After graduating from Emory University, top student and athlete Christopher McCandless abandons his possessions, gives his entire $24,000 savings account to charity and hitchhikes to Alaska to live in the wilderness. Along the way, Christopher encounters a series of characters that shape his life.
The story of King George VI of the United Kingdom of Great Britain and Northern Ireland, his impromptu ascension to the throne and the speech therapist who helped the unsure monarch become worthy of it.
Helena Bonham Carter
Ten years ago some of the worst atrocities in the history of mankind took place in the country of Rwanda--and in an era of high-speed communication and round the clock news, the events went almost unnoticed by the rest of the world. In only three months, one million people were brutally murdered. In the face of these unspeakable actions, inspired by his love for his family, an ordinary man summons extraordinary courage to save the lives of over a thousand helpless refugees, by granting them shelter in the hotel he manages. Written by
Sujit R. Varma
It was later revealed by one of the survivors of the hotel, Pasa Mwenenganucye, that Paul Rusesabagina, was not as heroic as he was depicted to be. The people who sought shelter at his hotel were made to pay for their stay, with priorities given to the wealthier people. The backlash was so bad that Rusesabagina was pressured into cancelling an appearance at a Canadian festival by members of Toronto's Rwandian community, who accused him of being "genocide revisionist and denier." The head of the UN's peacekeeping force in Rwanda at the time, Canadian Romeo Dallaire, addressed the controversy by simply calling the movie "junk". Despite all the claims, Paul Rusesabagina has stood by the movie and denied all claims of any wrongdoing on his part. See more »
The sign on top of the entrance to George Rutaganda's company headquarter reads "Rutagunda", instead of "Rutaganda". See more »
When people ask me, good listeners, why do I hate all the Tutsi, I say, "Read our history." The Tutsi were collaborators for the Belgian colonists, they stole our Hutu land, they whipped us. Now they have come back, these Tutsi rebels. They are cockroaches. They are murderers. Rwanda is our Hutu land. We are the majority. They are a minority of traitors and invaders. We will squash the infestation. We will wipe out the RPF rebels. This is RTLM, Hutu power radio. Stay ...
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Apart from the movie's name, nothing else is shown in the opening titles. See more »
Olugendo Lw'e Bulaya
Written by Bernard Kabanda
Published by Real World Works Ltd.
Produced and Recorded binaurally by Tchad Blake at Real World Studios
(p) 1999 Real World Records Ltd.
from the Womad Select album 'Olugendo' WSCD 106 See more »
A brilliant movie that deserved a Best Picture Oscar-nomination
At one point in "Hotel Rwanda," our hero Paul Rusesabagina (Don Cheadle) asks an American TV reporter (Joaquin Phoenix) how the western world could not intervene after seeing scenes of women and children being hacked by machete-wielding Hutu militia.
How could they not, indeed! As we all know, the west didn't intervene. Not surprising, really. After all, this was Africa and Rwanda had no oil reserves. The people being killed were innocent men, women and children, but they were poor and black.
A few years ago, former President Bill Clinton apologized to Rwandans for not intervening during the 100-day massacre that saw about one million Tutsis and moderate Hutus slaughtered in the most barbaric manner. It was gracious of Clinton, but a fat lot of good his apology did to the people who were killed and their families.
The Rwandan genocide - that's what it was, though western leaders split hairs over the meaning of genocide also was a black mark on western nations, which simply got their citizens out of Rwanda and then remained indifferent to the senseless killings.
Terry George's film gives us one story about the Rwandan genocide, of one hero, Paul, a savvy, clever and cunning manager of a swank, four-star Belgian hotel in the capital, Kigali. When the massacres began, Paul, a Hutu, sheltered more than 1,200 Tutsis and moderate Hutus in the hotel and saved them from the wrath of the bloodthirsty mobs.
Working from a smart script by Keir Pearson and George, "Hotel Rwanda" contains gutwrenching and emotionally trying moments not seen on the big screen since "Schindler's List" (1993). But whereas Spielberg's masterpiece was more arty and artistic - and I don't mean that pejoratively - George's film seems more immediate. Maybe it's because we now see a similar slaughter of poor, downtrodden people in the Darfur region of Sudan and, again, western nations aren't doing much other than threatening to rap the knuckles of the bad guys like angry teachers. This crisis gives "Hotel Rwanda" a sense of urgency.
As visceral as this film is at times, George handles everything in muted fashion. We never see the horrors firsthand. There's brief news footage of people being killed and one particularly searing scene when Paul and his bellhop Gregoire (Tony Kgoroge) find themselves on a bumpy road. The moment's made more horrifying because George unveils it quite matter-of-factly.
Making a PG-13 film about genocide requires numerous compromises. Putting most, if not all, of the violence off-camera is one such bargain George made. True, a closer look at the massacre would have rightly tortured us. But the film, nevertheless, works without gruesome moments. Pearson and George set out to make a story of heroism, survival, love and compassion amid the madness. And they succeeded.
Cheadle carries the entire film. There isn't a false note in his performance. For years, he's turned in one superb performance after another. He's one of those actors who never hits it wrong and whose performances always stand out even if the films themselves aren't all that memorable. Here, he's in equal measure the smooth manager, man with a conscience and frightened husband and father. You can sense Paul's frustration, though Cheadle rarely displays any vulnerability.
He gets great support from Sophie Okonedo as Paul's Tutsi wife, Tatiana, and Nick Nolte doing his best work in years as a Canadian United Nations officer, Colonel Oliver. Okonedo and Cheadle are utterly believable as a couple. They have one traumatic scene on the hotel roof, a quietly powerful moment that tugs at our heartstrings as we watch two people who love each other try to deal with what could happen. Okonedo conveys anger, fear and pain without ever turning the moment sentimental or needlessly overwrought. That's why the moment's shattering.
"Hotel Rwanda" isn't flawless. George doesn't harshly indict the west for its indifference. Also, some scenes, especially one near the film's end, seem staged for obvious dramatic effect, to play with our sense of sympathy and dread. But minor faults can easily be forgiven because the rest of the film works so well, never sensationalizing any moment. The film's straightforward approach gives it more power, makes it more trenchant and meaningful.
I would like to believe that we learn from history and the more powerful western nations will always come to the aid of oppressed people everywhere. But we're doing little in Darfur and although President George W. Bush openly touts his vision to spread liberty and democracy to oppressed peoples everywhere, I doubt he actually means it. After all, this freedom doctrine was something he created only after his initial justification for waging an unjust war - Iraq's supposed stockpiles of WMD - proved to be wholly without merit or fact. I doubt he actually considers bringing liberty to places like Zimbabwe or Burma. He speaks of the need for people to be free, conveniently ignoring some dictatorial nations - Pakistan and Turkmenistan, for instance - because they happen to be our allies. And so the dumb foreign policy continues.
I can only hope the success of "Hotel Rwanda" will prompt other gutsy screenwriters and filmmakers to tell us more stories about the horrors that took place and the complacency of industrialized nations that could have helped and chose not to.
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