A young convict at a state prison work camp plans a clever escape with the help of the aging, alcoholic fellow prisoner who is in charge of making and burying the camp's coffins.

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(story), (story) | 1 more credit »
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Cast

Episode complete credited cast:
...
Himself - Host
Stephen McNally ...
Captain
...
Doc
...
Paul Perry
...
The Work Partner
John Kellogg ...
The 1st Guard
Ray Kellogg ...
The Convict Blacksmith
...
The 2nd Convict
...
The Lawyer
Hinton Pope ...
The 2nd Guard
Betsy Hale ...
Elissa
John Alderson ...
The 3rd Guard
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Storyline

A young convict at a state prison work camp plans a clever escape with the help of the aging, alcoholic fellow prisoner who is in charge of making and burying the camp's coffins.

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coffin | buried alive | See All (2) »


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Release Date:

21 February 1964 (USA)  »

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1.33 : 1
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Did You Know?

Goofs

There is light inside the coffin even when the prisoner is not burning one of his matches. See more »

Connections

Remade as Alfred Hitchcock Presents: Final Escape (1985) See more »

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User Reviews

Kookie Breaks Out of the Bighouse
2 May 2015 | by (Claremont,USA) – See all my reviews

It's a one-note plot, but thanks to a thoughtful script and persuasive acting, the story works, though you may see the major twist coming. So how's young Paul (Byrnes) going to escape prison; after all, he's got a slick reputation to protect. Besides, the head guard (McNally) is one arrogant son of a gun, and keeps challenging Paul to just try to escape. Also, how's old broken-down inmate Doc (Keith) going to help since he sort of totters around.

For fans of old 77 Sunset Strip (1958-64) Byrnes' turn here comes as a revelation. Who would figure that the jive talking Kookie of that detective series could actually play a hardened criminal; still, he's quite good. Then too, judging from his frail appearance, I'm not surprised the aged Keith would soon pass away. Too bad, because he's an unusual TV presence here. Also, production did a good job faking a dead-end lumberyard that the cons labor in. This is definitely not a place to put in prison time; no wonder Paul's desperate to get out. Note too, that the cemetery markers don't bother with names, just numbers. I guess they let God sort 'em out.

And, oh yes—guys-- there's absolutely no eye candy in this 60-minutes, so be prepared for a gang of ugly screws and cons. All in all, it's a different Hitch, with the usual ironical, but not too surprising, ending.


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