Heidi, a radio DJ, is sent a box containing a record -- a "gift from the Lords." The sounds within the grooves trigger flashbacks of her town's violent past. Is Heidi going mad, or are the Lords back to take revenge on Salem, Massachusetts?
Sheri Moon Zombie,
After being committed for 17 years, Michael Myers, now a grown man and still very dangerous, escapes from the mental institution (where he was committed as a 10 year old) and he immediately returns to Haddonfield, where he wants to find his baby sister, Laurie. Anyone who crosses his path is in mortal danger.
Desperate to repay his debt to his ex-wife, an ex-con plots a heist at his new employer's country home, unaware that a second criminal has also targeted the property, and rigged it with a series of deadly traps.
Five people are kidnapped on the days leading up to Halloween and held hostage in a place called Murder World. While trapped, they must play a violent game called 31 where the mission is to survive 12 hours against a gang of evil clowns.
In Ruggsville, Texas, the police under the command of Sheriff John Quincy Wydell attack the house of the sadistic serial killers Firefly family (a.k.a. The Devil's Reject) and they arrest mother Firefly, but Otis B. Driftwood and Baby Firefly escape from the siege. Tiny is wandering nearby the house and also escapes. Otis and Baby call their patriarch, the mad clown Captain Spaulding and they schedule to reunite at an isolated motel in the desert. When Otis and Baby arrive, they kidnap two families of singers, using sadism and violence against the harmless persons. Meanwhile, Sheriff Wydell promises to capture and kill the runaways, seeking revenge for the death of his brother, the Deputy George Wydell. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The shoot out at the beginning of the film is very reminiscent of Australian bush-ranger Ned Kelly and his gang's last stand at Glenrowan. The armor, and the scene's presentation, are very similar to other film representations of Ned Kelly's tragic final defense. See more »
When Otis, Spaulding, and Baby leave the Firefly home as it's burning down, the Cadillac has a rear-view mirror. Later on the road and as they drive up to the road-block it's gone. See more »
Otis B. Driftwood:
That's what they all say "Fuck you", well it ain't gonna save you. It don't scare me none and it don't suddenly make you a fucking hero.
See more »
The DVD release is altered to include "In Memory of Matthew McGrory" at the end of the film, just before the credits. The theatrical release did not include this, as Matthew McGrory was still alive. See more »
Performed by David Essex
Written by David Essex
Published by Stage Three Songs, Inc. (ASCAP)
Administered by Bug
Courtesy of Columbia Records and Sony BMG Music Entertainment (UK) Ltd.
By Arrangement with Sony BMG Music Licensing See more »
The Devil's Rejects is not always an easy film to watch
The Devil's Rejects is not always an easy film to watch. It has a genuine savagery that makes recent films such as Hostel or Saw II, non spectacular though they were, appear rather tame.
I think part of the reason the film is such uncomfortable viewing is through Rob Zombie's creation of a strong sense of ambiguity as to who we are supposed to sympathise with- who are the antagonists and the protagonists? Initially things seem quite clean cut- psychopathic killers= evil, Sheriff on a vigilante mission = good, but then the lines blur. The Sheriff turns nasty, yet we the audience take joy in his sadism- are we as bad as these killers? And at the same time we the audience feel flashes of sympathy for the killers too- through glimpses of their own, warped domestic bliss. This is interesting and
one that gets under your skin and disturbs.
I have to mention the humour also- which is also a nice contrast to darkness, though some of the humour is very close to the edge- you DO need those moments of light relief, to prevent the proceedings becoming completely grimy and depressing.
The only main downside of this film is it does at times feel overly long, almost deliberately drawn out,and that can distract from the intensity of things.
Personally this film marks a huge improvement for Rob Zombie after the debacle that was House Of 1000 Corpses, a masturbatory fan boy effort which had an okay build up but quickly descended into cartoony drivel. With The Devil's Rejects Rob Zombie seems to have shifted focus from being a kid with a film camera and a budget, and shifted focus on telling a story, and making the audience FEEL something, and he actually does a pretty good job of it too.
Special mention has to go to Sheri Moon. A real delight to watch. I can't help but smile when I see her on screen- I wouldn't be at all surprised if she finds herself with a huge gay following. A lovely mixture of sassiness, innocence and an edge of something slightly darker. I like her a lot- well at least when she's not making racist playground chants fashionable again.
I'm actually excited now about Zombie's remake/ reinvention/ prequel of Halloween. Okay so the term "remake/ reinvention/ prequel" fills me with an underlying sense of dread, but I'm going to breathe out and try trust Rob Zombie on this one. If nothing else, I know it'll be anything but bland.
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