Bab'Aziz - The Prince Who Contemplated His Soul is the story of a blind dervish named Bab'Aziz and his spirited granddaughter, Ishtar. Together they wander the desert in search of a great ...
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A year on an Alpine farm: an older couple have two children, Belli, who wanted to be a teacher, and the younger Franzi, deaf, and although he works like a man, child-like. Belli teaches him... See full summary »
The story starts with a childish play of a brother and sister, then continues in huge developments. Through passing too many difficult barriers, these lovely children, reach the peak of perfection. Niaz grows like a grain and blossoms.
Gol Khatoon Shabanin
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Bab'Aziz - The Prince Who Contemplated His Soul is the story of a blind dervish named Bab'Aziz and his spirited granddaughter, Ishtar. Together they wander the desert in search of a great reunion of dervishes that takes place just once every thirty years. With faith as their only guide, the two journey for days through the expansive, barren landscape. To keep Ishtar entertained, Bab'Aziz relays the ancient tale of a prince who relinquished his realm in order to remain next to a small pool in the desert, staring into its depths while contemplating his soul. As the tale of the prince unfolds, the two encounter other travelers with stories of their own--including Osman, who longs for the beautiful woman he met at the bottom of a well, and Zaid, who searches for the ravishing young woman who fled from him after being seduced by his songs. A fairytale-like story of longing and belonging, filmed in the enchanting and ever-shifting sandscapes of Tunisia and Iran. Written by
Bab'Aziz: film as a spiritual "enhancer" Washington, E Street Cinema 2008
This is more than a film. It is a cinematic teaching tale. It can function on the level of that sort of Sufi contemplation device in which direct experience--through contemplation of a parable--is more important than preaching and didacticism. It is designed with careful artistry so that it is comprehended by the faculty of consciousness mystics call "the heart" rather then by the intellect. The Sufi (and Islamic)traditional saying "Die before you die" has never been so well conveyed. The central figures of Baba and Ishtar embodied by the actors are compelling to the point of beauty, with enough mystery and paradox that you will never be able to put your finger on precisely why, and in what way, you have been moved. But many, many people will be: what ever faith they practice, and even if they do not have one. This film will leave you with the powerful sense that the realm of spirit is the greater reality. -- Joe Martin
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