In Montreal, on the same day that a policeman shot twenty-one children, killing eleven, without any reason, the successful writer Thomas Roy amputates his fingers and tries to commit ... See full summary »
1976. Montreal. Eight people who wanted to see and be seen at the trendiest disco will be juggling fame and anonymity until they will be forced to make sober choices in an era when excess was the norm, and when disco was king.
When the body of the executive of hockey Benoit Brisset is found on the billboard of the border of Quebec and Ontario, the jurisdiction of the crime is shared between the two police forces ... See full summary »
Based on a widely-acclaimed TV series by Luc Dionne himself, Omertà-The Movie is centered around the character of Pierre Gauthier, a cop specialized in organized crime. He's now the head of... See full summary »
HEAD IN THE CLOUDS is a sweeping romantic drama set in 1930's England, Paris, and Spain. Gilda Bessé shares her Paris apartment with an Irish schoolteacher, Guy Malyon, and Mia, a refugee ... See full summary »
As his lover announces her pregnancy, a fortysomething slacker receives other life-changing news: 142 people, all of them the result of artificial insemination, have filed a class action lawsuit against him, their biological father.
This movie suffers from bad screenplay and general bad romantic comedy . Its story and dialogues draw on many clichés about "newspaper life" that most of us Québecois know from late 80's and early 90's TV shows. I sometimes felt like watching a bad episode of "Scoop" or "Lance & Compte".
It is sad to see that this film-making team thought their movie would do better with puns and references to public figures like Céline Dion or Gilles Proulx. Seems to me that any good movie should stand on its own, without trying to become partly a "Bye bye" or "Rira bien".
It also seems they tried to tackle too many political issues (tobacco, abortion), wishing to give a political flavor to the movie rather than developing cinematographic aspects.
Also evident in the movie are Petrowski's despise of the post-boomer generation and her pathetic attempts to glorify her own generation (making them look cool despite they are nearing 40, the picture was altogether fake). A few 'mots d'auteur' were too much. In this regard, Arcand is much more reasonable and efficient as a filmmaker, exploring this aspect more rationally and thoroughly.
I however appreciated Bouvier's reference to his (excellent) former co-directed movie, "Les matins infidèles", by naming Huard's morning radio show this way.
A spin-off focusing with the character played by A-M Cadieux was also made by more or less the same people.
A much more actual, modern, original, altogether better and funnier movie on a similar topic is "Horloge Biologique"; made by younger people.
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