The story revolves around the passengers of a yachting trip in the Atlantic Ocean who, when struck by mysterious weather conditions, jump to another ship only to experience greater havoc on the open seas.
Paul is a U.S. truck driver working in Iraq. After an attack by a group of Iraqis he wakes to find he is buried alive inside a coffin. With only a lighter and a cell phone it's a race against time to escape this claustrophobic death trap.
José Luis García Pérez,
A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.
On the day that a serial killer that he helped put away is supposed to be executed, a noted forensic psychologist and college professor receives a call informing him that he has 88 minutes left to live.
Nine strangers - a priest; a dancer; a designer; an aspirant rapper; a former tennis pro; a woman on probation; an unsuccessful composer and his wife; and a detective - are randomly abducted, drugged and locked in a house by a wealthy maniac. They are informed through a public address system that there are seventy-five cameras following them, and only one will survive and win US$ 5,000,000.00 to keep quiet. The psychological game begins, with fear and greed affecting the participants. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Would have been a great film if the script was better.
Many people say that this film is like Saw, Cube and other reality TV shows, but I judge this film on its own merits.
On the down sides, the plot is slow at times but not for long. These lulls give you time to mull over what has happened and how bonds are forming without affecting the plot lines progression. Then the scripting is weak, but maybe this was done deliberately so as not to over do the films dialogue. This has happened in some films that have left you with too much too process when you consider that the number of characters are enough to keep track off. The accents are awful. When are British film makers going to learn that not are English actor and actresses have to speak the Queens English or have a cockney accent? It became painful at times to listen to Kelly Brook deliver her lines with that accent. I know shes well spoken, but that could have been worked on I'm sure.
On the plus sides however, there are no irrational reactions from any of the characters (even though the circumstances would have allowed for it). There was no annoying running around and screaming like in most teen slasher movies, but instead a calm acceptance of the circumstance that lay before the group. There was also no need for the killings to start straight away. In most films like this, someone dies whilst the introduction credits are still rolling but not in this one. Makes a refreshing change to see such reservation in the scripting as to hold the audience for a good while without having to resort pointless violence.
For me, the most intriguing part of the film is to see how we as humans can resort back to our primal instincts without much effort. How we can turn on one another when personal survival take precedence. In a way they are forced to kill each other, but the speed at which they turn after the first dead is pretty much how I think it would happen. Great job with the accuracy in delivering how animalistic we still are.
All in all, a good film that would have been much better with certain tweaks.
I would if there will be a sequel?
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