| Dennis Hopper | ... | Father Duffy | |
| Kelly Brook | ... | Lea | |
| Hippolyte Girardot | ... | Francis | |
| Peter Capaldi | ... | Max Roy | |
| Susie Amy | ... | Claire Leevy | |
| Raffaello Degruttola | ... | Jay | |
| Ashley Walters | ... | Al B (as Asher D) | |
| Morven Christie | ... | Shona | |
| Julienne Davis | ... | Cynthia | |
| Jim Carter | ... | The Watcher (voice) | |
| rest of cast listed alphabetically: | |||
| Gabriel Spahiu | ... | (uncredited) | |
Directed by | |||
| Steven R. Monroe | |||
Writing credits | ||
| Philippe Vidal | (screenplay) | |
Produced by | |||
| Sheikh Mohamed Bin Salman | .... | executive producer (as Sheikh Mohamed) | |
| Andrei Boncea | .... | co-producer | |
| Alastair Burlingham | .... | executive producer | |
| Irina Chirita | .... | line producer | |
| François Cohen-Séat | .... | co-producer | |
| Karen Alison Hamilton | .... | producer (as Karen A. Hamilton) | |
| Stefan Jonas | .... | co-producer | |
| Al Khalifa | .... | executive producer (as Bin Salman Al Khalifa) | |
| Alan Latham | .... | co-producer | |
| Philippe Martinez | .... | producer | |
| Douglas W. Miller | .... | executive producer | |
| Alistair Wilson-Gough | .... | associate producer (as Alistdair Wilson-Gough) | |
Original Music by | |||
| Charles Olins | |||
| Mark Phillips | |||
| Mark Ryder | (uncredited) | ||
Cinematography by | |||
| Damian Bromley | (director of photography) | ||
Film Editing by | |||
| Kristina Hamilton-Grobler | (as Kristina Hamilton) | ||
Casting by | |||
| Jeremy Zimmermann | (as Jeremy Zimmerman) | ||
| Andrea Clark | (uncredited) | ||
Production Design by | |||
| Adrian Cancer | |||
Art Direction by | |||
| Robert Marin | |||
| Baba Novac | |||
| Vraciu Eduard Daniel | (uncredited) | ||
Costume Design by | |||
| Ffion Elinor | |||
Makeup Department | |||
| Manuela Grosu | .... | hair stylist | |
| Clara Tudose | .... | makeup artist (as Claudia Tudose) | |
| Edwina Voda | .... | assistant makeup artist | |
| Mircea Voda | .... | makeup artist | |
Production Management | |||
| Burdette Anderson | .... | post-production supervisor: Bauer Martinez Studios | |
| Gisela Evert | .... | post-production supervisor | |
| Thomas Mattinson | .... | head of production: UK | |
| Marian Pascale | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Theodor Halacu-Nicon | .... | first assistant director (as Theodor Halacu Nicon) | |
| Virgil Nicolaescu | .... | second assistant director | |
| Patricia Radoi | .... | third assistant director | |
Art Department | |||
| Dana Andreianu | .... | art department coordinator | |
| Marius Bardasan | .... | assistant property master | |
| Vraciu Eduard Daniel | .... | set dresser (as Dan Vraciu) | |
| Florin Gavrila | .... | head painter | |
| Nicolae Kasza | .... | props buyer | |
| Magdalena Marasescu | .... | construction coordinator | |
| Constantin Nicolae | .... | swing gang | |
| Eugen Pisau | .... | property master | |
| Aurel Popescu | .... | assistant construction coordinator | |
| Doina Repanovici | .... | draftsman | |
| Serban Rotariu | .... | draftsman | |
| Sorin Stanciu | .... | swing gang | |
| Nicolae Trandafir | .... | swing gang | |
| Zamfir Cornel | .... | props (uncredited) | |
Sound Department | |||
| Victoria Brazier | .... | supervising sound editor (as Victoria Brazier) | |
| Doug Cooper | .... | sound re-recording mixer (as Douglas Cooper) | |
| Robert Farr | .... | sound re-recording mixer | |
| Richard Fettes | .... | sound effects editor | |
| William Franck | .... | sound mixer | |
| Jacques Leroide | .... | adr editor (as Jacques Leriode) | |
| Tony Message | .... | foley editor | |
| Marian Pana | .... | boom operator | |
| Alan Freedman | .... | adr mixer (uncredited) | |
Special Effects by | |||
| Bob Keen | .... | special effects supervisor | |
| Adrian Popescu | .... | special effects coordinator | |
| Cesar Alonso | .... | special effects makeup (uncredited) | |
Visual Effects by | |||
| Florian Strobl | .... | compositor | |
| Holger Voss | .... | technical director | |
| Frank Wegerhoff | .... | visual effects supervisor | |
| Susanne Werth | .... | technical director | |
| Georg Wittermann | .... | titles and opticals: Blowup Filmtechnik | |
| Lalit Goyal | .... | visual effects editor (uncredited) | |
Stunts | |||
| Rasvan Puiu | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Cos Aelenei | .... | still photographer (as Constantin Aelenei) | |
| Damian Bromley | .... | camera operator | |
| Calin Constantin | .... | gaffer (as Constantin Calin) | |
| Andrei Cretan | .... | video assist operator | |
| Alexandru Durac | .... | second assistant camera | |
| Marian Ene | .... | key grip | |
| Florica George | .... | electrician (as George Florica) | |
| Ilie Georgica | .... | focus puller (as George Ilie) | |
| Sarbu Gigi | .... | grip (as Gigi Sirbu) | |
| Catalin Kislinger | .... | electrician | |
| Ionut Lupulescu | .... | camera loader | |
| George Nicolae | .... | electrician (as George Niculae) | |
| Doru Perneac | .... | electrician | |
| Violeta Rizea | .... | clapper | |
| Catalin Simioana | .... | assistant steadicam operator | |
| Bogdan Stanciu | .... | Steadicam operator | |
| Catalin Stoica | .... | grip (as Catalin Stocia) | |
| Liviu Tanase | .... | focus puller | |
| Remus Tanase | .... | best boy | |
| Gheorghe Ursescu | .... | best boy | |
| Razvan Paslaru | .... | best boy grip (uncredited) | |
Casting Department | |||
| Andreea Tanasescu | .... | casting director: Romania | |
| Liliana Toma | .... | extras casting | |
Costume and Wardrobe Department | |||
| Eli Calin | .... | costume assistant | |
| Laurentiu Costea | .... | wardrobe | |
| Ruxandra Nitulescu | .... | wardrobe | |
Editorial Department | |||
| Dominik Bollen | .... | post-production coordinator | |
| Ritchy Freund | .... | post-production coordinator | |
| Lalit Goyal | .... | assistant editor: UK | |
| Fiona Mackay | .... | post-production assistant | |
| Laurent Morel | .... | colorist: dailies | |
| Tiberiu Teodorescu | .... | assistant editor: Romania | |
| Tim Waller | .... | senior colourist | |
| Jonathan Yau | .... | assistant digital colorist | |
| Gwyn Evans | .... | colorist (uncredited) | |
Music Department | |||
| Richard Edgeler | .... | assistant music engineer | |
| Guy Farley | .... | music producer | |
| Guy Farley | .... | score producer | |
| Ben Georgiades | .... | music mixer | |
| Ben Georgiades | .... | music recordist | |
| Arnold Hattingh | .... | music supervisor | |
| Claudia Kennaugh | .... | vocalist | |
| David Theodore | .... | musician: oboe | |
| Simon White | .... | music supervisor | |
Transportation Department | |||
| Adrian Nita | .... | transportation coordinator | |
Other crew | |||
| Andrei Alexandru | .... | assistant: cast | |
| Kate Anderson | .... | legal and business affairs: UK | |
| Stefan Andreescu | .... | production runner | |
| Rachel Atkins | .... | legal assistant: UK | |
| Andra Barbuica | .... | script supervisor (as Andreea Barbuica) | |
| Donald A. Barton | .... | legal services | |
| Shirley Bester | .... | production executive: Bauer Martinez Studios | |
| Daniel Bright | .... | assistant to head of production (as Dan Bright) | |
| Ian Burlingham | .... | legal services | |
| Razvan Caminschi | .... | location manager (as Razvan Caminski) | |
| Alexa Carey | .... | assistant to head of production | |
| Ioana Cernescu | .... | assistant to director | |
| Steven Edwicker | .... | production accountant | |
| Fiona Harper | .... | assistant: Ian Burlingham | |
| Craita Nanu | .... | production secretary | |
| Mirela Pancu | .... | assistant production accountant | |
| Sînziana Pop | .... | runner: assistant director (as Sanziana Pop) | |
| Dorina Popa | .... | cashier | |
| Lucia Raduta | .... | caterer | |
| Philippa Rennie | .... | legal assistant: UK | |
| Kane Sarota | .... | assistant to head of production | |
| Hugh Spurling | .... | legal and business affairs: UK | |
| Doru Stan | .... | production assistant | |
| Anamaria Telega | .... | office coordinator | |
| Mihai Toderiuc | .... | assistant production accountant | |
| Matthias Benner | .... | co-production coordinator: Germany (uncredited) | |
Thanks | |||
| Dan Garnett | .... | the director wishes to thank | |
| Will Hoge | .... | the director wishes to thank | |
| Kelly Jones | .... | the director wishes to thank | |
| James W. McPherson Jr. | .... | dedicatee (as Dr. James W. McPherson Jr.) | |
| John Monroe | .... | the director wishes to thank | |
| Julie Monroe | .... | the director wishes to thank | |
| Melanie Monroe | .... | the director wishes to thank | |
| Naomi Monroe | .... | the director wishes to thank | |
| The Nashville Predators | .... | the director wishes to thank | |
| Ross Pelling | .... | the director wishes to thank | |
| Joshua S. Schechter | .... | the director wishes to thank (as Josh Schechter) | |
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| A Bay of Blood | P2 | Buried | Battle Royale | Deep Red |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
Okay folks, everyone first needs to calm down about this film. It's not that bad... How many posts accuse it of copying Saw & Saw II, well if any of you had taken a minute before you spew your complaints. THIS FILM WAS IN PRODUCTION IN October OF 2003!!!That means the script was written way before that, any of you know where Saw & Saw II were then? This goes for the critics reviewing the film too. Shame on you for not doing your job.
As for ripping off Cube or My Little Eye, or even Battle Royale, and House On Haunted Hill, yes they are similar in theme, but does that mean the the filmmakers intentionally copied them! Half the films in Hollywood including many of the greatest have similar themes just different situations. Why don't you attack some of the 20, 30, 40, million dollar films that have all the money in the world to do what they want but just simply do remakes of old films and TV shows and rip off other films?
This film, although not great, focuses on the human nature of this situation. The psychology. And I can't believe how many people do not get the fact that the characters in the house have been picked because THEY ARE STEREOTYPES! (There actually are those in the world you know?) Anyone see CRASH for God sakes? The guy who set this up picked them for that reason, so he would get his "SHOW". He knew what each one was capable of or wanted to push one to kill, like the Priest. The speech at the beginning even states that they were not so much chosen for who they are, but WHAT THEY ARE. That is so obvious. And he also states that they have NO CONNECTION, so stop trying to find one. Those of you complaining that they immediately accept that they have to kill each other, I don't know what film you are watching. The french guy tells them he thinks that is what the Watcher guy wants but they far from accept it at that point. And for them all going mad too quick. How do you know it's too quick, there is no time frame in the film, that is also why there are the montages that many of you seem to hate, to show time passing. If they showed the film in real time you would have all complained the film was too long...
As for the acting I think besides Dennis Hopper you people are all out of your minds. These actors were really good, and if you want to blame someone for Dennis Hopper being bad, try blaming Dennis Hopper instead of the director. When was the last time he was good in anything? I know all the British have a problem with Kelly Brook, but it kind of stinks that you can't see it in you to admit that she was good.
This film should not be labeled a Horror film because it obviously attracts a crowd that expects something else. Ashame, but I think it will do well in the US.
The film had a great style, good acting, good music, and oh yea, all you who complained about the guy TRYING to act like a rapper, he is one! Asher D from the very successful So Solid Crew in the UK! It had a great ending. It does not rely on gore like Saw so maybe you can at least give it that, although there is some very graphic violence.
If you are fans of the Saw films or Cube, etc... maybe you should just skip this film cause it obviously was not made for you.