Heidi, a radio DJ, is sent a box containing a record -- a "gift from the Lords." The sounds within the grooves trigger flashbacks of her town's violent past. Is Heidi going mad, or are the Lords back to take revenge on Salem, Massachusetts?
Sheri Moon Zombie,
After being committed for 17 years, Michael Myers, now a grown man and still very dangerous, escapes from the mental institution (where he was committed as a 10 year old) and he immediately returns to Haddonfield, where he wants to find his baby sister, Laurie. Anyone who crosses his path is in mortal danger.
Five people are kidnapped on the days leading up to Halloween and held hostage in a place called Murder World. While trapped, they must play a violent game called 31 where the mission is to survive 12 hours against a gang of evil clowns.
Sheri Moon Zombie
In Ruggsville, Texas, the police under the command of Sheriff John Quincy Wydell attack the house of the sadistic serial killers Firefly family (a.k.a. The Devil's Reject) and they arrest mother Firefly, but Otis B. Driftwood and Baby Firefly escape from the siege. Tiny is wandering nearby the house and also escapes. Otis and Baby call their patriarch, the mad clown Captain Spaulding and they schedule to reunite at an isolated motel in the desert. When Otis and Baby arrive, they kidnap two families of singers, using sadism and violence against the harmless persons. Meanwhile, Sheriff Wydell promises to capture and kill the runaways, seeking revenge for the death of his brother, the Deputy George Wydell. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The film originally had a subplot involving scenes with Dr. Satan. In an interview, Rob Zombie said that he cut these scenes because seeing Dr. Satan in this film would be like seeing Chewbacca in Bonnie and Clyde (1967). Zombie then went on to explain that all the Dr. Satan scenes would be restored in the "deleted scenes" section of the the DVD. See more »
When Mother Firefly is showing Sheriff Wydell the next book from the pile, before she takes it, the book on the table is closed. But when she takes the next one off the pile, it is open. See more »
[in the motel room]
So what do you wanna do?
[Gloria shakes head]
[screams from a window in the bathroom]
I knew that fucking cunt would do something stupid! Shut up! Open the fucking door! Open the goddamn door!
[pulls a gun on Baby]
[continues screaming after breaking the window]
Somebody help me!
[back to motel room]
What are you gonna do? Shoot me? What did I ever really do to you?
[holding a knife behind her back]
I swear I'll do it! I'll kill you!
[...] See more »
The DVD release is altered to include "In Memory of Matthew McGrory" at the end of the film, just before the credits. The theatrical release did not include this, as Matthew McGrory was still alive. See more »
Dark was the Night, Cold was the Ground
Performed by 'Blind Willie Johnson'
Written by 'Blind Willie Johnson'
Published by Alpha Music Inc./TRF Music Inc.
Courtesy of Columbia Records
By Arrangement with Sony BMG Music Entertainment See more »
Homicidal maniacs have a field day in Rob Zombie's The Devil's Rejects, an ultra violent spin-off from Zombie's critically reviled 2003 debut, House of 1,000 Corpses. As Zombie continues to cultivate his name-brand variety of extreme horror and splatter-film homage, he definitely takes his place among connoisseurs of carnage. In the case of The Devil's Rejects, several characters from 1,000 Corpses return for another marathon of mayhem, as the murderous Firefly family (led by Sid Haig as the maniacal "Captain Spaulding") turn their bloody wrath against hostages in a fleabag motel, while the local sheriff (William Forsythe) plots revenge against them for the killing of his brother. Before their inevitable showdown, Zombie has plenty of fun--perhaps a little too much fun--indulging his penchant for sick, sadistic humor and gruesome atrocity. Clearly, Zombie fancies himself as horror's answer to Quentin Tarantino, but he lacks Tarantino's gift for riveting plots and escalating tension. Instead, The Devil's Rejects is just raw, rampant excess from start to finish, paying visual tribute to gruesome classics from the '70s and guaranteed to earn the cult status that Zombie is all too obviously aiming for. He's an unabashed horror buff who's carving a niche in the genre he loves, shamelessly satisfying a small but loyal audience of sicko-pants.
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