The Toronto International Film Festival runs from Sept. 8 to 18. Visit our TIFF section to learn more about the films we're excited to see, plus photos, mini-guides, and more!
After graduating from Emory University, top student and athlete Christopher McCandless abandons his possessions, gives his entire $24,000 savings account to charity and hitchhikes to Alaska to live in the wilderness. Along the way, Christopher encounters a series of characters that shape his life.
Disgruntled Korean War veteran Walt Kowalski sets out to reform his neighbor, a Hmong teenager who tried to steal Kowalski's prized possession: a 1972 Gran Torino.
Director:
Clint Eastwood
Stars:
Clint Eastwood,
Bee Vang,
Christopher Carley
A man's coerced confession to an IRA bombing he did not commit results in the imprisonment of his father as well. An English lawyer fights to free them.
Director:
Jim Sheridan
Stars:
Daniel Day-Lewis,
Pete Postlethwaite,
Alison Crosbie
During the 1990s, some of the worst atrocities in the history of mankind took place in the country of Rwanda--and in an era of high-speed communication and round the clock news, the events went almost unnoticed by the rest of the world. In only three months, one million people were brutally murdered. In the face of these unspeakable actions, inspired by his love for his family, an ordinary man summons extraordinary courage to save the lives of over a thousand helpless refugees, by granting them shelter in the hotel he manages. Written by
Sujit R. Varma
It was later revealed by one of the survivors of the hotel, Pasa Mwenenganucye, that Paul Rusesabagina, was not as heroic as he was depicted to be. The people who sought shelter at his hotel were made to pay for their stay, with priorities given to the wealthier people. The backlash was so bad that Rusesabagina was pressured into canceling an appearance at a Canadian festival by members of Toronto's Rwandian community, who accused him of being "genocide revisionist and denier." The head of the UN's peacekeeping force in Rwanda at the time, Canadian Romeo Dallaire, addressed the controversy by simply calling the movie "okay". Despite all the claims, Paul Rusesabagina has stood by the movie and denied all claims of any wrongdoing on his part. See more »
Goofs
In the last chapter, When Tatiana Rusesabagina is looking for the pictures of her lost little nieces, we first see the pictures with two question marks under it. Five seconds later, the picture is blank. See more »
Quotes
[first lines]
George Rutaganda:
[voiceover]
When people ask me, good listeners, why do I hate all the Tutsi, I say, "Read our history." The Tutsi were collaborators for the Belgian colonists, they stole our Hutu land, they whipped us. Now they have come back, these Tutsi rebels. They are cockroaches. They are murderers. Rwanda is our Hutu land. We are the majority. They are a minority of traitors and invaders. We will squash the infestation. We will wipe out the RPF rebels. This is RTLM, Hutu power radio. Stay ...
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Crazy Credits
Apart from the movie's name, nothing else is shown in the opening titles. See more »
Anything I say in this review is probably redundant, because there isn't a single negative review in all the comments so far here, and I agree wholeheartedly with what has been said by other reviewers.
Nevertheless Hotel Rwanda is that rare kind of movie experience that doesn't easily relinquish its hold on the audience just because the credits have rolled. Watching with a friend, after ten minutes we had to pause the film because we decided we would be better served if we were more informed about what the basic facts of the conflict in Rwanda were. So to my shame, we had to read on the internet about what really happened, before we could continue. I say shame because we should have known, both of us were of an age when it happened to have taken more of an interest in world politics.
The film is beautifully understated, eschewing sentimentality in favour of raw emotion and letting the story tell itself. The acting was flawless - Don Cheadle's breathtaking performance being a particular standout - and the direction didn't falter, despite all the potential pitfalls of dramatising a recent and horrific conflict. The scenes which were hardest to watch in terms of tension and violence were often suffused with humour and hope.
It's difficult sometimes to separate the significance of the true story, from the artistry of the product, and often I get impatient with 'worthy' movies scoring big at Oscar time because it seems as though important stories ought to be rewarded, whether or not they make good films. However, I can't recall being so profoundly moved by a film since I saw The Grey Zone, and I hope Hotel Rwanda gets all the plaudits it deserves.
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Anything I say in this review is probably redundant, because there isn't a single negative review in all the comments so far here, and I agree wholeheartedly with what has been said by other reviewers.
Nevertheless Hotel Rwanda is that rare kind of movie experience that doesn't easily relinquish its hold on the audience just because the credits have rolled. Watching with a friend, after ten minutes we had to pause the film because we decided we would be better served if we were more informed about what the basic facts of the conflict in Rwanda were. So to my shame, we had to read on the internet about what really happened, before we could continue. I say shame because we should have known, both of us were of an age when it happened to have taken more of an interest in world politics.
The film is beautifully understated, eschewing sentimentality in favour of raw emotion and letting the story tell itself. The acting was flawless - Don Cheadle's breathtaking performance being a particular standout - and the direction didn't falter, despite all the potential pitfalls of dramatising a recent and horrific conflict. The scenes which were hardest to watch in terms of tension and violence were often suffused with humour and hope.
It's difficult sometimes to separate the significance of the true story, from the artistry of the product, and often I get impatient with 'worthy' movies scoring big at Oscar time because it seems as though important stories ought to be rewarded, whether or not they make good films. However, I can't recall being so profoundly moved by a film since I saw The Grey Zone, and I hope Hotel Rwanda gets all the plaudits it deserves.