Actress Reese Holden has been offered a small fortune by a book editor if she can secure for publication the love letters that her father, a reclusive novelist, wrote to her mother, who has... See full summary »
New York, 1959. Max Bialystock was once the king of Broadway, but now all his shows close on opening night. Things turn around when he's visited by the neurotic accountant Leo Bloom, who proposes a scheme tailor-made for producers who can only make flops: raise far more money than you need, then make sure the show is despised. No one will be interested in it, so you can pocket the surplus. To this end, they produce a musical called Springtime for Hitler written by escaped Nazi Franz Liebken. Then they get the insanely flamboyant Roger De Bris to direct. Finally, they hire as a lead actress the loopy Swedish bombshell Ulla (whose last name has over 15 syllables). As opening night draws near, what can go wrong? Well, there's no accounting for taste... Written by
The original Broadway production opened at the St. James Theater on April 19, 2001, ran for 2502 performances winning a record-breaking 12 Tonys including the 2001 Tony Awards for the best musical, book and score. See more »
In the beginning of "We Can Do It" Max Bialystock steps on his desk onto an open accounting book. When he steps down to go towards Leo, the book on the desk is closed. See more »
Sing Sing Prison Guard:
Gentlemen, you are hereby granted a full pardon for having - through song and dance - brought joy and laughter into the hearts of every murderer, rapist, and sex maniac in Sing Sing! You're free!
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For the closing credits, Will Ferrell (in the character of Franz Liebkind) recorded "The Hop-Clop Goes On" - a slower version of "Der Guten Tag Hop-Clop" that parodies "My Heart Will Go On" from "Titanic" right down to the cheesy instrumentals. At the end of the song, Franz whispers to the audience: "Don't forget to purchase 'Mein Kampf' in paperback. You can find it at Borders... or Barnes and Noble...und Amazon.com" See more »
If i could give it an 11 out of a possible 10 I would give it that... the entire production was wonderful.. i would watch it again...and that is something i do only with very few movies. Nathan Lane steals the show with his wonderful performance. The performance by the actor portraying the gay director is a model of what a supporting actor should be.
The scene showing the actual production of the play was a masterpiece and only Mel Brooks could do it justice.
Uma Thurman gives a stellar performance and almost steals the show.
I can not say enough good things about this movie.
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