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The Producers (2005)

PG-13 | | Comedy, Musical | 25 December 2005 (USA)
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After putting together another Broadway flop, down-on-his-luck producer Max Bialystock teams up with timid accountant Leo Bloom in a get-rich-quick scheme to put on the world's worst show.

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(screenplay), (screenplay) | 4 more credits »
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4,573 ( 229)
Nominated for 4 Golden Globes. Another 1 win & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Bryn Dowling ...
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Kevin Ligon ...
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Storyline

New York, 1959. Max Bialystock was once the king of Broadway, but now all his shows close on opening night. Things turn around when he's visited by the neurotic accountant Leo Bloom, who proposes a scheme tailor-made for producers who can only make flops: raise far more money than you need, then make sure the show is despised. No one will be interested in it, so you can pocket the surplus. To this end, they produce a musical called Springtime for Hitler written by escaped Nazi Franz Liebken. Then they get the insanely flamboyant Roger De Bris to direct. Finally, they hire as a lead actress the loopy Swedish bombshell Ulla (whose last name has over 15 syllables). As opening night draws near, what can go wrong? Well, there's no accounting for taste... Written by rmlohner

Plot Summary | Plot Synopsis

Genres:

Comedy | Musical

Motion Picture Rating (MPAA)

Rated PG-13 for sexual humor and references | See all certifications »

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Details

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Release Date:

25 December 2005 (USA)  »

Also Known As:

The Producers: The Movie Musical  »

Box Office

Budget:

$45,000,000 (estimated)

Opening Weekend:

$154,590 (USA) (16 December 2005)

Gross:

$19,377,727 (USA) (17 February 2006)
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Company Credits

Show detailed on  »

Technical Specs

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The original Broadway production opened at the St. James Theater on April 19, 2001, ran for 2502 performances winning a record-breaking 12 Tonys including the 2001 Tony Awards for the best musical, book and score. See more »

Goofs

During the scene entitled "Creative Accounting" when Bialystock and Bloom are first introduced to one another, Max tells Leo to take a deep breath after nearly frightening the man into hysterics. After Leo takes his heavy, drawling breath and looks back to Max, for one split second, you can see Nathan Lane's mouth turn up in a smile, just about to laugh, and then the camera angle changes. If you watch the Outtakes in the special features, you can see the goof of Lane's in full force; unable to stop himself from laughing, which they simply cut short in the feature. See more »

Quotes

Franz Liebkind: [making Max and Leo take the Siegfried Oath] All right. First you will raise your right forefingers, und repeat after me.
[they do]
Franz Liebkind: I solemnly svear...
Leo BloomMax Bialystock: [holding up their forefingers] I solemnly svear...
Franz Liebkind: To obey ze Zacred Siegfried Oas...
Leo BloomMax Bialystock: To obey ze Zacred Siegfried Oas...
Franz Liebkind: Und!
Max Bialystock: [switching to his Middle Finger] Und!
Leo Bloom: [switching to his Middle Finger] Und!
Franz Liebkind: [wagging his finger] Never, Never, Never!
[...]
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Crazy Credits

For the closing credits, Will Ferrell (in the character of Franz Liebkind) recorded "The Hop-Clop Goes On" - a slower version of "Der Guten Tag Hop-Clop" that parodies "My Heart Will Go On" from "Titanic" right down to the cheesy instrumentals. At the end of the song, Franz whispers to the audience: "Don't forget to purchase 'Mein Kampf' in paperback. You can find it at Borders... or Barnes and Noble...und Amazon.com" See more »

Connections

Referenced in Torchwood: Random Shoes (2006) See more »

Soundtracks

'Til Him
Music and Lyrics by Mel Brooks
Performed by Matthew Broderick, Nathan Lane and Little Old Ladies
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Frequently Asked Questions

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User Reviews

 
Springtime is delightful, in Germany (and for the audience)
19 March 2006 | by (Cape Town, South Africa) – See all my reviews

What a fantastic surprise. I've seen Luke-warm reviews about this film, largely saying that the theatrical basis (the Broadway show) is oh-so-evident. Well, in my opinion, this is one of the film's strengths. It's a well-intentioned performance and is close enough to the original Producers, and so unlike it, that the musical remake is justified.

I love musicals, especially musical comedy. This film is a sop to the musical comedy, with good performances from the leads, and Uma Thurman and Will Ferrell, who all appear to be enjoying themselves.

The central (staged) number "Springtime for Hitler" is brilliantly choreographed, with suitably outrageous costumes. Gary Beach as a brilliantly camp Hitler completes this excellent scene. And the bratwurst!! The editing in this sequence - camera panning to the gob-smacked audience is brilliant. This is a film that salutes and spoofs musicals. It's an absolute delight


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