| Photos (See all 27 | slideshow) |
Directed by | |||
| Terry George | |||
Writing credits(WGA) | ||
| Keir Pearson | (written by) & | |
| Terry George | (written by) | |
Produced by | |||
| Sam Bhembe | .... | executive producer | |
| Roberto Cicutto | .... | executive producer | |
| Izidore Codron | .... | co-executive producer | |
| Sally French | .... | line producer | |
| Terry George | .... | producer | |
| A. Kitman Ho | .... | producer | |
| Martin Katz | .... | executive producer (as Martin F Katz) | |
| Francesco Melzi d'Eril | .... | executive producer (as Francesco Melzi D'Eril) | |
| Nicolas Meyer | .... | co-executive producer | |
| Luigi Musini | .... | co-producer | |
| Keir Pearson | .... | co-executive producer | |
| Bridget Pickering | .... | co-producer | |
| Duncan Reid | .... | executive producer | |
| Hal Sadoff | .... | executive producer | |
Original Music by | |||
| Afro Celt Sound System | |||
| Rupert Gregson-Williams | |||
| Andrea Guerra | |||
Cinematography by | |||
| Robert Fraisse | (director of photography) | ||
Film Editing by | |||
| Naomi Geraghty | |||
Casting by | |||
| Moonyeenn Lee | |||
| Richard Pagano | (as Rick Pagano) | ||
Production Design by | |||
| Johnny Breedt | |||
| Tony Burrough | |||
Art Direction by | |||
| Emma MacDevitt | |||
Set Decoration by | |||
| Estelle Ballack | (as Estelle 'Flo' Ballack) | ||
Costume Design by | |||
| Ruy Filipe | |||
Makeup Department | |||
| Suzanne Belcher | .... | chief makeup artist | |
| Angie Boshoff | .... | crowd makeup artist | |
| Tania Brooke | .... | makeup artist | |
| Jacques Gerber | .... | crowd hairdresser | |
| Charles Khoza | .... | hair assistant | |
| Marli Kruger | .... | makeup assistant: extras | |
| Gladys Tshidi Phokompe | .... | makeup assistant | |
| Lianne Scott | .... | makeup assistant | |
| Melissa Slabbert | .... | makeup assistant | |
| Suzanne Stokes-Munton | .... | chief hairdresser | |
Production Management | |||
| Renier Gerhard Cordier | .... | assistant unit manager | |
| Oorlagh George | .... | production manager: Kigali | |
| A. Kitman Ho | .... | unit production manager | |
| Alistair Hopkins | .... | post-production supervisor | |
| Hendrik H. Spangenberg | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Carin de Kock | .... | second second assistant director (as Carin De Kock) | |
| A. Kitman Ho | .... | second unit director | |
| Vincent Moloi | .... | assistant director trainee | |
| Alex Oakley | .... | second assistant director (as Alexander Oakley) | |
| Lance Roehrig | .... | second second assistant director | |
| Lionel Steketee | .... | first assistant director | |
| Chris van Latum | .... | second second assistant director (as Christian Van Latum) | |
Special Effects by | |||
| David Mahlangu | .... | special effects coordinator | |
| Gavin Meadon | .... | special effects supervisor | |
Visual Effects by | |||
| Lyndy Brown | .... | studio manager: Baseblack Ltd | |
| Mike Connolly | .... | senior compositor: Baseblack Ltd (as Michael Connolly) | |
| Stephen Elson | .... | visual effects producer: Baseblack Ltd | |
| Per Karefelt | .... | 3d artist: Baseblack Ltd | |
| John Kozak | .... | systems administration: Baseblack Ltd | |
| Donal Nolan | .... | compositor: Baseblack Ltd | |
| Chris Panton | .... | effects animator: Baseblack Ltd | |
| Chris Panton | .... | senior compositor: Baseblack Ltd | |
| Paul Poetsch | .... | senior compositor: Baseblack Ltd | |
| Petra Schwane | .... | compositor: Baseblack Ltd | |
| Clare Tinsley | .... | visual effects coordinator: Baseblack Ltd | |
| Val Wardlaw | .... | 3d lead: Baseblack Ltd | |
| Val Wardlaw | .... | visual effects supervisor: Baseblack Ltd | |
| Tim Baxter | .... | film recording (uncredited) | |
Stunts | |||
| Graham Press | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Blid Alsbirk | .... | still photographer (as Karin Blid Alsbirk) | |
| Simon Cave | .... | electrician | |
| Emmanuel Chonco | .... | electrician | |
| Frank Connor | .... | special still photographer | |
| Lars Cox | .... | camera focus: "a" camera | |
| Vincent G. Cox | .... | camera operator: additional footage | |
| Shani Hayward | .... | camera loader: "a" camera | |
| Kevin Jewison | .... | camera operator: "a" camera | |
| Troy Lee | .... | camera loader: "b" camera | |
| Alfred Manzini | .... | electrician | |
| Patric Mashilo | .... | grip (as Patrick Mashilo) | |
| Godfrey Nkese | .... | generator operator | |
| Charl Phyfer | .... | key grip | |
| Peter Sekele | .... | video assist trainee | |
| Kenneth Shange | .... | second company grip | |
| Mark Sherman | .... | assistant lighting technician | |
| Bruce Thomas | .... | chief lighting technician | |
| Derek Ueckermann | .... | loader | |
| Deon Vermeulen | .... | camera operator: "b" camera | |
| Deon Vermeulen | .... | steadicam operator | |
| Anton Wehmeyer | .... | camera focus: "b" camera | |
| Wesley Williams | .... | grip | |
Casting Department | |||
| Vanessa Baker | .... | voice casting | |
| Brendan Donnison | .... | voice casting | |
| Janet Farris | .... | casting associate (uncredited) | |
| Belinda Kruger | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Izelle Borejszo | .... | wardrobe assistant (as Zelle Borejszo) | |
| Sannah Happy Dedibe | .... | seamstress | |
| Mathilda Engelbrecht | .... | pattern cutter | |
| Melanie Finch | .... | wardrobe | |
| Tamlin French | .... | wardrobe | |
| Melissa Gates | .... | wardrobe assistant | |
| Peta Hunter | .... | wardrobe mistress | |
| Melanie Lubbe | .... | wardrobe assistant | |
| Natalie Lundon | .... | wardrobe assistant | |
| Thembi Madladla | .... | wardrobe assistant (as Thembi Faith Madlala) | |
| Vivienne Mahloko | .... | wardrobe trainee | |
| Ada Meyer | .... | wardrobe assistant | |
| Brenda Mogale | .... | seamstress | |
| Rose Ntombi Parker | .... | seamstress | |
| Zahele Rathlepe | .... | seamstress | |
| Shelele Sekhu | .... | wardrobe assistant | |
| Natacha T. Stevens | .... | wardrobe assistant (as Natasha T. Stevens) | |
| Warren Van Niekerk | .... | wardrobe runner | |
| Johannes Christian Vorster | .... | wardrobe | |
Editorial Department | |||
| Lisa Clifford-Owen | .... | assistant editor | |
| Thato Segoto | .... | trainee: editing | |
| Arturo Sosa | .... | post-production consultant | |
| Nicci Van Niekerk | .... | assistant editor (as Christelle Nicole Van Niekerk) | |
| Verity Wislocki | .... | post-production coordinator | |
| Kenny Becker | .... | final color timer (uncredited) | |
| Louise Mycielski | .... | rushes telecine supervisor (uncredited) | |
Music Department | |||
| Lorne Balfe | .... | music programmer: Rupert Gregson-Williams' compositions | |
| Becky Bentham | .... | music supervisor: Hot House Music | |
| Budd Carr | .... | executive music supervisor | |
| Simon Changer | .... | track laying: Rupert Gregson-Williams' compositions | |
| Michael Connell | .... | music editor | |
| Coro Da Camera Del C.I.M.A. | .... | choir: Andrea Guerra's compositions | |
| Mario Crispi | .... | musician: ethnic woods soloist, Andrea Guerra's compositions | |
| Guy Fletcher | .... | music mixer: A-Bay Studios, Rupert Gregson-Williams' compositions | |
| Rebecca Gatrell | .... | music supervisor: Hot House Music (as Becca Gatrell) | |
| Andrea Guerra | .... | orchestrator: Andrea Guerra's compositions | |
| Christian Henson | .... | music programmer: Rupert Gregson-Williams' compositions | |
| Alastair King | .... | additional score arranger: Rupert Gregson-Williams' compositions | |
| Giannandrea Mazza | .... | maestro assistant: Andrea Guerra's compositions | |
| Dorothee Munyaneza | .... | musician: 'tall trees' featured vocals, Andrea Guerra's compositions | |
| Gianfranco Plenizio | .... | conductor: Andrea Guerra's compositions | |
| Tony Puia | .... | midi programmer: Andrea Guerra's compositions | |
| Luca Salvadori | .... | orchestrator: Andrea Guerra's compositions | |
| Marco Streccioni | .... | music engineer: Andrea Guerra's compositions | |
| Attilio Tucci | .... | music assistant engineer: Andrea Guerra's compositions | |
| Nora Felder | .... | executive music producer (uncredited) | |
| Joe Henson | .... | music programmer (uncredited) | |
| Asen Kanchev | .... | music production manager (uncredited) | |
| Tracy McKnight | .... | executive soundtrack producer (uncredited) | |
Transportation Department | |||
| Sean Berkhout | .... | transport manager | |
| Steven David Clayton | .... | assistant action vehicle coordinator | |
| Jimmy Davies | .... | action vehicles coordinator | |
| Pieter De Lange | .... | action vehicles coordinator | |
| Eugene Kok | .... | action vehicle assistant | |
| Elias Makhanya | .... | driver | |
| Albert Maphosho | .... | driver | |
| Gabriel Mashaba | .... | driver (as Gabriel Machaba) | |
| Lesiba Joe Mphela | .... | transport coordinator | |
| Hodges Sibeko | .... | driver | |
| Jannie Visser | .... | transport coordinator | |
Other crew | |||
| Alison Brister | .... | legal: Ingenious Films | |
| Cher Budd | .... | assistant: Terry George | |
| Elaine Burt | .... | production coordinator | |
| Rita Dal Chiappa | .... | production secretary: Mikado Film | |
| Gert Cordier | .... | medic | |
| Felicity Downing | .... | assistant accountant | |
| Michael David Driscoll | .... | armorer | |
| Cheryl Eatock | .... | production runner | |
| Jana Eramus | .... | assistant production coordinator | |
| Clair Evans | .... | assistant crowd coordinator | |
| Janice Finegan | .... | medic | |
| Nicholas Finegan | .... | medic | |
| Ferdinanda Frangipane | .... | production delegate: Italy. Mikado Film | |
| Retha Geldenhuys | .... | accounts assistant | |
| Bob Gibson | .... | army advisor | |
| Rob Harris | .... | publicity consultant | |
| Natalie Hook | .... | assistant: Don Cheadle | |
| Leigh Human | .... | production travel | |
| Paula Jalfon | .... | physical production: Ingenious Films | |
| Raymond Kalisa | .... | assistant production coordinator: Kigali | |
| Paul Kamera | .... | production assistant: Kigali | |
| Ashley Kravitz | .... | script clearance: Joan Pearce Research Associates | |
| Darryl Kruger | .... | base camp manager | |
| Brian Letlhabane | .... | assistant: Terry George | |
| M.J. Magbanua | .... | consultant: special projects | |
| Sirish Malde | .... | auditor: Malde & Co. | |
| Joseph Malele | .... | production runner | |
| Arthur Manson | .... | producer's representative | |
| Steven Maresch | .... | unit publicist | |
| Ciara McGowan | .... | assistant production coordinator | |
| David Mellor | .... | post-production accountant | |
| Hugo Mellor | .... | assistant post-production accountant | |
| Sello Molefe | .... | training coordinator | |
| Leon Morenzie | .... | dialect coach | |
| Duma Nkosi | .... | script supervisor trainee | |
| Claribel Nkwili | .... | production assistant | |
| Brawley Nolte | .... | assistant: Nick Nolte | |
| Elisabetta Olmi | .... | edition coordinator: Mikado Film | |
| Vincent Thuso Paneng | .... | assistant: Sophie Okonedo | |
| Matt Polish | .... | assistant: Nick Nolte | |
| Fiona Ramsey | .... | dialect coach | |
| Neo Raphoto | .... | production trainee | |
| Paul Rusesabagina | .... | consultant | |
| Ashok Shah | .... | auditor: Malde & Co. | |
| Diana Sikhosana | .... | production office craft | |
| Nanie Taylor | .... | tutor | |
| Bruce Thackwell | .... | location manager | |
| Alistair Thompson | .... | production accountant | |
| Jane Trower | .... | first assistant accountant | |
| Melvin Van Ross | .... | cashier | |
| Lisa Vick | .... | script supervisor | |
| Danielle Gia Vinokur | .... | location assistant | |
| Bruce Wentzel | .... | armorer | |
| Hendrix White | .... | on-set mechanic | |
| David Williams | .... | crowd coordinator | |
| Janine Williams | .... | production accommodation | |
| Danny Wimborne | .... | assistant: Terry George | |
| Lesley Wise | .... | legal: Ingenious Films | |
| Michael Barnes | .... | financial legal services (uncredited) | |
| Scott Challgren | .... | legal assistant (uncredited) | |
| Richard Harding | .... | consultant (uncredited) | |
| Rachel James | .... | post-production accountant (uncredited) | |
| Richard McCarthy | .... | freight coordinator (uncredited) | |
| Michael S. Murphey | .... | film finances representative (uncredited) | |
| Robert Nickson | .... | financing (uncredited) | |
| Chris Roland | .... | production & financing consultant (uncredited) | |
Thanks | |||
| Joseph Demali | .... | the producers wish to thank: Kigali, Rwanda | |
| Basil Ford | .... | the producers wish to thank: The Industrial Development Corporation of South Africa | |
| Jean Baptiste Gasisira | .... | the producers wish to thank: Kigali, Rwanda | |
| Anita Haguma | .... | the producers wish to thank: Kigali, Rwanda | |
| Khalipha Edward Mbalo | .... | the producers wish to thank: The National Film and Video Foundation of South Africa | |
| Zama Mkosi | .... | the producers wish to thank: The Industrial Development Corporation of South Africa | |
| Mogopodi Mokoena | .... | the producers wish to thank: Director General of Gauteng Provisional Government | |
| Jean De Dieu Ntiruhungwa | .... | the producers wish to thank: Kigali, Rwanda | |
| Odette Nyiramilimo | .... | the producers wish to thank: Kigali, Rwanda | |
| Mbhazima Shilowa | .... | the producers wish to thank: Premier of Gauteng Provisional Government | |
| Themba Sibeko | .... | the producers wish to thank: Gauteng Film Office | |
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Rwanda 1994. The genocide of the Hutus and the Tutsis sadly commenced. The Hutu militia broke the peace of the country as they started killing any Tutsis in their sight as they called them "cockroaches". This all goes back to when Belgium took the country and sorted out the Rwandan people by shades of colour, nose size and more as it is briefly explained at the beginning of the film.
Hotel Rwanda however does not focus on the graphicness of the wars or the humanity that occurred. It focuses on the true-life story of Paul Rusesabagina and his amazing, heroic struggle. Don Cheadle plays Paul Rusesabagina magnificently as a hotel manager who housed over 1000 Tutsis in the Hotel Des Milles Collines. When all hell broke loose on Rwandan soil, he was there to shelter people in need.
Hotel Rwanda is not only an amazingly done drama but is also educational. It shows the real life events with all the details showing how France, England, Canada, and the U.N helped during the disaster. Nick Nolte plays Colonel Oliver, a Canadian soldier from the U.N who is there at the beginning of the film to help with the peace agreement. Later on, him and other Canadian soldiers are relied to help Paul and the rest of the people during the wars. His character is roughly based on the Canadian war hero Romeo Dallaire who wrote his award winning book, Shaking Hands with the Devil. Nick Nolte's performance is fabulous as he brings Colonel Oliver to life.
Sophie Okonedo superbly plays Tatiana, Paul's wife as she gives a stunning performance. She truly did a magnificent job with her stellar, dramatic talent revealed from this film. Joaquin Phoenix gives a gratifying, exceptional performance as an American cameraman there to visually capture the wars on film.
The real story here is Don Cheadle. With his absolutely extraordinary role, he carries the film on his shoulders. Definitely an astonishing, breathtaking performance, which is one of the best of the year. Don Cheadle's performance is so moving, emotional and so remarkable that he is at his absolute best ever.
The film's flaws are hardly noticed. During the intro, it has the documentary feel and seems hard to get into but after only 5 minutes, you get inside Rwanda and live the strong story of survival and heroic, epic events. Also, from a film like this, I expected more inspirational speeches from Paul Rusesabagina, but his actions and his emotions displayed are more than enough to compensate.
The film's cinematography and editing are well down. The direction Terry George brings to the screen is a calm but strong feel that sternly keeps you in the film as there is no place in the film without a small slight of suspense or tension. Even at some parts of this film, the constant, building tension is relieved with some nice jokes that fit right in. Terry George and his partner Keir Pearson cleverly do this as they beautifully bring their screenplay to life. One thing I loved about this film was during the most emotional times, the songs with the African children singers added to an already perfect atmosphere of sadness or emotional struggle. It was truly beautiful when these songs played as we watched the actions of Paul and his wife at the same time.
This film currently sits at #8 on my Best of the 2000's chart, as it is truly that good. One thing that absolutely got me furious was that this film was not nominated for Best Picture for this year's Oscars. With filth like Finding Neverland in the category, I really wonder how the Academy snubbed this one out. This film will never be forgotten, as I will undoubtedly buy this film on the first day its DVD is released.
Overall, Hotel Rwanda is a truly moving, stunning and inspirational masterpiece. The acting is some of the best this year and Terry George does a superb direction job. As for Oscars, Don Cheadle got a nomination for this role and I'm truly proud for saying that. Even more so for Sophie Okonedo as she truly did a magnificent job for a supporting role. This year, I hope either Don Cheadle or Jamie Foxx (for his absolutely extraordinary role for Ray) win Best Actor and I hope Sophie Okonedo takes the Best Supporting Actress statue. As for Best Original Screenplay, Hotel Rwanda can easily take it if it can beat Eternal Sunshine of the Spotless Mind. On a closing note, I must say that I strongly recommend that all should view this masterpiece as it educates everyone on the disasters that occurred back in '94. If you truly believe and have faith, the extraordinary can be accomplished and Paul Rusesabagina proved this to us.
My Rating: 9/10 (A High 9)
Eliason A.