| Cast overview, first billed only: | |||
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Anna Biller | ... |
Barbi /
Viva
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Jared Sanford | ... |
Mark
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| Bridget Brno | ... |
Sheila
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| Sam Bologna | ... |
Mr. Humphrey
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Damon Wellner | ... |
Hippie
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Chad England | ... |
Rick
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Corky Parks | ... |
Sailor /
Hot Tub Nudist
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Evan Spector | ... |
Sailor
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| Veronica Alicino | ... |
Miss Marker
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| Barbara Ann Duffy | ... |
Model
(as Barbara Duffy)
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| Lola Kelly | ... |
Model
(as Deirdre Gaffney)
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Barry Morse | ... |
Sherman
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Cole Chipman | ... |
Reeves
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Rob Scott | ... |
Doctor
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Morgan Blair | ... |
Man at Party
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VIVA is about a bored housewife in 1972 who gets sucked into the sexual revolution. Abandoned by her husband, Barbi is dragged into trouble by her girlfriend, who spouts women's lib as she gets Barbi to discard her bra and go out on the town. Barbi becomes a Red Riding Hood in a sea of wolves, and quickly learns a lot more than she wanted to about nudist camps, the hippie scene, orgies, bisexuality, sadism, drugs, and bohemia. Saturated to the hilt with vibrant color and exquisite period detail, and full of the kind of innocent nude romps you see before censorship codes lifted, VIVA looks like a lost film from the late '60's, and is a tribute to the best of exploitation cinema, from Herschell Gordon Lewis' Suburban Roulette to Radley Metzger's Camille 2000. Written by Anonymous
Most of these comments are definitely by cast and crew, obviously. This movie is absolutely atrocious, and not in a way that's fun to watch. It's taking itself too seriously to be considered an 'homage' or 'send-up'. One gets the feeling that the actor/writer/director (and review writer) thinks she's making a populist exploitation film, however, even most exploitation films had an actual story. The acting is probably the most offensive thing, but once again, not so bad that it's fun to watch and poke fun at. It's just bad. Like, someone got all their out of work hack actor friends together, threw in some family members, and then pulled a few people off the street kind of bad. But then again, one can hardly blame them when they're being forced to say the most ridiculous lines in the history of people talking to each other. The one redeeming thing in this film is the art direction; the costumes, color, and even the film stock are reminiscent of the 70's in a pleasant way.
If you want to watch an actual 70's period movie with genuine camp, sex, and a reasonable story, watch "Beyond The Valley of the Dolls". If you want to burn your eyes out with bleach, then perhaps watch "Viva" instead.