| Devon Gummersall | ... | Jack | |
| Derek Richardson | ... | Nelson | |
| Tina Illman | ... | Gretchen | |
| Scott Whyte | ... | Trip | |
| Arielle Kebbel | ... | Cookie | |
| Michael Ironside | ... | Henry | |
| Eric Mabius | ... | Radford | |
| Marcia Strassman | ... | Rose | |
| Les Jankey | ... | Trucker | |
| David Hadinger | ... | The Reeker | |
| Carole Ruggier | ... | The Mom | |
| Paul Greenstein | ... | The dad | |
| Paul Butcher | ... | The Kid | |
| Steven Zlotnick | ... | Officer Bern (as Steve Zlotnick) | |
| Christopher Boyer | ... | Officer Mansfield | |
| Wesley Thompson | ... | Officer Taylor | |
| Alejandro Patino | ... | Velez the Medic (as Alexander Patino) |
Directed by | |||
| Dave Payne | |||
Writing credits(in alphabetical order) | ||
| Dave Payne | ||
Produced by | |||
| Ronnie Apteker | .... | executive producer | |
| Daniel Barone | .... | co-producer | |
| Don Dunn | .... | co-producer | |
| Don Dunn | .... | line producer | |
| Tina Illman | .... | producer | |
| David Kitchens | .... | associate producer | |
| Amanda Klein | .... | producer | |
| Dave Payne | .... | producer | |
| Ben Zarai | .... | associate producer | |
Original Music by | |||
| Dave Payne | |||
Cinematography by | |||
| Mike Mickens | |||
Film Editing by | |||
| Daniel Barone | |||
Casting by | |||
| Jamie Sparer Roberts | |||
Production Design by | |||
| Paul Greenstein | |||
Art Direction by | |||
| Mara A. Spear | |||
Costume Design by | |||
| Nicole Abel | |||
| Marco Morante | |||
Makeup Department | |||
| Pharel Baker | .... | key hair stylist | |
| Heather Mages | .... | special makeup effects artist | |
| Leah Rial | .... | key makeup artist | |
| Jennifer Romo | .... | hair stylist | |
| Nick Roth | .... | hair stylist | |
Production Management | |||
| Marissa Linn Carus | .... | production supervisor | |
| Don Dunn | .... | unit production manager | |
Art Department | |||
| Tommy Lewis | .... | on-set dresser | |
| Charlie Mckay | .... | assistant property master | |
| Terence Mirley | .... | on-set constructor | |
| Paul Smith | .... | property master | |
| Thom Thinn | .... | set dresser | |
Sound Department | |||
| Jason Brooks | .... | additional boom operator | |
| Brad Bryan | .... | production sound mixer | |
| Gonzalo Espinoza | .... | sound effects editor | |
| Randall Gillion | .... | sound coordinator | |
| Sean Gray | .... | sound assistant | |
| David Kitchens | .... | sound supervisor | |
| Michael Kreple | .... | sound re-recording mixer | |
| Eric Lalicata | .... | sound re-recording mixer | |
| Chris McDonough | .... | sound re-recording mixer | |
| Jeff Merritt | .... | sound assistant | |
| Jessica Pettyjohn | .... | sound assistant | |
| Eric Reuveni | .... | dialogue editor | |
| Terra Reuveni | .... | sound coordinator | |
| Marcus Ricaud | .... | boom operator | |
| Ken Skoglund | .... | sound effects editor | |
| Ken Skoglund | .... | sound re-recording mixer | |
| Chris Thomas | .... | sound assistant | |
| Ben Zarai | .... | supervising sound editor | |
Special Effects by | |||
| Marsy Blasgen | .... | special photographic effects | |
| Brooke Bradley | .... | special effects makeup | |
| Chris Dooley | .... | special effects technician | |
| Ron Karkoska | .... | special effects makeup | |
| Max Purple | .... | special effects technician | |
| Jordu Schell | .... | lead sculptor | |
| Mark Villalobos | .... | special effects makeup | |
| Hill Vinot | .... | special effects technician | |
Visual Effects by | |||
| Donald Andrews | .... | life flashbacks designer | |
| Daniel Barone | .... | digital compositor | |
| Daniel Barone | .... | visual effects supervisor | |
| Timur 'Taron' Baysal | .... | digital head destruction | |
| Catherine Brankov | .... | rotoscope artist | |
| Ty Brody | .... | digital compositor | |
| Emma Cash | .... | rotoscope artist | |
| Jennifer Chere | .... | visual effects: line producer | |
| Samson Daviess | .... | tracker | |
| Randy Fergus | .... | dustbuster | |
| William 'Billy' Hancock | .... | digital artist | |
| John Hansen | .... | rotoscope artist | |
| Vannessa Jarret | .... | main titles/concepts & blocking | |
| Hoaung Huy Le | .... | designer: Nose Passage | |
| Massoud 'Ollie' Monsef | .... | lead 3D animator/modeler | |
| Savannah Morgan | .... | digital artist | |
| Charles Roxburgh | .... | digital compositor | |
| Charles Roxburgh | .... | lead matchmover | |
| Joey Sila | .... | digital compositor | |
| Joey Sila | .... | lead 3D particle engineer/animator | |
| Joey Sila | .... | wire/rig removal | |
| Philip Sisk | .... | additional digital compositor | |
| Jennifer Spradling | .... | rotoscope artist | |
| John Stewart | .... | compositing supervisor | |
| Erynn Taylor | .... | tracker | |
| Pete Upson | .... | rotoscope artist | |
| Guy Vardaman | .... | rotoscope artist | |
| Fred Victors | .... | matchmover | |
| Nichole Warren | .... | 3D animator | |
| Brock Weaver | .... | pipeline setup assistant | |
| Giles Willoughby | .... | 3D particle animator | |
Stunts | |||
| Oliver Keller | .... | stunt arranger | |
| Kim Robert Koscki | .... | stunt coordinator | |
| Lori Seaman | .... | stunts | |
| Rick Seaman | .... | stunts | |
| Joanna Shelmidine | .... | stunt double | |
| Nancy Thurston | .... | stunts | |
Casting Department | |||
| Gideon Emery | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Amanda Vinopal | .... | wardrobe assistant (as Amanda Scholl) | |
Editorial Department | |||
| Daniel Barone | .... | colorist | |
| Roger Hinze | .... | post-production supervising producer | |
Music Department | |||
| Gideon Emery | .... | vocal effects | |
| Madeleine Smith | .... | music supervisor | |
Transportation Department | |||
| Jesse Gonzalez | .... | transportation | |
| Richard 'Bongo' Mitchell | .... | transportation coordinator | |
| Deane Pearcy | .... | driver | |
| Michael Scotty | .... | driver: insert car | |
Other crew | |||
| Kenn Barone | .... | mechanic | |
| Mark Bell | .... | craft service | |
| Daphne Boelsma | .... | studio teacher (as Daphne Boelsman) | |
| Juan De Jesus | .... | script supervisor: second unit | |
| Michael Fischler | .... | production accountant | |
| Ryan Karten | .... | production assistant | |
| Duke Lorr | .... | title designer: main titles | |
| Lex Loverde | .... | production assistant | |
| Carlos Marinez | .... | caterer | |
| James Mcgilvray | .... | on-set medic | |
| Joe Pantoja | .... | security officer | |
| Chris Rattican | .... | craft service | |
| Debra Roth | .... | production executive | |
| Roy Ruiz | .... | security officer (as Roy Roman Ruiz) | |
| David Sergenian | .... | production assistant | |
| Darius Siwek | .... | key production assistant | |
| Khene Tan | .... | location manager | |
| Velma Thompson | .... | script supervisor | |
| Truman Van Dyke | .... | production insurance | |
| Greg Webb | .... | production associate | |
| John Wittgraf | .... | production assistant | |
Thanks | |||
| Angelika Illman | .... | special thanks | |
| Renée Illman | .... | special thanks | |
| Jerry P. Jacobs | .... | special thanks | |
| Stephen Jarrett | .... | special thanks | |
| Jack Minogue | .... | special thanks | |
| Edward Noeltner | .... | special thanks | |
| Rita Simonian | .... | special thanks | |
| Guy Vardaman | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
Now HERE is a great horror film. I haven't been scared since 28 Days Later or, to a lesser extent, the Ring/Uzumaki series. I gave this film an 8 only because some of the dialogue is trite, and they use some of the "gotcha" gimmicks where the sound increases sharply for an instant to make you jump out of your seat. Other than that very common horror movie tactic, it is a solidly enjoyable film.
The story is great. It proceeds along a very formulaic horror movie story at first. Four or five annoying young adults on their way to a sybaritic party in the middle of nowhere. One is blind, one is a foreign student, one is the blonde, etc. One of them is being secretly pursued by an ex-pharmacy student/drug dealer he recently ripped off who is rumored to have killed others who crossed him. The car breaks down, nobody comes to help, cel phones are dead, and then BAD THINGS start to happen, usually preceded by the choking odor of decomposing bodies (hence, the title). At first these things are only observed, and then they start happening to our protagonists. The ending, however, will probably greatly surprise you, I know it did me, and I'm used to surprise endings.
The acting is good, the special effects are top notch, it's scary, and the story moves at a good pace. Definitely check it out.