Enterprising liberal Jew Simon Cohen is the lawless lord of an Amsterdam neighborhood, running a 'coffee' shop' (legal soft drugs sale). As soon as they bump into each-other, Simon ... See full summary »
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Abdullah 'Ap' Bentarek may be happy that, unlike his Uncle Yusuf who stayed in the ancestral Moroccan mountain village, his own father, Ali, moved to the Netherlands. However, the boy has ... See full summary »
Albert Ter Heerdt
Salah Eddine Benmoussa,
Zohra 'Flifla' Slimani
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Four old college friends in their forties come together in a time of trouble and despair. Old joy relives, but the harsh reality of their problems can't satisfy them and eventually endangers their friendships.
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Gijs Scholten van Aschat
After finding out that they have a debt of EUR40.000 with the tax service, four very out-of-shape men working at a car shop start to train for a marathon, in which they can win the money to pay the debt.
Stefan de Walle,
Martin van Waardenberg,
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Enterprising liberal Jew Simon Cohen is the lawless lord of an Amsterdam neighborhood, running a 'coffee' shop' (legal soft drugs sale). As soon as they bump into each-other, Simon fascinates gay, up to then conventionalist Jewish dentistry student Camiel Vrolijk and draws him into his libertine world, even all the way to Thailand for B-movie making. Hvaing seduced Simon's whorish girl, embarrassed Simon leaves quietly. Ten years later, the dentist, now settled with a gay partner, lawyer Bram, meets the new cancer-terminal but affluent Simon again. Written by
This film is extremely well elaborated. Without spoiling the movie for you, basically, Simon is a sad story between a drug-dealing, "living la vida loca" young man, and a gay man he unexpectedly met.
14 years later, they meet again, but this time, the situation is totally different.
The filmmakers do an excellent job at the beginning of the movie, that is, making people dive deep into the story, the characters and the general atmosphere. This has as consequence, later after the middle of the movie, that the filmmakers start playing with the audience's emotions, leveraging on all the details presented during the beginning to force the audience into the main topic of the movie.
The second half of the movie is the sad part of it. There, the lives of all the people involved are bound together by an unexpected tragedy. The film has an obvious ending, but during that time, the audience's feelings and emotions are constantly touched and moved. This emotional play is perfect for the deep meanings of the movie: a reflexion and the presenting of different perspectives of homosexuality, drugs, sex and eutanasia.
9 of 12 people found this review helpful.
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