The Brothers Bloom are the best con men in the world, swindling millionaires with complex scenarios of lust and intrigue. Now they've decided to take on one last job - showing a beautiful and eccentric heiress the time of her life with a romantic adventure that takes them around the world.
In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
Chris is a once promising high school athlete whose life is turned upside down following a tragic accident. As he tries to maintain a normal life, he takes a job as a janitor at a bank, where he ultimately finds himself caught up in a planned heist.
Lyle Jensen is subject to sudden and violent outbursts, and he is committed to the juvenile wing of the Northwood Mental Institution. Several other youths are there with a variety of ... See full summary »
The lonely teenager Brendan finds his former girlfriend Emily dead in the entrance of a tunnel of sewage and recalls her phone call two days ago, when she said to him that she was in trouble. Brendan, who still loved Emily, met bad elements of his high-school trying to contact her, and when he succeeded, she told him that she was OK. He hides her body in the tunnel and decides to investigate the meaning and connection of four words, including "brick" and "pin", that Emily told him to find who killed her. Using the support of his nerd friend Brain, he successively meets the small time drug dealers Kara, Dode, Brad Bramish, Laura and Tugger, to reach the teenager powerful drug dealer The Pin. Slowly, Brendan unravels the motives why Emily was killed and plots a revenge. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The opening scene, with Brendan looking at Emily's body, is very deceptively shot. What appear to be POV shots of Emily's body are in fact something else. Director Rian Johnson says, "Brendan's eye-line never changes. We see him ostensibly looking at different details each time, but that's never cued by eye movement. Those inserts aren't from the angle at which he's viewing them. From where he is, her feet should be at the top of the frame; instead, they're at the bottom, shot from her other side. The other two shots are likewise reversed. You could call that an error, I suppose, but coupled with the fixed eye-line, what it suggests is that Brendan can't process what he's seeing. It's so unthinkable to him that he can only take in tiny portions at a time. He's abstracted the sight of her into objects. The images are technically 'wrong,' but that contributes to the scene's overwhelming sense of wrongness.I know that when I see something traumatic, I don't really process it in the moment, but I store it with an intense amount of detail and then watch the memory of it very carefully. Those disconnected, weirdly beautiful pieces of Emily are not what Brendan would see from his vantage point, but they feel like what he'd remember from the scene." See more »
After his first encounter behind the Coffee and Pie, Brendon is seen hiding behind a bush as he follows someone. As he gets up to walk away, you can clearly see a large red abrasion on the left side of his face that isn't in the previous or following shots. See more »
This is a very irritating film. It's like Bugsy Malone without the songs. It all comes across as kids doing Film Noir for their school project - badly. It is an unengaging story about an unlikable girl who goes missing, and her miserable ex-boyfriend who tries to solve the big mystery. Yawn. The dialogue is perhaps the most annoying part of Brick. Clearly the writer has mistaken 'incomprehensible' for 'clever'. It's all gabbled nonsense like "Jimmy C got goosed by the bulls and now I'm half-galloned to Milwaukee. Find out where Eddie Cheerio hides his cake and then meet me behind the Flapjack shop at a quarter past lunch." Or something.
In truth the film is slightly better than a 1, but is just so irritating in how smart it thinks it is that it needs bringing down a peg or two.
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