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Desperate to repay his debt to his ex-wife, an ex-con plots a heist at his new employer's country home, unaware that a second criminal has also targeted the property, and rigged it with a series of deadly traps.
Director:
Marcus Dunstan
Stars:
William Prael,
Juan Fernández,
Josh Stewart
Jigsaw and his apprentice Amanda are dead. Now, upon the news of Detective Kerry's murder, two seasoned FBI profilers, Agent Strahm and Agent Perez, arrive in the terrified community to ... See full summary »
Director:
Darren Lynn Bousman
Stars:
Tobin Bell,
Costas Mandylor,
Scott Patterson
A psychological thriller based on the concept of anamorphosis, a painting technique that manipulates the laws of perspective to create two competing images on a single canvas.
Following Jigsaw's grisly demise, Mark Hoffman, the final apprentice to the serial killer is deigned a hero. Meanwhile, Agent Strahm continues to track Hoffman while another group of strangers are put through a series of gruesome traps.
Director:
David Hackl
Stars:
Tobin Bell,
Costas Mandylor,
Scott Patterson
As sadomasochistic yakuza enforcer Kakihara searches for his missing boss he comes across Ichi, a repressed and psychotic killer who may be able to inflict levels of pain that Kakihara has only dreamed of.
In Ruggsville, Texas, the police under the command of Sheriff John Quincy Wydell attack the house of the sadistic serial killers Firefly family (a.k.a. The Devil's Reject) and they arrest mother Firefly, but Otis B. Driftwood and Baby Firefly escape from the siege. Tiny is wandering nearby the house and also escapes. Otis and Baby call their patriarch, the mad clown Captain Spaulding and they schedule to reunite at an isolated motel in the desert. When Otis and Baby arrive, they kidnap two families of singers, using sadism and violence against the harmless persons. Meanwhile, Sheriff Wydell promises to capture and kill the runaways, seeking revenge for the death of his brother, the Deputy George Wydell. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The shoot out at the beginning of the film is very reminiscent of Australian bush-ranger Ned Kelly and his gang's last stand at Glenrowan. The armor, and the scene's presentation, are very similar to other film representations of Ned Kelly's tragic final defense. See more »
Goofs
When Wendy Banjo escapes the hotel room she knocks on room 2 for help. Earlier they show Jimmy entering room 2 where they were being held. See more »
Quotes
Candy:
What you lookin' at?
Otis B. Driftwood:
I'm lookin' at you, mama.
Candy:
Yeah, you see something you like?
Otis B. Driftwood:
Maybe. I set my standards pretty low, so I'm never disappointed.
Candy:
Oh, well I don't disappoint.
See more »
Crazy Credits
The DVD release is altered to include "In Memory of Matthew McGrory" at the end of the film, just before the credits. The theatrical release did not include this, as Matthew McGrory was still alive. See more »
"Rocky Mountain Way"
Performed by Joe Walsh
Written by Joe Walsh, Joe Vitale, Kenneth Passarelli, and Rocke Grace
Published by Songs of Universal, Inc. o/b/o itself and Barn Storm Music, Inc. and Belkin Music
Courtesy of Geffen Records
Under license from Universal Music Enterprises See more »
This movie has some classic ingredients for a great horror movie. Interesting characters, some really vile gore scenes, bad language, unnecessary nudity, and some familiar faces; Leslie Easterbrook (from the Police Academy movies), Ken Foree (the original Dawn Of The Dead), 80's pop singer/actress E.G. Daily and Michael Berryman (The Hills Have Eyes) provide more than enough nostalgia for retro junkies, like myself.
The story isn't overly fast paced but the gore can be thick and pretty relentless and is at times implied rather than shown which I think adds to the experience. I really enjoyed Leslie Easterbrook as Mother Firefly (replacing Karen Black who was in the first movie, House Of 1000 Corpses). She does some wonderful overacting in her scenes, it's a shame she wasn't in it more, same goes for E.G. Daily who plays a sassy hooker. In fact everyone was great in their parts, let's face it this is not Shakespeare - this is a horror movie, I for one demand hammy over the top performances and a bit of camp! I don't want to give anything away but I will say my favourite scenes involved Mother Firefly and the sheriff, and Captain Spaulding and a mother and child. If you enjoyed House Of 1000 Corpses, this is a superior sequel in my mind and you wont be disappointed. If your idea of horror is a glossy PG-13 rated remake you might want to try weaning yourself onto this kind of movie with something a little less extreme.
122 of 215 people found this review helpful.
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This movie has some classic ingredients for a great horror movie. Interesting characters, some really vile gore scenes, bad language, unnecessary nudity, and some familiar faces; Leslie Easterbrook (from the Police Academy movies), Ken Foree (the original Dawn Of The Dead), 80's pop singer/actress E.G. Daily and Michael Berryman (The Hills Have Eyes) provide more than enough nostalgia for retro junkies, like myself.
The story isn't overly fast paced but the gore can be thick and pretty relentless and is at times implied rather than shown which I think adds to the experience. I really enjoyed Leslie Easterbrook as Mother Firefly (replacing Karen Black who was in the first movie, House Of 1000 Corpses). She does some wonderful overacting in her scenes, it's a shame she wasn't in it more, same goes for E.G. Daily who plays a sassy hooker. In fact everyone was great in their parts, let's face it this is not Shakespeare - this is a horror movie, I for one demand hammy over the top performances and a bit of camp! I don't want to give anything away but I will say my favourite scenes involved Mother Firefly and the sheriff, and Captain Spaulding and a mother and child. If you enjoyed House Of 1000 Corpses, this is a superior sequel in my mind and you wont be disappointed. If your idea of horror is a glossy PG-13 rated remake you might want to try weaning yourself onto this kind of movie with something a little less extreme.