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Storyline
Orrie Cather, a private investigator employed by Wolfe, is engaged to be married but is cheating on his fiancee with a sexy ex-showgirl who is the "doxy," or kept mistress, of a rich man. After she steals his P.I. license and uses it to blackmail him, Cather asks Archie to help him out by getting it back. Entering her apartment, he discovers that she has been bludgeoned to death with an ashtray. Archie, Saul, Fred, and Nero all agree to work without compensation to try to clear their associate of the inevitable murder charges. When it is revealed that the dead girl kept a diary, involved parties are desperate to keep their names out of court. Archie then teams up with vivacious showgirl Julie Jaquette, a friend of the murdered girl, to ferret out the real killer. Written by
Gabe Taverney (duke19029@aol.com)
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Quotes
Nero Wolfe:
If Orrie killed that woman, we are not obliged to thwart the agents of justice. If he didn't kill her, I have an obligation I can't ignore. You know I have no affection for him. The question is, is he capable of murder? Did he kill this woman? Fred. You have known Orrie longer than I have. What do you say?
Fred Durkin:
Jesus.
Archie Goodwin:
Oh, that's helpful. Did he kill her?
Fred Durkin:
I say he didn't.
Nero Wolfe:
Is that your considered opinion?
Fred Durkin:
To be honest, no. Orrie has always done whatever he felt like with women, and they've let him. So...
[...]
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Connections
References
My Little Chickadee (1940)
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Soundtracks
"Humoresque"
(uncredited)
Written by
Antonín Dvorák
KPM CS 7:7
Wolfe and Julie argue the difference between imagination and invention
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I've complained in the past that Hutton's Archie is often too broad and actorish (a problem Hutton often has), and that Chaykin's Wolfe is more peevish than princely (yes, Nero Wolfe can be peevish and petty - but he is also deeply principled and courageous in his own fashion, and courtly in many ways). In this two-parter, the leads get it right - maybe it's the stakes in the story, maybe it's that Director Timothy Hutton kept a tight leash on both himself and Maury Chaykin, but neither has been this good since THE GOLDEN SPIDERS.
If only the rest of the two-parter were up to their level, rather than rejoicing in a budget so low that Ed Wood would turn his nose up at it:
- An abandoned warehouse is obviously used for a number of sets,
including the prison where Orrie is kept, the 10 Little Indians Nightclub, and even Avery Ballou's mansion! There is so little attempt at redressing this particular location that Archie is led by the Ballou's butler through an obvious loading bay to see Mrs. Ballou at one point.- Though the book includes several scenes set in Wolfe's plant rooms,
all we see is one scene in a tiny bedroom-style set with a table and stool where Wolfe is potting a plant as Archie talks to him. No attempt was made to recreate the splendor of Wolfe's orchid collection, or even to try faking it by shooting in a botanical garden.- The same actress, Kari Matchett, plays both Archie's girlfriend Lily
Rowan (in a Sixties-style red wig) and nightclub singer Julie Jaquette (with her own blonde hair), thus stretching the show's "rep company" conceit to absurd lengths. Not that Ms. Matchett isn't a good actress (she played Hutton's ex-wife on LEVERAGE, and is currently Piper Pierabo's CIA superior on COVERT AFFAIRS), but the characters are too much alike to be convincingly played by the same person under any circumstances.Sometimes, you see a group of good actors doing something you love, and you think you would love the show if they did it reading scripts while sitting around a table. And you probably would - but you wouldn't enjoy watching them do it while struggling, and failing, to recreate Kennedy- Era New York City on a nonexistent budget in Toronto.