A fictionalized account of the first major successful sexual harassment case in the United States -- Jenson vs. Eveleth Mines, where a woman who endured a range of abuse while working as a miner filed and won the landmark 1984 lawsuit.
HEAD IN THE CLOUDS is a sweeping romantic drama set in 1930's England, Paris, and Spain. Gilda Bessé shares her Paris apartment with an Irish schoolteacher, Guy Malyon, and Mia, a refugee ... See full summary »
Niki Caro directed this romantic drama from New Zealand, adapted from Peter Wells' story, Of Memory & Desire, about the doomed affair of a Japanese couple on their honeymoon in New Zealand.... See full summary »
A semi-fictionalized account of a long legal battle of group of women miners who endured a hostile work environment and numerous and continuous insults and unwanted touching when they became the first women to go work at the Eveleth Mines in Minnesota. Written by
The interior shots of the mine were filmed in Silver City, New Mexico, in an actual mine. See more »
When Bobby gets up from attacking Josie in the powder room, he runs up a ramp that appears to have water cascading down. He never splashes in the water or leaves footprints. See more »
Lady, you sit in your nice house, clean floors, your bottled water, your flowers on Valentine's Day, and you think you're tough? Wear my shoes. Tell me tough. Work a day in the pit, tell me tough.
I'm sure we're all sufficiently impressed, Mrs. Aimes.
There's no "Mrs." here.
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Shake The House Down
Written by Danny Joe Brown, Bruce Crump, John Galvin, Bobby Ingram, Duane Roland and Riff West
Performed by Molly Hatchet
Courtesy of Epic Records
By Arrangement with SONY BMG MUSIC ENTERTAINMENT See more »
Uneven handling alternates between sympathetic, heavy-handed and mawkish...
In the iron mines of Northern Minnesota, circa 1989, a young woman (a single mother of two with a shady-lady past) goes to work as a miner and encounters personally degrading harassment from the mostly male crew. A compassionate and sensitive rewriting of a true incident--one that took some ten years to resolve in the courts--but possibly overcrowded with too much melodramatic content. Supporting characters--like Frances McDormand's dump truck driver--do not get enough quality screen-time to completely validate the time which they do have. The over-emotional finale is also questionable (were these filmmakers ever in a courtroom before?), but it does provide the audience with the release it needs. In the lead, Charlize Theron gives a finely-wrought, gripping performance; she shows her guts, fear, and bravery, but I'm not sure how convincing she is as mother to an older teenage boy (it seems a little soon for Theron, and the same can be said for Sissy Spacek as the proverbial salt-of-the-earth grandmother). Does the film show all sides and give both the men and the women a fair shake? Probably not, but it's not a man-hater movie either, and since it's told from the female protagonist's point of view, her endurance against certain men is the focal point here. Ultimately, the movie is about her courage, her strength in standing up for herself, and this is expressed here extremely well. *** from ****
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