykwer's next film. he plays in another league now.
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I didn't expect too much of the film as the producer, Bernd Eichinger, didn't succeed in my point of view with other book to film transitions like the name of the rose, the house of spirits or Smilla's sense of snow. they were all far too corny and even though each film had its moment, the films just weren't very good. I suspected the same to happen with the perfume. the teaser trailer was excellent, but the regular trailer spoilt a lot as it just showed too much and didn't capture the film's quality at all. so i entered the film with trepidation and was convinced otherwise. Tom Tykwer showed us again and again that he is a huge talent, be it winter sleeper, Lola runs or the warrior and the empress. the perfume is a visual feast. all roles are perfectly cast, the music, the camera, everything fits together like a perfect jigsaw puzzle. And the film isn't Hollywood-like mainstream like e.g. the Da Vinci Code at all. thank god. it has lots of black humor without getting cynic, it is quite amoral and at other times just immersed in beauty - and every penny of its 50 Mio euro budget shows. how much better to spend 50 Mio in the perfume than 150 Mio in crap movies like Wolfgang Petersen's latest. i am already very much looking forward to Mr Tykwer's next film. he plays in another league now.