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The Producers (2005)

6.4
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Ratings: 6.4/10 from 31,877 users   Metascore: 52/100
Reviews: 404 user | 167 critic | 37 from Metacritic.com

After putting together another Broadway flop, down-on-his-luck producer Max Bialystock teams up with timid accountant Leo Bloom in a get-rich-quick scheme to put on the world's worst show.

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Title: The Producers (2005)

The Producers (2005) on IMDb 6.4/10

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Nominated for 4 Golden Globes. Another 1 win & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Prison Trustee
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Lick Me-Bite Me
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Kiss Me-Feel Me
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Bryn Dowling ...
Usherette / Girl with Pearls / Little Old Lady / Bavarian Peasant
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Usherette / Girl with Pearls / Little Old Lady / Tapping Brown Shirt
Kevin Ligon ...
Workman / Little Old Lady
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Storyline

New York, 1959. Max Bialystock was once the king of Broadway, but now all his shows close on opening night. Things turn around when he's visited by the neurotic accountant Leo Bloom, who proposes a scheme tailor-made for producers who can only make flops: raise far more money than you need, then make sure the show is despised. No one will be interested in it, so you can pocket the surplus. To this end, they produce a musical called Springtime for Hitler written by escaped Nazi Franz Liebken. Then they get the insanely flamboyant Roger De Bris to direct. Finally, they hire as a lead actress the loopy Swedish bombshell Ulla (whose last name has over 15 syllables). As opening night draws near, what can go wrong? Well, there's no accounting for taste... Written by rmlohner

Plot Summary | Plot Synopsis

Genres:

Comedy | Musical

Motion Picture Rating (MPAA)

Rated PG-13 for sexual humor and references | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

25 December 2005 (USA)  »

Also Known As:

The Producers: The Movie Musical  »

Box Office

Budget:

$45,000,000 (estimated)

Opening Weekend:

$1,015,227 (Australia) (13 January 2006)

Gross:

$19,377,727 (USA) (17 February 2006)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Three songs from the Broadway show were cut: "King of Broadway," "In Old Bavaria" and "Where Did We Go Right?". The second act reprise of "Opening Night" was also cut, as were sections of "Along Came Bialy". Despite "Where Did We Go Right?" being cut, the reference to this song in the recap in "Betrayed" remains. See more »

Goofs

When Ulla lifts Leo off the door and sets him on the floor, her right earring is gone, but when we next see her, the earring is suddenly there. See more »

Quotes

Hold-Me Touch-Me: I made it out just like you told me to: To the title of the play. "Cash". It's a funny sort of name for a play, "Cash"...
Max Bialystock: So is "The Iceman Cometh"
See more »

Crazy Credits

After the credits finish, cast members from the film (including a cameo by Mel Brooks) sing the number "Goodbye!", which is sung in the stage version at the conclusion of the curtain call. See more »

Connections

Remake of The Producers (1967) See more »

Soundtracks

Along Came Bialy
Music and Lyrics by Mel Brooks
Performed by Nathan Lane and Little Old Ladies
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
My Review
28 December 2005 | by (Michigan) – See all my reviews

The Producers (2005) **** Nathan Lane, Matthew Broderick, Uma Thurman, Will Farrell, Gary Beach, Roger Bart Dir. Susan Stroman

I don't think the critics know what they are talking about. This movie rocked! It took me back to the old days of movie musicals. You know, the Bugsby Berkley years, big and flashy with hum able songs. Based on the 1968 film starring Zero Maestel and Gene Wilder, and the smash hit on Broadway, the story of a failing Producer named Max Bialystock who has just had the worst show in town close called Funny Boy, a musical version of Hamlet. Distraught he runs into accountant Leo Bloom who comes up with the notion that you can make more money with a flop than with a hit. Max overjoyed to hear such wonderful news lays it all out. Step 1. They find the worst play ever written, the "mother lode" as Max calls it when he comes across Springtime for Hitler, written by neo-nazi Franz Liebkind. Step 2. Hire the worst director, a prime and proper gay man named Roger Debris who wants to keep everything gay! Step 3. Raise 2 million dollars from Max's backers: harmless little old ladies looking for a last roll in the hay. Step 4 Open on Broadway and before you can say step 5 they close and run off to Rio. All goes well until Springtime for Hitler becomes a success leaving Leo and Max in the dust.

People have been comparing it to the original, which sure it has some of the same lines, and the story is the same, but both shows have something different to offer. You get songs in this version that you don't get in the original. Nathan Lane tears up the screen and will have you in stitches as Max; his show stopping number "Betrayed" will have you applauding. Matthew Broderick is also very good as Leo who can't grab life by the balls and go. He sings "I Wanna Be A Producer" with such gusto and dances with Ms. Uma Thurman, who is amazing as Ulla, and their dance number has sheds of the old Astaire and Rogers's musicals of the 30s.

Also excellent, are Will Farrell as the Nazi who speaks to his birds and Gary Beach and Roger Bart as Roger De Bris and Carmen Ghia they gay "couple" who want to put Springtime for Hitler on the stage, both stand out in the cast, and both played the roles on Broadway. Other familiar faces you will see are Jon Lovitz as Leo's accounting firms boss, Michael McKean as one of the prisoners and Richard Kind as the Jury Foreman who took over in the Nathan Lane role on the stage.

Susan Stroman doesn't make the camera cuts flashy, they are simple, which makes it more enjoyable to watch the dance numbers, from the opening number to the hilarious "Along Came Bialy" when the old ladies do a dance break with walkers, to "Keep it Gay" to the uproarious Springtime for Hitler number. The best-staged number was probably "I Wanna Be A Producer" as it has shades from the 30s mixed with modern day. It was wonderful! If you listen to some critics who choose to say "this film show inexperience" or "not as good as the original" you are missing a terrific movie musical that is just as good as Chicago! Plus Mel Brooks was also standing there at the helm with Ms. Stroman. Be advised to stay until the very end of the credits to view something special! Bravo!


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