| Photos (see all 16 | slideshow) | Videos |
Directed by | |||
| Rob Zombie | |||
Writing credits(WGA) | ||
| Rob Zombie | (characters) | |
| Rob Zombie | (written by) | |
Produced by | |||
| Peter Block | .... | executive producer | |
| Michael Burns | .... | executive producer | |
| Mike Elliott | .... | producer | |
| Ali Forman | .... | associate producer | |
| Andy Gould | .... | producer | |
| Marco Mehlitz | .... | producer | |
| Brent Morris | .... | co-producer | |
| Michael Ohoven | .... | producer | |
| Guy Oseary | .... | executive producer | |
| Michael Paseornek | .... | executive producer | |
| Julie Yorn | .... | executive producer | |
| Rob Zombie | .... | producer | |
Original Music by | |||
| Tyler Bates | |||
| Terry Reid | |||
| Rob Zombie | |||
Cinematography by | |||
| Phil Parmet | |||
Film Editing by | |||
| Glenn Garland | |||
Casting by | |||
| Monika Mikkelsen | |||
Production Design by | |||
| Anthony Tremblay | |||
Art Direction by | |||
| T.K. Kirkpatrick | |||
Set Decoration by | |||
| Lisa Tong | |||
Costume Design by | |||
| Yasmine Abraham | |||
Makeup Department | |||
| Michelle Garbin | .... | makeup artist | |
| Luis García | .... | second makeup artist | |
| Cathrine A. Marcotte | .... | second hair stylist (as Catherine Marcotte) | |
| Douglas Noe | .... | makeup artist | |
| Maria Sandoval | .... | hair stylist | |
| Wayne Toth | .... | special makeup effects artist | |
Art Department | |||
| Robert W. Anderson | .... | property master | |
| Treven Bedwell | .... | lead man | |
| David P. Bonanno | .... | storyboard artist | |
| Gary Clark | .... | painter | |
| Craig Diantonio | .... | painter | |
| John David Diersing | .... | propmaker | |
| Kevin Diersing | .... | propmaker | |
| Michael Diersing | .... | construction coordinator | |
| Kevin Foos | .... | propmaker | |
| Ursula Glaviano | .... | art department assistant | |
| Rob Henning | .... | set dresser | |
| David Keir | .... | propmaker | |
| Eric LaBonte | .... | set dresser | |
| Linda Larmon | .... | construction medic | |
| Eddie Lozano | .... | painter | |
| Heather Mages | .... | set dresser | |
| Jon Reynolds | .... | graphic artist | |
| Mark Richardson | .... | props | |
| Abigail Sheiner | .... | art department coordinator | |
| Jeff Shewbert | .... | propmaker foreperson | |
| Lindsey Sjoberg | .... | art department assistant | |
| Robin Spoon | .... | painter | |
| Robin Spoon | .... | stand-by painter | |
| Mark Villalobos | .... | set dresser | |
| Michael Wohlers | .... | plasterer | |
Sound Department | |||
| Mike Anderson | .... | cable person | |
| Mike Anderson | .... | utility sound | |
| Barney Cabral | .... | supervising sound editor | |
| Patrick Cyccone Jr. | .... | sound re-recording mixer | |
| Paul Drenning | .... | adr mixer | |
| Richard Dwan Jr. | .... | sound editor | |
| Adam Jenkins | .... | sound re-recording mixer | |
| Stacey Michaels | .... | adr mixer | |
| Joe Michalski | .... | boom operator | |
| Nick Neutra | .... | foley supervisor | |
| Perry Robertson | .... | supervising sound editor | |
| Buck Robinson | .... | sound mixer | |
| John Rotondi | .... | sound engineer | |
| Scott Sanders | .... | sound designer | |
| Christopher Sidor | .... | sound recordist | |
| Geordy Sincavage | .... | foley mixer | |
| Kevin Zimmerman | .... | assistant sound editor | |
Special Effects by | |||
| Jamie Grove | .... | special effects assistant | |
| Anthony Julio | .... | special effects assistant | |
| Mark Maitre | .... | special effects assistant | |
| Brian Rae | .... | special effects assistant | |
| Ron Rosegard | .... | special effects foreman | |
| Wayne Toth | .... | special effects makeup | |
| Chris Zega | .... | special effects assistant | |
Visual Effects by | |||
| Ulysses Argetta | .... | digital compositor | |
| Neil Blevins | .... | visual effects | |
| David Booth | .... | scanning & recording | |
| Stephan Vladimir Bugaj | .... | visual effects | |
| John Daro | .... | digital intermediate editor | |
| Lyndal Heathwood | .... | digital artist | |
| Jason Johnston | .... | visual effects | |
| Anne Kurtzman | .... | project coordinator | |
| Robert Kurtzman | .... | visual effects supervisor | |
| Dave Matherly | .... | digital effects artist | |
| Stephen J. Parker | .... | technical director | |
| Franklin Purtiman | .... | digital effects artist | |
| David Rosenthal | .... | digital film I/O supervisor: Fotokem Film & Video | |
| Andrew Sagar | .... | digital effects artist | |
| Vincent Toscano | .... | digital effects artist | |
| Alan Tuskes | .... | digital effects artist | |
| Jun Watanabe | .... | digital effects artist | |
| Bill Zahn | .... | visual effects | |
Stunts | |||
| Lesley Aletter | .... | stunt double: Sheri Moon | |
| John Ashker | .... | stunt double | |
| Dana Berry | .... | stunts | |
| Joey Box | .... | stunt double | |
| Chris Carnel | .... | stunt double | |
| Chris Carnel | .... | stunt double: Bill Moseley | |
| Mark Chadwick | .... | stunt double | |
| Tim Connolly | .... | stunts | |
| Christopher Doyle | .... | stunt cop (as Chris Doyle) | |
| Rosine 'Ace' Hatem | .... | stunt double: P.J. Soles (as Ace Hatem) | |
| Kane Hodder | .... | stunt coordinator | |
| Rick McCallum | .... | stunt double: Captain Spaulding | |
| Cole S. McKay | .... | stunt cop | |
| Roger W. Morrissey | .... | stunt double: Matthew McGrory (as Roger Morrissey) | |
| Cheryl Rusa | .... | stunt fire safety | |
| Paul E. Short | .... | stunt double: William Forsythe | |
| Jim Vickers | .... | stunt fire safety | |
| Bobby Waldron | .... | stunt performer | |
| Gary J. Wayton | .... | stunt performer | |
| Cindy Yohnka | .... | stunt double: Leslie Easterbrook | |
| Merritt Yohnka | .... | stunt cop | |
Casting Department | |||
| Jennifer Bender | .... | extras casting | |
| Dominika Posserén | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Joe Diaz | .... | costumer (as Joe Diaz Jr.) | |
| Marta Villalobos | .... | costumer | |
Editorial Department | |||
| Jenny Cho | .... | post-production assistant | |
| Christi Franck | .... | post-production assistant | |
| Justin C. Green | .... | first assistant editor | |
| Mark McCoy | .... | post-production coordinator | |
| John Nicolard | .... | digital intermediate supervisor | |
| Bill Schultz | .... | digital intermediate executive | |
| Walter Volpatto | .... | digital intermediate artist | |
Music Department | |||
| Joel C. High | .... | music supervisor | |
| Georgiana Ramsland | .... | music editor | |
| Rebecca Rienks | .... | music assistant | |
| Tom Rowland | .... | music supervisor | |
| Tim Williams | .... | orchestrator | |
| Dan Ostermann | .... | musician: trombone (uncredited) | |
Transportation Department | |||
| Richard G. Almo | .... | driver | |
| Mark L. Basler | .... | driver | |
| Mike Belt | .... | driver: mechanic | |
| Cam Correa | .... | driver | |
| Angel Desanti | .... | transportation co-captain | |
| Samuel J. Fernandez Jr. | .... | driver | |
| Chris Gallegos | .... | driver | |
| Daniel Gordon | .... | driver | |
| Thomas A. Gordon | .... | driver | |
| Geno Hart | .... | transportation coordinator | |
| Chris Haynes | .... | driver | |
| Philip Henderson | .... | driver: water truck | |
| Kirk Huston | .... | transportation captain | |
| Alfie Jensen | .... | driver | |
| Hugh Kelly | .... | transportation | |
| Steve Larson | .... | transportation dispatcher | |
| James 'Obee' Oberman | .... | driver | |
| Adam Pinkstaff | .... | driver | |
| John Siedenburg | .... | driver | |
| Chris Walden | .... | driver | |
| Dave Walden Jr. | .... | driver | |
Other crew | |||
| Victor Amesquita | .... | production assistant | |
| Zack Atkinson | .... | set production assistant | |
| Lillian Awa | .... | production assistant | |
| Bree Bailey | .... | assistant: Michael Paseornek | |
| Susan Bannout | .... | set medic | |
| Cassandra Barbour | .... | rights and clearances | |
| Thom Buckley | .... | set production assistant | |
| Michael G. Cruz | .... | assistant to director | |
| Rory Dauson | .... | key assistant location manager | |
| Elizabeth Dixon | .... | business affairs coordinator | |
| Chloe Finch | .... | daily production assistant | |
| Katrina Francis | .... | digital effects intern | |
| Katrina Francis | .... | intern | |
| Lawrence Gaba | .... | first assistant accountant | |
| Lisa Gooding | .... | legal supervisor | |
| Laura Howell | .... | publicist | |
| Tom Keniston | .... | production auditor (as Thomas F Keniston) | |
| Ryan Krayser | .... | production assistant | |
| Nicole Kreuzer | .... | lead stand-in | |
| Barrett Loose | .... | office production assistant | |
| Connie Marie Lynch | .... | set production assistant | |
| Daniel MacArthur | .... | production coordinator: Lions Gate Films | |
| Kyle Mann | .... | production consultant | |
| George McDowell Agnew | .... | location manager | |
| Robert M. Melnik | .... | executive vice president of business affairs | |
| Curtis A. Miller | .... | director of production: Lions Gate Films | |
| Micha Owens | .... | office production assistant | |
| Emily Rice | .... | post-production accountant | |
| Diane Rosenberg | .... | production coordinator | |
| Erin M. Royer | .... | assistant: Mike Elliott (as Erin Royer) | |
| Sandy Schklair | .... | script supervisor | |
| Laura Sevier | .... | rights and clearances | |
| Amanda Shamis | .... | business affairs coordinator | |
| Kelley Sims | .... | first assistant accountant | |
| Donna Sloan | .... | senior vice president of production: Lions Gate Films | |
| Bernhard Speck | .... | production controller: Cinerenta | |
| Sophia Tapia | .... | payroll accountant | |
| Ryan Tighe | .... | production assistant | |
| Christopher Touchton | .... | set production assistant | |
| Brad Vancata | .... | visual consultant | |
| Jereme Watt | .... | assistant: Michael Ohoven | |
| Jodie Wilson | .... | assistant: Rob Zombie | |
Thanks | |||
| Aine Leicht | .... | special thanks | |
| Matthew McGrory | .... | in loving memory | |
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Let me start off by saying I was very, very disappointed with "House of 1000 Corpses". It was overly-fast-paced to the point where it seemed like the only people who could enjoy it were those with ADD. It was also suffering from a lack of gore and carnage, something rather surprising from the horror aficionado that Mr. Zombie is. On top of that, it was a complete rip-off of "The Texas Chainsaw Massacre" (1974), which is a much better film anyway. All Zombie did differently was add neon lights.
So, my expectations for "The Devil's Rejects" really weren't very high. But I began hearing reviews from people who saw the film before it was released saying that it was very different and much better than "House". And then I saw the previews, which looked promising. So, my expectations went up just a little. However, I was still pretty weary. I just wasn't sure if I could trust Zombie. But I went into the theater with an open mind. The lights dimmed. And what I saw was the glorious return of the true horror film. Rob Zombie more than redeemed himself with this brutal, funny, and utterly spectacular film. He worked out all the pacing kinks of "House", took away the flashy neon-light look, and replaced them with a gritty, violent masterpiece of terror.
"The Devil's Rejects" follows the three surviving members of the psychotic murderer family from "House of 1000 Corpses", who have been given the nickname "The Devil's Rejects" by the locals. They're on the run from the police, and along the way, they just happen to engage in murder, blasphemy, and sexual abuse. The exploitation fan inside of me rejoiced. In a twisted away, I loved everything I was seeing. And on top of all of this, Rob Zombie managed to put together just about the best mix of snappy dialogue and music I've witnessed since "Pulp Fiction". He even made me dig "Freebird", and I REALLY dislike Lynyrd Skynyrd.
This has been a truly wonderful summer for horror fans. First, the French terror masterpiece, "High Tension", then George A. Romero's excellent return to form, "Land of the Dead", and now, Rob Zombie's truly glorious coming-into-his-own-as-a-filmmaker, "The Devil's Rejects". Let's just hope Lion's Gate has the balls to give him another film.
9/10