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Two suburban couples experiment with sex, drugs and bohemia in early 1970's Los Angeles.

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Cast

Cast overview, first billed only:
Anna Biller ...
Barbi / Viva
Jared Sanford ...
Mark
...
Sheila
Sam Bologna ...
Mr. Humphrey
Damon Wellner ...
Hippie
Chad England ...
Rick
Corky Parks ...
Sailor / Hot Tub Nudist
Evan Spector ...
Sailor
...
Miss Marker
...
Model (as Barbara Duffy)
...
Model (as Deirdre Gaffney)
Barry Morse ...
Sherman
Cole Chipman ...
Reeves
Rob Scott ...
Doctor
Morgan Blair ...
Man at Party
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Storyline

VIVA is about a bored housewife in 1972 who gets sucked into the sexual revolution. Abandoned by her husband, Barbi is dragged into trouble by her girlfriend, who spouts women's lib as she gets Barbi to discard her bra and go out on the town. Barbi becomes a Red Riding Hood in a sea of wolves, and quickly learns a lot more than she wanted to about nudist camps, the hippie scene, orgies, bisexuality, sadism, drugs, and bohemia. Saturated to the hilt with vibrant color and exquisite period detail, and full of the kind of innocent nude romps you see before censorship codes lifted, VIVA looks like a lost film from the late '60's, and is a tribute to the best of exploitation cinema, from Herschell Gordon Lewis' Suburban Roulette to Radley Metzger's Camille 2000. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

They were housewives seeking kicks, in a world of swingers, orgies, booze and sin that was the sexual revolution!

Genres:

Comedy | Drama | Musical

Motion Picture Rating (MPAA)

Rated R for sexual content, nudity and some drug use | See all certifications »
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Details

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Release Date:

2 May 2008 (USA)  »

Company Credits

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Technical Specs

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The Japanese Mae West in the orgy scene who says, "Murray, peel me a grape" is 'Anna Biller (I)''s mother Sumiko, dubbed by Bridget Brno. The guy at the bar in the brown plaid suit behind Rick is Anna's father Les Biller. He originally had one line as a drunk. See more »

Goofs

When Sherman goes into his kitchen, the blender is empty. He then opens a cupboard and takes out some powder before turning back to the blender - which is now full of milkshake mix. See more »

Quotes

Viva: I want to be called Viva, which in Italy means "to live." Because that's what I want to do now - to live!
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Connections

Featured in SexTV: Pornscapes/Viva/Forbidden City (2007) See more »

Soundtracks

You've Got to Love Yourself
Written by Anna Biller
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User Reviews

 
Viva is much more than just another, "That Seventies Film"
13 May 2007 | by (Portland, Oregon United States) – See all my reviews

I caught this film at it's Pre - World Premiere at a press screening at the Rotterdam Film Festival back in January of this year and I really enjoyed it, mainly because I have never seen anything quite like it before and don't expect that I will likely ever see anything like it again.

The first thing that swept me away was the set design / art direction: right from the get go I had the feeling I was back in the 70's except it wasn't through the usual played out typical Hollywood re-interpretation of what the seventies were supposed to have looked like, this film elicits a "Holy S*** the filmmakers must have gotten their hands on a warehouse full of actual items from the 70's" sensation (and apparently they did collect props for years). The films colors are absolutely dazzling, the look achieved in the film is almost as if the director was aiming to visually reproduce the feel of a Technicolor film as filtered through copious amounts of LSD.

The characters the actors were portraying often came off as mindless automatons, sort of stereotypical parodies of American archetypes if you will, the performances were often wooden to the point of disbelief – almost as if they were trying to overact in a very detached manner, it worked quite well and added to the overall sense of "disbelief" I had while watching this film. Some of the lines the actors deliver were so incredibly vapid yet delivered so deadpan that I could not control my laughter, sometimes the sets alone were enough to make me giggle.

While the film certainly parodies B flicks on one level, on another it truly works as a piece of calculated and subversive art by reversing the usual misogynistic dynamics of the typical exploitation film: we see the repressed lead character Barbi transform into "Viva" who becomes self aware and empowered by discovering and reveling in her sexuality ( the animated orgasm scene is pretty awesome, apparently Anna Biller also animated this sequence! ) thus I venture to guess that Anna Biller may have very well created the first "post-feminist 70's era B flick exploitation homage film" - anyone know of anything else out there like this? I would definitely recommend this film to fans of John Waters work as well as anyone interested in feminist or subversive art, hell, Anna Biller's art direction alone warrants at least two viewings. All in all I really enjoyed the film, I do wish I had been just a little bit fresher for the screening as per film festival requirements I had slept about four hours the previous evening and was still a bit hungover. I hope I get the chance to see this film again because I would not hesitate to make some phone calls and round up a posse, Viva is definitely a film experience that would make for some excellent post film discussion over drinks.

If I were to make a criticism about Viva It would be that I think the film could use a little more time in the cutting room to trim it up perhaps just a wee bit, given that I was watching a world premiere I will assume that what I saw was perhaps the "directors cut". Regardless, Viva really is an achievement on several levels and it should certainly solidify Anna Biller as one of the freshest new multi-talented directorial voices of today.


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