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After putting together another Broadway flop, down-on-his-luck producer Max Bialystock teams up with timid accountant Leo Bloom in a get-rich-quick scheme to put on the world's worst show.

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(screenplay), (screenplay) | 4 more credits »
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3,225 ( 359)
Nominated for 4 Golden Globes. Another 1 win & 12 nominations. See more awards »

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Cast

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Storyline

New York, 1959. Max Bialystock was once the king of Broadway, but now all his shows close on opening night. Things turn around when he's visited by the neurotic accountant Leo Bloom, who proposes a scheme tailor-made for producers who can only make flops: raise far more money than you need, then make sure the show is despised. No one will be interested in it, so you can pocket the surplus. To this end, they produce a musical called Springtime for Hitler written by escaped Nazi Franz Liebken. Then they get the insanely flamboyant Roger De Bris to direct. Finally, they hire as a lead actress the loopy Swedish bombshell Ulla (whose last name has over 15 syllables). As opening night draws near, what can go wrong? Well, there's no accounting for taste... Written by rmlohner

Plot Summary | Plot Synopsis

Genres:

Comedy | Musical

Motion Picture Rating (MPAA)

Rated PG-13 for sexual humor and references | See all certifications »

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Release Date:

25 December 2005 (USA)  »

Also Known As:

The Producers: The Movie Musical  »

Box Office

Budget:

$45,000,000 (estimated)

Opening Weekend:

$154,590 (USA) (16 December 2005)

Gross:

$19,377,727 (USA) (17 February 2006)
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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Thomas Meehan:  Max Bialystock's lawyer is played by the screenwriter of the film who was also the book writer of the musical. See more »

Goofs

The "Samba" that Ulla and Leo do in Rio is actually a Salsa. It lacks the syncopated rhythm characteristic to the Samba. See more »

Quotes

Hold Me-Touch Me: You know what I'd really like?
Max Bialystock: [turning to the hot dog vendor] She'll have the foot long
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Crazy Credits

Showgirls from Bloom's dream sequence during the accounting office number dance around some of the closing credits. See more »

Connections

References Young Frankenstein (1974) See more »

Frequently Asked Questions

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User Reviews

 
Sparkling Surprises
22 December 2005 | by (Los Angeles, USA) – See all my reviews

Much better than anyone had the right to expect. Lane and Broderick are superb. Even moving. Look what I'm saying, moving. I mean it. Their commitment is contagious. The comedy in itself is shamelessly anachronistic. The gay jokes belong to the period in which the original Producers were conceived. The tone is consistent with that period, the film happens at an incredible pace and you smile from beginning to end. How marvelous to see Matthew Broderick dance. This is an actor who never had an Academy Award nomination and his performances have always been top notch and his range runs the famous gamut from A to Z. What a courageous actor. I couldn't believe he could get away with the "I'm in pain! I'm wet and I'm still hysterical" scene without making me miss Gene Wilder but he did. Nathan Lane is a force of nature. His Max is very much a tribute to Zero Mostel, especially to his hair but this Max is Nathan Lane through and through. Uma Thurman is a delight and I had a great time at the movies. What else do you want out of life.


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