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Catch and Release (II) (2006)

6.0
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Ratings: 6.0/10 from 16,403 users   Metascore: 43/100
Reviews: 104 user | 107 critic | 28 from Metacritic.com

A woman struggles to accept the death of her fiancé and the secrets he kept from her as she rebuilds her life.

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Cast

Cast overview, first billed only:
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Sam
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Joshua Friesen ...
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Eve
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Flower Delivery Guy
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Housekeeper
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Caterer
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Co-Worker
Dan Parker ...
Deadhead Singer
Nancy Hower ...
Deadhead Singer
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Storyline

After the sudden death of her fiancé, Gray Wheeler finds comfort in the company of his friends: lighthearted and comic Sam, hyper-responsible Dennis, and, oddly enough, his old childhood buddy Fritz, an irresponsible playboy whom she'd previously pegged as one of the least reliable people in the world. As secrets about her supposedly perfect fiancé emerge, Gray comes to see new sides of the man she thought she knew, and at the same time, finds herself drawn to the last man she ever expected to fall for. Written by Columbia Pictures

Plot Summary | Plot Synopsis

Taglines:

Life is messy...love is messier.

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for sexual content, language and some drug use | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

26 January 2007 (USA)  »

Also Known As:

Catch & Release  »

Filming Locations:

 »

Box Office

Opening Weekend:

$7,658,898 (USA) (26 January 2007)

Gross:

$15,269,668 (USA) (16 February 2007)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(cable)

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Jason Lee was offered the part of Sam but turned it down to provide the voice of Syndrome in The Incredibles (2004). The role was subsequently offered to Kevin Smith. See more »

Goofs

During the bathroom sex scene, Gray's haircut changes several times while she exits the bath. See more »

Quotes

Gray: I think catch and release fisherman are heartless weenies. I think putting a fish through agony for nothing more than your own entertainment is just plain cruel. I think if you're going to torture a living thing if, you're going to make it look into the eyes of its maker, face its own puny little place in the universe, then, for God's sake, have the decency to eat it!
See more »

Connections

References Clerks. (1994) See more »

Soundtracks

Sky Signal
(2005)
Written by Michael Kennedy Jr.
Performed by Audible
Courtesy of Polyvinyl Record Company
Under license from Coda Music
See more »

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User Reviews

 
Plot-wise unsurprising, but buoyed by Garner's charm
27 December 2006 | by (Planet Earth) – See all my reviews

I saw "Catch and Release" a couple of months ago, the first screening, writer-director Susannah Grant said, of the final cut. It was a very friendly audience, but watching the movie, I couldn't help but feel Grant could have and should have done better.

The film opens promisingly, teasing us and playing with our expectations as we first see Gray (Jennifer Garner) and the circumstances she finds herself in. However, Grant never quite builds on that initial promise and soon "Catch and Release" meanders into traditional romantic comedy territory, complete with the obligatory playful and lovable sidekick - in this case, Sam (Kevin Smith) - and the friend harboring a romantic secret of his own, Dennis (Sam Jaeger).

The crux of the story is Gray's realization that her life is being turned upside down because of what she finds out about a loved one. And

  • I'm giving away no secrets here, because it is, after all, a romantic


comedy - the blossoming romance between her and Fritz (Timothy Olyphant), who at first is seemingly wrong for her. But wanna guess if that will change?

The star of the film is undoubtedly Garner. Just as she did in "13 Going on 30" (2004), she again takes what should be a pedestrian film and boosts it considerably with her undeniable charm. She has a smile that melts the hardest heart and although "Catch and Release" can never shake its conventions, whenever the film entertains, it's mostly because of Garner. She imbues Gray with a vulnerability that's utterly convincing.

Smartly, Grant also gives Smith - essentially playing himself with cleaner language - the film's funniest lines. They're not anything novel, but it's typical Kevin Smith. She also tags on a romantic interest for Sam. It's no surprise, because Grant cannot break the shackles of the genre for something original. You can see the pairing long before it actually happens on screen.

Juliette Lewis seems an oddity in this film. I've not seen her in a film for years and her character tends to grate a bit. Lewis is a good actress, but she seems to get typecast in these off-kilter roles and there's an unmistakable sense we've seen this performance from her before.

Olyphant plays sleazy well - just watch him in the otherwise-forgettable "The Girl Next Door" (2004). In "Catch and Release," his caddish boor actually is a facade. Turns out, this chap's actually a nice guy. He has to be. After all, he has Gray to win over and Grant's doing this by-the-numbers.

And therein lies the film's problem. Despite Grant's admirable attempt to spin the romantic comedy's meet-cute moment, it's hard to believe Gray would fall for a chap who, for the lack of a better phrase, finds carnal comfort at the most unlikely occasions.

Of course, "Catch and Release" has a certain sweetness about it. How can it not when Garner's so adorable. It's polished, looks good; a cut above, say, the odd independent romcoms that tackle the trials and tribulations, the angst and adoration among a group of good friends. But it offers nothing new and relies on a few too many "movie" moments to elicit laughs. Some of those moments are funny, but you get the impression they're not exactly rooted in any realm of reality. Yet, Grant seems to want to lend her story a sense of reality, one that deals with love, loss and forgiveness.

Grant said when she recut her film, she was forced to excise some of Fritz's back story. It doesn't seem warranted, but there seems to be something missing from Fritz. We know the story's moving to get Gray and Fritz together - this is a freakin' Hollywood studio-produced romantic comedy, after all - but it all seems too orchestrated from the beginning.

Is it too much to ask a Hollywood romantic-comedy writer to be even slightly daring? Hollywood-produced romantic comedies, by their very nature, are predictable. You know going in the girl and the guy will wind up together, so it's the journey that is supposed to thrill us. Maybe even surprise us. Grant, however, chooses the safest, and therefore, least surprising, path. She hits all the points a screen writing guru without an ounce of originality would demand be seen in a romcom script. The only novelty here is that Grant got some attractive, appealing and talented actors for her directorial debut. It is they who keep this extremely conventional story from turning unbearable. Though, even Garner's considerable cuteness cannot salvage the film's ending.


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Was anyone else rooting for Gray/Dennis??? lasjdfkagh
Good Movie but a Creepy Actor breathinglifehouse
As usual 'females under 18' overrating another piece of crap lostbutseeking
Worst movie EVER roxicali78
Gray + Grady? GirlyBear
Guys Who Cover For Their Friends ljt99
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