| Photos (See all 72 | slideshow) | Videos (see all 13) |
| Jennifer Garner | ... | Gray | |
| Timothy Olyphant | ... | Fritz | |
| Sam Jaeger | ... | Dennis | |
| Kevin Smith | ... | Sam | |
| Juliette Lewis | ... | Maureen | |
| Joshua Friesen | ... | Mattie | |
| Fiona Shaw | ... | Mrs. Douglas | |
| Tina Lifford | ... | Eve | |
| Georgia Craig | ... | Persephone | |
| Christopher Redman | ... | Flower Delivery Guy | |
| Joyce Krenz | ... | Housekeeper | |
| Sonja Bennett | ... | Caterer | |
| Yorgo Constantine | ... | Co-Worker | |
| Dan Parker | ... | Deadhead Singer | |
| Nancy Hower | ... | Deadhead Singer | |
| Jennifer Spence | ... | Comforting Friend | |
| Kyla Wise | ... | Comforting Friend (as Kyla Anderson) | |
| Leanna Nash | ... | Comforting Friend | |
| Wendy Noel | ... | Comforting Friend | |
| Leslie McMichael | ... | Jogstroller (as Leslie McMichaels) | |
| Michael Adamthwaite | ... | Cowboy | |
| John B. Destry | ... | Paint Salesman | |
| Nancy Wetzel | ... | Cyclist | |
| Dillard Brinson | ... | Michael Soltman | |
| Sacha Levin | ... | Drummer | |
| Terence Kelly | ... | Mr. Wheeler | |
| Gabrielle Rose | ... | Mrs. Wheeler | |
| rest of cast listed alphabetically: | |||
| Darren Daurie | ... | Ambulance Attendent (uncredited) | |
| Marcus Hondro | ... | Principal (uncredited) | |
Directed by | |||
| Susannah Grant | |||
Writing credits(WGA) | ||
| Susannah Grant | (written by) | |
Produced by | |||
| Casey Grant | .... | executive producer (as B. Casey Grant) | |
| Ryan Kavanaugh | .... | executive producer | |
| Josh Siegel | .... | associate producer (as Joshua Siegel) | |
| Lynwood Spinks | .... | executive producer | |
| Jenno Topping | .... | producer | |
Original Music by | |||
| BT | |||
| Tommy Stinson | |||
Cinematography by | |||
| John Lindley | (director of photography) | ||
Film Editing by | |||
| Anne V. Coates | |||
Casting by | |||
| Deborah Aquila | |||
| Jennifer L. Smith | (as Jennifer Smith) | ||
| Tricia Wood | |||
Production Design by | |||
| Brent Thomas | |||
Art Direction by | |||
| Shannon Grover | |||
Set Decoration by | |||
| Lesley Beale | |||
| Brian Kane | (uncredited) | ||
| Josh Skye | (uncredited) | ||
Costume Design by | |||
| Tish Monaghan | |||
Makeup Department | |||
| Deborah La Mia Denaver | .... | makeup artist: Ms. Garner (as Deborah LaMia Denaver) | |
| Michael Reitz | .... | hair stylist: Ms. Garner | |
| Forest Sala | .... | key hair stylist | |
| Janet Sala | .... | assistant hair stylist (as Janet A. Sala) | |
| Margaret Solomon | .... | assistant makeup artist | |
| Angela Wood | .... | key makeup artist | |
Production Management | |||
| Greg Babcock | .... | unit production manager: Colorado | |
| Yvonne Melville | .... | unit production manager | |
| Yvonne Yaconelli | .... | production supervisor: additional photography (uncredited) | |
Second Unit Director or Assistant Director | |||
| Shelley Kreutz | .... | dgc trainee | |
| Karen Margolese | .... | second assistant director | |
| Richard Oswald | .... | second assistant director: Colorado | |
| Lori K. Peterson | .... | third assistant director | |
| David Sardi | .... | first assistant director | |
| Christian Clarke | .... | second second assistant director: Colorado (uncredited) | |
| Angie Nolan | .... | additional assistant director (uncredited) | |
Art Department | |||
| Tara Arnett | .... | graphics | |
| Derek Bobroff | .... | standby painter | |
| Steve Craine | .... | paint coordinator | |
| Jim Easton | .... | illustrator | |
| Haida Harper | .... | assistant props | |
| Erich Hepnar | .... | head greens | |
| Bryan Korenberg | .... | property master | |
| Derick McLeod | .... | construction coordinator | |
| Bryan Pederson | .... | construction foreman | |
| Macleod Sinclaire | .... | on-set dresser | |
| David Tait | .... | standby carpenter | |
| Andy Thornton | .... | construction foreman | |
| Faye Thorp | .... | assistant set decorator | |
| Ann Marie Auricchio | .... | painter (uncredited) | |
| Robin Bartlett-Asnicar | .... | assistant props (uncredited) | |
| Peter Christian Combe | .... | scenic painter (uncredited) | |
| Laurie Edmundson | .... | lead set dresser (uncredited) | |
| Laura Evans | .... | set decorations buyer: additional photography (uncredited) | |
| Andrew Glavina | .... | signwriter (uncredited) | |
| Paul Jenkinson | .... | lead set dresser (uncredited) | |
| Savanna Johnson | .... | art department production assistant (uncredited) | |
| John B. Keys | .... | scenic artist (uncredited) | |
| Dylan Kiszlowski | .... | assistant art director (uncredited) | |
| Ray Lai | .... | graphic artist: backdrops (uncredited) | |
| Andrew Li | .... | set designer (uncredited) | |
| Peter Lieshout | .... | painter (uncredited) | |
| Audra Neil | .... | set buyer (uncredited) | |
| Dan Petrescu | .... | lead painter (uncredited) | |
| Chris Rae | .... | lead carpenter (uncredited) | |
| Jim Ramsay | .... | set designer (uncredited) | |
| Guy Roland | .... | set dresser (uncredited) | |
| Ben Rusi | .... | leadman (uncredited) | |
| David Schulte | .... | construction foreman: Colorado (uncredited) | |
| Sean Will | .... | lead painter (uncredited) | |
Sound Department | |||
| David Arnold | .... | dialogue editor | |
| Michael J. Benavente | .... | supervising sound editor | |
| Gary C. Bourgeois | .... | supervising sound mixer (as Gary Bourgeois) | |
| Sarah Bourgeois | .... | assistant sound editor | |
| Teri E. Dorman | .... | dialogue editor | |
| Anthony J. Giacinti | .... | boom operator (as Tony Giacinti) | |
| Vincent Guisetti | .... | foley artist | |
| Todd Harris | .... | assistant sound editor (as Todd M. Harris) | |
| Suhail Kafity | .... | sound effects editor (as Suhail F. Kafity) | |
| Pamela Kahn | .... | foley artist (as Pamela Nedd Kahn) | |
| Howard London | .... | adr mixer | |
| David McGuire | .... | assistant sound editor | |
| Howard Neiman | .... | foley supervisor | |
| Greg Orloff | .... | supervising sound mixer | |
| Mark Pappas | .... | foley editor | |
| Kyle Rochlin | .... | foley mixer | |
| Larry Sutton | .... | sound mixer | |
| Greg ten Bosch | .... | sound effects editor | |
| Thomas Giordano | .... | boom operator: re-shoots, Los Angeles (uncredited) | |
| Carmen Verin | .... | sound assistant (uncredited) | |
Special Effects by | |||
| William H. Orr | .... | special effects coordinator | |
| John Wilkinson | .... | special effects technician (as John A. Wilkinson) | |
| Teresa Wilkinson | .... | special effects technician | |
Visual Effects by | |||
| Scott Gregory | .... | digital colorist | |
| Gregory L. McMurry | .... | visual effects supervisor | |
| Andrew Cochrane | .... | motion tracking (uncredited) | |
| Don Lee | .... | visual effects supervisor: Pixel Playground Inc. (uncredited) | |
| Kim Lee | .... | visual effects producer: Pixel Playground (uncredited) | |
| Rob Menapace | .... | motion control operator (uncredited) | |
| Mark Robben | .... | digital compositor: Pixel Playground (uncredited) | |
| John Scheer | .... | digital intermediate editor (uncredited) | |
| Wilson Tang | .... | digital restoration (uncredited) | |
| Everette Webber | .... | digital intermediate editor (uncredited) | |
Stunts | |||
| Trevor Addie | .... | stunts | |
| Shauna Duggins | .... | stunts | |
| Kylie Furneaux | .... | stunts | |
| Chris Sayour | .... | stunts | |
| Marshall Virtue | .... | stunt coordinator | |
Casting Department | |||
| Susan Taylor Brouse | .... | casting: Canada (as Susan Brouse) | |
| Andrea Brown | .... | extras casting | |
| Lynne Carrow | .... | casting: Canada | |
| Nina Gold | .... | casting: U.K. | |
| Larkin MacKenzie-Ast | .... | casting assistant: Canada | |
| Jennifer Ricchiazzi | .... | casting assistant | |
| Ambika Leigh | .... | extras casting associate: Second Unit (uncredited) | |
| Jennifer L. Smith | .... | casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Elaine Arsens | .... | costumer | |
| Maria Bradley | .... | costumer: Ms. Garner | |
| Karin Nosella | .... | assistant costume designer | |
| Katie Saunders | .... | key costumer: Colorado (as Kathleen Saunders) | |
| Sandra Watson | .... | costume supervisor | |
| Jennifer Grossman | .... | costumer (uncredited) | |
Editorial Department | |||
| Bradford L. Dean | .... | assistant editor (as Brad Dean) | |
| Scott Gregory | .... | digital film colorist | |
| Mo Henry | .... | negative cutter | |
| Robb Porter | .... | post-production assistant: Modern VideoFilm | |
| Alain J. Romi | .... | first assistant editor | |
| Zahida Bacchus | .... | digital intermediate producer (uncredited) | |
| Marisa Clayton | .... | post-production coordinator: Modern VideoFilm (uncredited) | |
| Jason Fabbro | .... | video colorist (uncredited) | |
| Jim Passon | .... | color timer (uncredited) | |
| Luis R. Quintero | .... | editorial production assistant (uncredited) | |
| Tyler Ruocco | .... | editorial production assistant (uncredited) | |
| Mark Sahagun | .... | digital intermediate editor (uncredited) | |
Music Department | |||
| Michael DiMattia | .... | composer: additional music | |
| Jennifer Nash | .... | music editor | |
| Brian Trifon | .... | composer: additional music | |
| Mario A. Vitale | .... | assistant music editor (as Mario Vitale) | |
| Michael Friedman | .... | music consultant (uncredited) | |
Transportation Department | |||
| Andrew O'Bray | .... | transportation co-captain | |
| Rob Vreugde | .... | transportation captain | |
| Dan Brizendine | .... | transportation coordinator (uncredited) | |
| Carla Klein | .... | driver (uncredited) | |
| Gracie Klein | .... | transportation captain (uncredited) | |
| Dave Miller | .... | driver: cast (uncredited) | |
| Don Poole | .... | transportation coordinator: re-shoots (uncredited) | |
| Tana Tocher | .... | production driver (uncredited) | |
| Blake Zickefoose | .... | transportation co-captain (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
I saw "Catch and Release" a couple of months ago, the first screening, writer-director Susannah Grant said, of the final cut. It was a very friendly audience, but watching the movie, I couldn't help but feel Grant could have and should have done better.
The film opens promisingly, teasing us and playing with our expectations as we first see Gray (Jennifer Garner) and the circumstances she finds herself in. However, Grant never quite builds on that initial promise and soon "Catch and Release" meanders into traditional romantic comedy territory, complete with the obligatory playful and lovable sidekick - in this case, Sam (Kevin Smith) - and the friend harboring a romantic secret of his own, Dennis (Sam Jaeger).
The crux of the story is Gray's realization that her life is being turned upside down because of what she finds out about a loved one. And - I'm giving away no secrets here, because it is, after all, a romantic comedy - the blossoming romance between her and Fritz (Timothy Olyphant), who at first is seemingly wrong for her. But wanna guess if that will change?
The star of the film is undoubtedly Garner. Just as she did in "13 Going on 30" (2004), she again takes what should be a pedestrian film and boosts it considerably with her undeniable charm. She has a smile that melts the hardest heart and although "Catch and Release" can never shake its conventions, whenever the film entertains, it's mostly because of Garner. She imbues Gray with a vulnerability that's utterly convincing.
Smartly, Grant also gives Smith - essentially playing himself with cleaner language - the film's funniest lines. They're not anything novel, but it's typical Kevin Smith. She also tags on a romantic interest for Sam. It's no surprise, because Grant cannot break the shackles of the genre for something original. You can see the pairing long before it actually happens on screen.
Juliette Lewis seems an oddity in this film. I've not seen her in a film for years and her character tends to grate a bit. Lewis is a good actress, but she seems to get typecast in these off-kilter roles and there's an unmistakable sense we've seen this performance from her before.
Olyphant plays sleazy well - just watch him in the otherwise-forgettable "The Girl Next Door" (2004). In "Catch and Release," his caddish boor actually is a facade. Turns out, this chap's actually a nice guy. He has to be. After all, he has Gray to win over and Grant's doing this by-the-numbers.
And therein lies the film's problem. Despite Grant's admirable attempt to spin the romantic comedy's meet-cute moment, it's hard to believe Gray would fall for a chap who, for the lack of a better phrase, finds carnal comfort at the most unlikely occasions.
Of course, "Catch and Release" has a certain sweetness about it. How can it not when Garner's so adorable. It's polished, looks good; a cut above, say, the odd independent romcoms that tackle the trials and tribulations, the angst and adoration among a group of good friends. But it offers nothing new and relies on a few too many "movie" moments to elicit laughs. Some of those moments are funny, but you get the impression they're not exactly rooted in any realm of reality. Yet, Grant seems to want to lend her story a sense of reality, one that deals with love, loss and forgiveness.
Grant said when she recut her film, she was forced to excise some of Fritz's back story. It doesn't seem warranted, but there seems to be something missing from Fritz. We know the story's moving to get Gray and Fritz together - this is a freakin' Hollywood studio-produced romantic comedy, after all - but it all seems too orchestrated from the beginning.
Is it too much to ask a Hollywood romantic-comedy writer to be even slightly daring? Hollywood-produced romantic comedies, by their very nature, are predictable. You know going in the girl and the guy will wind up together, so it's the journey that is supposed to thrill us. Maybe even surprise us. Grant, however, chooses the safest, and therefore, least surprising, path. She hits all the points a screen writing guru without an ounce of originality would demand be seen in a romcom script. The only novelty here is that Grant got some attractive, appealing and talented actors for her directorial debut. It is they who keep this extremely conventional story from turning unbearable. Though, even Garner's considerable cuteness cannot salvage the film's ending.