After putting together another Broadway flop, down-on-his-luck producer Max Bialystock teams up with timid accountant Leo Bloom in a get-rich-quick scheme to put on the world's worst show.
Mel Brooks brings his one-of-a-kind comic touch to the history of mankind covering events from the Old Testament to the French Revolution in a series of episodic comedy vignettes.
Planet Spaceballs' President Skroob sends Lord Dark Helmet to steal planet Druidia's abundant supply of air to replenish their own, and only Lone Starr can stop them.
An American grandson of the infamous scientist, struggling to prove that he is not as insane as people believe, is invited to Transylvania, where he discovers the process that reanimates a dead body.
A gay cabaret owner and his drag queen companion agree to put up a false straight front so that their son can introduce them to his fiancée's right-wing moralistic parents.
A filthy rich businessman bets a corporate rival that he can live on the streets of L.A. without the comforts of home or money, which proves to be tougher than he thought.
Director:
Mel Brooks
Stars:
Mel Brooks,
Lesley Ann Warren,
Jeffrey Tambor
In 1920s Soviet Russia, a fallen aristocrat, a priest and a con artist search for a treasure of jewels hidden inside one of twelve dining chairs, lost during the revolution.
New York, 1959. Max Bialystock was once the king of Broadway, but now all his shows close on opening night. Things turn around when he's visited by the neurotic accountant Leo Bloom, who proposes a scheme tailor-made for producers who can only make flops: raise far more money than you need, then make sure the show is despised. No one will be interested in it, so you can pocket the surplus. To this end, they produce a musical called Springtime for Hitler written by escaped Nazi Franz Liebken. Then they get the insanely flamboyant Roger De Bris to direct. Finally, they hire as a lead actress the loopy Swedish bombshell Ulla (whose last name has over 15 syllables). As opening night draws near, what can go wrong? Well, there's no accounting for taste... Written by
rmlohner
Being the first major film shot in the new Steiner Studios in Brooklyn, NY, the crew had to endure the completion of construction. The studio was only 90% complete when they moved in and there were still leaks in the roof. The crew made suggestions such as expanding make-up rooms. The suggestions were acted upon and the crew finished with resounding success in the new stage. See more »
Goofs
During the 'Heil Myself' number, the characters sing the line "If you're looking for a war, here's World War Two!" and make the hand gestures for 'W' 'W' '2'. The lead tenor (John Barrowman) is in a hurry to replace his hat and does the hand gestures incorrectly: 'V' 'W' '2'. See more »
Quotes
Leo Bloom:
We might have a position for you.
Max Bialystock:
As a matter of fact, we might have several positions for you.
See more »
Crazy Credits
Showgirls from Bloom's dream sequence during the accounting office number dance around some of the closing credits. See more »
My father adored the original Zero Mostel/Gene Wilder version of The Producers, he used to watch it regularly when I was growing up and that rubbed off on me. When I first saw Mel Brooks 'The Producers' I thought it was a stage play adapted into a movie not the other way round that it became. While I never saw the Broadway revival of 'The Producers' I did 'try' to watch the 2005 version of the 'Producers' on DVD. If you have never seen the original 1968 version and have only seen the 2005 version then of course the 2005 version is going to be funny. If you have seen the original, then you notice just how little effort the actors made other than giving pale imitation of the Zero Mostel/Gene Wilder blue print that makes the 2005 version look like an overacted summer pantomime. I could only go 15 minutes before turning it off in disgust.
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My father adored the original Zero Mostel/Gene Wilder version of The Producers, he used to watch it regularly when I was growing up and that rubbed off on me. When I first saw Mel Brooks 'The Producers' I thought it was a stage play adapted into a movie not the other way round that it became. While I never saw the Broadway revival of 'The Producers' I did 'try' to watch the 2005 version of the 'Producers' on DVD. If you have never seen the original 1968 version and have only seen the 2005 version then of course the 2005 version is going to be funny. If you have seen the original, then you notice just how little effort the actors made other than giving pale imitation of the Zero Mostel/Gene Wilder blue print that makes the 2005 version look like an overacted summer pantomime. I could only go 15 minutes before turning it off in disgust.