The Brothers Bloom are the best con men in the world, swindling millionaires with complex scenarios of lust and intrigue. Now they've decided to take on one last job - showing a beautiful and eccentric heiress the time of her life with a romantic adventure that takes them around the world.
Lyle Jensen is subject to sudden and violent outbursts, and he is committed to the juvenile wing of the Northwood Mental Institution. Several other youths are there with a variety of ... See full summary »
Chris is a once promising high school athlete whose life is turned upside down following a tragic accident. As he tries to maintain a normal life, he takes a job as a janitor at a bank, where he ultimately finds himself caught up in a planned heist.
The lonely teenager Brendan finds his former girlfriend Emily dead in the entrance of a tunnel of sewage and recalls her phone call two days ago, when she said to him that she was in trouble. Brendan, who still loved Emily, met bad elements of his high-school trying to contact her, and when he succeeded, she told him that she was OK. He hides her body in the tunnel and decides to investigate the meaning and connection of four words, including "brick" and "pin", that Emily told him to find who killed her. Using the support of his nerd friend Brain, he successively meets the small time drug dealers Kara, Dode, Brad Bramish, Laura and Tugger, to reach the teenager powerful drug dealer The Pin. Slowly, Brendan unravels the motives why Emily was killed and plots a revenge. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Saw this at the Mill Valley Film Festival. It's essentially a film noir set in present-day San Clemente High School, reminiscent of "The Big Sleep," but with drug-dealing added to the mix of double-crossing. The characters may be teenagers, but the dialog channels Chandler and Hammett, and my only real complaint with the film is that Joseph Gordon-Leavitt (in an otherwise wonderful performance) sometimes mumbles; this is dialog you don't want to miss. Lukas Haas is wonderfully eccentric in what is essentially the Sidney Greenstreet role, Noah Fleiss as the dumb thug, and Nora Zehetner even LOOKs like Mary Astor. As with all the great American noir films, there are many sardonic laughs inserted into the dark story.
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