New York, 1959. Max Bialystock was once the king of Broadway, but now all his shows close on opening night. Things turn around when he's visited by the neurotic accountant Leo Bloom, who proposes a scheme tailor-made for producers who can only make flops: raise far more money than you need, then make sure the show is despised. No one will be interested in it, so you can pocket the surplus. To this end, they produce a musical called Springtime for Hitler written by escaped Nazi Franz Liebken. Then they get the insanely flamboyant Roger De Bris to direct. Finally, they hire as a lead actress the loopy Swedish bombshell Ulla (whose last name has over 15 syllables). As opening night draws near, what can go wrong? Well, there's no accounting for taste... Written by
Other names on the doorbells rung by Max include famous names of New York's richest families: Gould, Fisk, Whitney, Woolworth, Astor, etc. See more »
Right after Roger DeBris has his "stroke", the piece of fabric that is on the top left part of his dress flips inside and outside of the dress over the next few shots. See more »
Roger De Bris:
Oh dear, your Mr. Bloom is staring at my gown. I should explain. I'm going to the choreographer's ball this evening. There is a prize for best costume.
We always win.
Roger De Bris:
I'm not so sure about this year. I'm supposed to be the Grand Duchess Anastasia, but I think I look more like the Chrysler Building!
Well, as far as I'm concerned, without your wig on, you're only half-dressed.
Roger De Bris:
Well then, why don't you go and get it, o Wicked Witch of the West?
If your intention was to shoot an arrow ...
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For the closing credits, Will Ferrell (in the character of Franz Liebkind) recorded "The Hop-Clop Goes On" - a slower version of "Der Guten Tag Hop-Clop" that parodies "My Heart Will Go On" from "Titanic" right down to the cheesy instrumentals. At the end of the song, Franz whispers to the audience: "Don't forget to purchase 'Mein Kampf' in paperback. You can find it at Borders... or Barnes and Noble...und Amazon.com" See more »
Mel Brooks, the comic genius of the late twentieth century, comes off great with this new production of his classic musical. Nathan Lane is a wonderful and wacky producer who rescues Matthew Broderick from a life of accounting boredom and makes him his understudy. They scheme to put on the biggest flop ever so they can close after one day and flee to Rio with the sponsors' $2 million. Of course, things don't turn out as they plan. Along the way, Uma Thurman displays her considerable charms along with a host of fine dancers and singers, from Neo-Nazis to Sing Sing prisoners to drag queens in full costume. Mel Brooks really knew how to brighten the day among the gloomy tedium of more sober folks who were trying to save the world or just merely trying to make a living. So here is another tipsy triumph of the master, beautifully realized and sung and danced by this splendid cast of multi-talented actors and actresses.
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