Climax!: Season 1, Episode 34Dr. Jekyll and Mr. Hyde (28 Jul. 1955)A little known adaptation of Robert Louis Stevensons' classic Director:Allen Reisner |
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Climax!: Season 1, Episode 34Dr. Jekyll and Mr. Hyde (28 Jul. 1955)A little known adaptation of Robert Louis Stevensons' classic Director:Allen Reisner |
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| 0Share... |
| Episode complete credited cast: | |||
| Michael Rennie | ... | ||
| Cedric Hardwicke | ... | ||
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Mary Sinclair | ... |
The Girl
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Lowell Gilmore | ... | |
| John Hoyt | ... |
Poole
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Karen Scott | ... |
The Girl Companion
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Gilchrist Stuart | ... |
Policeman
(as Gil Stuart)
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Keith McConnell | ... |
The Fiance
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Harry Fields | ... |
The Pianist
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Diane Doxee | ... |
The Singer
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Barbara Morrison | ... |
The Dowager
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William Lundigan | ... |
Himself - Host
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| Rest of cast listed alphabetically: | |||
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Art Gilmore | ... |
Announcer
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Told through the Journal left by Dr. Jekyll after Mr. Hyde is killed in the opening scene. This is a bare bones production, but is very stylish never the less. The classic search of man's Duality. More subtle and sublime then the more famous versions. Written by Michael Autin
I stand second to no one (well, okay, Nabokov) in my admiration of Stevenson's brilliantly structured novel, which is popularly thought to be a horror story but is really more about the unleashed id of a normal (that is, both good and bad) man. Gore Vidal's script presents Dr. Jekyll's experiment as an attempt to expose man's soul and dissect it into angelic and demonic-- a misinterpretation of Stevenson, but not bad.
Michael Rennie is a fine Jekyll, but he is no better a Hyde than his precursors have been (no one has yet topped Barrymore). The real problem with this movie-- the reason it isn't worth seeing-- is the production itself. There are just a few stage sets with deplorable lighting and clunky sound-- a made-for-TV product from 1955, with every technical drawback in plain sight. Jekyll/Hyde is too complex a piece-- it demands CGI, in fact-- to really have made a successful transition to early television with its primitive technology. That said, Vidal and Rennie manage to convey the beastliness of Hyde without making him seem like a boogie man. He is evil on a human scale, and Jekyll is tortured by the fact that he craves Hyde's amoral pursuit of pleasure. Kudos for that.