Star Trek (1966–1969)
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The Conscience of the King 

While Captain Kirk investigates whether an actor is actually a presumed dead mass murderer, a mysterious assailant is killing the people who could identify the fugitive.

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Cast

Episode complete credited cast:
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Arnold Moss ...
Barbara Anderson ...
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William Sargent ...
Dr. Tom Leighton
Natalie Norwick ...
Martha Leighton
David Somerville ...
Larry Matson (as David-Troy)
Karl Bruck ...
Marc Grady Adams ...
Hamlet (as Marc Adams)
Bruce Hyde ...
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Storyline

Captain Kirk is informed by his old friend, Dr. Thomas Leighton, that the head of a Shakespearean acting troupe on his world was once known as Kodos the Executioner. As Governor of Tarsus IV, Kodos had most of his colony killed when food supplies ran short rather than have so many starve. The only surviving witnesses to his actual appearance are Kirk, Leighton, and a young crewman on the Enterprise. Kirk dismisses Leighton's accusations until he turns up murdered, and his young crewman nearly so. The head of the Shakespearean acting troupe, Anton Karidian denies that he's Kodos. Is he telling the truth? If so, who's behind the murders? Written by Tony-B4

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8 December 1966 (USA)  »

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1.33 : 1
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Did You Know?

Trivia

When Spock declines to have a drink with McCoy by saying that his people were "spared the dubious benefits of alcohol", McCoy scorns Spock's refusal by stating that he now knows why Vulcan was conquered. This is contradicted in Star Trek: The Immunity Syndrome (1968), when Spock says that Vulcan has not been conquered in its collective memory. See more »

Goofs

While McCoy is enjoying a "drop of the true" in sick bay, he offers Spock a drink. Spock explains, "his fathers race was spared the dubious benefits of alcohol." To which McCoy sardonically responds, "Oh, now I know why they were conquered." However, in Star Trek: The Immunity Syndrome Spock explains to Kirk that, "Vulcan has not been conquered within its collective memory. The memory goes back so far that no Vulcan can conceive of a conqueror." See more »

Quotes

Mr. Spock: You've got to pull him through.
Dr. McCoy: I'm not sure I can.
Mr. Spock: If he dies, the only one who'll able to identify Kodos is the captain, and he'll be the next target.
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Connections

Referenced in The Simpsons: Treehouse of Horror (1990) See more »

Soundtracks

Beyond Antares
Music by Wilbur Hatch
Lyrics by Gene L. Coon
Performed by Nichelle Nichols
Harpsichord by Marl Young
Guitar played by Laurindo Almeida
(uncredited)
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User Reviews

 
Is He Kodos the Executioner or just an Actor?
1 July 2006 | by (United States) – See all my reviews

This is another example of a Trek episode where Capt. Kirk temporarily abandons his usual mission (exploring) and goes off on a personal vendetta (see the recent "Dagger of the Mind" and the much later "Obsession") - but it's very personal in this one. On the surface, it may seem trivial because larger questions concerning the galaxy are placed aside, but we become very involved in Kirk's private quest here. The episode is basically a mystery: is a traveling Shakespearean actor just what he seems to be or is he really the ex-governor of a failed colony, where, 20 years earlier, 4000 people had been put to death on his orders? We are left guessing for most of the episode. Will this turn out to be a false quest, a morality tale on the pitfalls of revenge? Or will this suspect truly be revealed as a mass murderer, causing Kirk to phaser him into oblivion? This episode also has an interesting set design for a futuristic house on another planet and a nice rendition of a song 'Beyond Antares' by Uhura (Nichols).

I would think guest star Moss had a field day with his role in this one; his specialty in real life were Shakespearean plays. He acts out Macbeth here, the story of which carries eerie parallels to the character he plays in this episode, and Hamlet, which parallels scenes in the actual episode. His voice is magnetic and his confrontation scene with Kirk as they parry verbally remains one of the better ones during this Trek season. Anderson, as his daughter, also holds her own in a strangely beautiful role. The episode is filled with nice touches

  • catch the very brief one as Yeoman Rand (Whitney) passes Anderson's


character in the turbolift. It's also telling that Spock, for all his usual annoyance with McCoy, runs to him when he notices the captain being edgy again. There's a key scene with Kirk, Spock and McCoy which sums up this trinity's relationship. Finally, we have Riley (Hyde) back again in his second and last appearance (after "The Naked Time"). It's an ironic form of justice that Riley ends up demoted to the lower decks in the engine room, where he caused all that trouble in his previous appearance. A rather haunting conclusion caps this foray into space intrigue.


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