Heidi, a radio DJ, is sent a box containing a record - a "gift from the Lords". The sounds within the grooves trigger flashbacks of her town's violent past. Is Heidi going mad, or are the Lords back to take revenge on Salem, Massachusetts?
Sheri Moon Zombie,
Five carnival workers are kidnapped and held hostage in an abandoned, Hell-like compound where they are forced to participate in a violent game, the goal of which is to survive twelve hours against a gang of sadistic clowns.
Jeff Daniel Phillips
In Ruggsville, Texas, the police under the command of Sheriff John Quincy Wydell attack the house of the sadistic serial killers Firefly family (a.k.a. The Devil's Reject) and they arrest mother Firefly, but Otis B. Driftwood and Baby Firefly escape from the siege. Tiny is wandering nearby the house and also escapes. Otis and Baby call their patriarch, the mad clown Captain Spaulding and they schedule to reunite at an isolated motel in the desert. When Otis and Baby arrive, they kidnap two families of singers, using sadism and violence against the harmless persons. Meanwhile, Sheriff Wydell promises to capture and kill the runaways, seeking revenge for the death of his brother, the Deputy George Wydell. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The blue van's plate spells AKU, which means 'evil' in Japanese. See more »
When Otis and Baby are driving to the motel, on the dashboard
there is a closed box of cigarettes, yet in the next shot they are open. See more »
Billy Ray Snapper:
When we get done with them, they're gonna think King Kong came down from Skull Mountain and raped them a new fucking asshole!
See more »
The DVD release is altered to include "In Memory of Matthew McGrory" at the end of the film, just before the credits. The theatrical release did not include this, as Matthew McGrory was still alive. See more »
I Can't Quit You Baby
Performed by Otis Rush
Written by Willie Dixon
Published by Hoochie Coochie Music (BMI)
Administered by Bug
The American Folk Blues Festival Clip Courtesy of Reelin' In the Years Productions LLC
Otis Rush's likeness courtesy of Bates Meyer Inc. See more »
The Devil's Rejects is not always an easy film to watch
The Devil's Rejects is not always an easy film to watch. It has a genuine savagery that makes recent films such as Hostel or Saw II, non spectacular though they were, appear rather tame.
I think part of the reason the film is such uncomfortable viewing is through Rob Zombie's creation of a strong sense of ambiguity as to who we are supposed to sympathise with- who are the antagonists and the protagonists? Initially things seem quite clean cut- psychopathic killers= evil, Sheriff on a vigilante mission = good, but then the lines blur. The Sheriff turns nasty, yet we the audience take joy in his sadism- are we as bad as these killers? And at the same time we the audience feel flashes of sympathy for the killers too- through glimpses of their own, warped domestic bliss. This is interesting and
one that gets under your skin and disturbs.
I have to mention the humour also- which is also a nice contrast to darkness, though some of the humour is very close to the edge- you DO need those moments of light relief, to prevent the proceedings becoming completely grimy and depressing.
The only main downside of this film is it does at times feel overly long, almost deliberately drawn out,and that can distract from the intensity of things.
Personally this film marks a huge improvement for Rob Zombie after the debacle that was House Of 1000 Corpses, a masturbatory fan boy effort which had an okay build up but quickly descended into cartoony drivel. With The Devil's Rejects Rob Zombie seems to have shifted focus from being a kid with a film camera and a budget, and shifted focus on telling a story, and making the audience FEEL something, and he actually does a pretty good job of it too.
Special mention has to go to Sheri Moon. A real delight to watch. I can't help but smile when I see her on screen- I wouldn't be at all surprised if she finds herself with a huge gay following. A lovely mixture of sassiness, innocence and an edge of something slightly darker. I like her a lot- well at least when she's not making racist playground chants fashionable again.
I'm actually excited now about Zombie's remake/ reinvention/ prequel of Halloween. Okay so the term "remake/ reinvention/ prequel" fills me with an underlying sense of dread, but I'm going to breathe out and try trust Rob Zombie on this one. If nothing else, I know it'll be anything but bland.
17 of 21 people found this review helpful.
Was this review helpful to you?