Actress Reese Holden has been offered a small fortune by a book editor if she can secure for publication the love letters that her father, a reclusive novelist, wrote to her mother, who has... See full summary »
New York, 1959. Max Bialystock was once the king of Broadway, but now all his shows close on opening night. Things turn around when he's visited by the neurotic accountant Leo Bloom, who proposes a scheme tailor-made for producers who can only make flops: raise far more money than you need, then make sure the show is despised. No one will be interested in it, so you can pocket the surplus. To this end, they produce a musical called Springtime for Hitler written by escaped Nazi Franz Liebken. Then they get the insanely flamboyant Roger De Bris to direct. Finally, they hire as a lead actress the loopy Swedish bombshell Ulla (whose last name has over 15 syllables). As opening night draws near, what can go wrong? Well, there's no accounting for taste... Written by
In the dance sequence with the little old ladies, one sees a yellow-colored traffic signal. New York City traffic signals were dark green/gray in 1959, when the movie was set. New York would not begin using yellow until 1962, when Traffic Commissioner Henry Barnes issued an order on 17 January of that year, and this was not widespread for at least two years after that. See more »
May I take your hats, your coats, and your Swastikas?
[Max and Leo take off their Swastika armbands and hand them to Carmen]
We just came from this big rally. Everyone was wearing one!
See more »
After the credits finish, cast members from the film (including a cameo by Mel Brooks) sing the number "Goodbye!", which is sung in the stage version at the conclusion of the curtain call. See more »
What an Excellent film! I went to an advance screening and left with my jaw aching from all the laughing and grinning.
At first, it felt the film was just the play in front of the camera, but the style eventually worked, turning the movie audience into a Broadway audience. At times, the director took the actors outside almost as a fun way of saying "see? with a camera, we can now move around!" Nonetheless, by the time we get to the most famous musical number, the audience was applauding and cheering after each song. During the credits, it felt like a curtain call with applauds for each actor.
So much fun and very deserving of the name Mel Brooks this film is great for the holidays (with the more adult jokes being concealed in song, and only minor swearing) older children and teenagers should get a kick out of this fast paced, fun, and very memorable film.
Also, just a bit of advice: stay until the end of the credits.
146 of 230 people found this review helpful.
Was this review helpful to you?