New York, 1959. Max Bialystock was once the king of Broadway, but now all his shows close on opening night. Things turn around when he's visited by the neurotic accountant Leo Bloom, who proposes a scheme tailor-made for producers who can only make flops: raise far more money than you need, then make sure the show is despised. No one will be interested in it, so you can pocket the surplus. To this end, they produce a musical called Springtime for Hitler written by escaped Nazi Franz Liebken. Then they get the insanely flamboyant Roger De Bris to direct. Finally, they hire as a lead actress the loopy Swedish bombshell Ulla (whose last name has over 15 syllables). As opening night draws near, what can go wrong? Well, there's no accounting for taste... Written by
If i could give it an 11 out of a possible 10 I would give it that... the entire production was wonderful.. i would watch it again...and that is something i do only with very few movies. Nathan Lane steals the show with his wonderful performance. The performance by the actor portraying the gay director is a model of what a supporting actor should be.
The scene showing the actual production of the play was a masterpiece and only Mel Brooks could do it justice.
Uma Thurman gives a stellar performance and almost steals the show.
I can not say enough good things about this movie.
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