An undercover state cop who has infiltrated an Irish gang and a mole in the police force working for the same mob race to track down and identify each other before being exposed to the enemy, after both sides realize their outfit has a rat.
The seemingly untouchable, corrupt West Yorkshire police, and the true evil mastermind behind the child abductions and murders of the last 14 years, can't resist doing it again. Against them, a fat useless lawyer, and one remorseful copper.
The lonely teenager Brendan finds his former girlfriend Emily dead in the entrance of a tunnel of sewage and recalls her phone call two days ago, when she said to him that she was in trouble. Brendan, who still loved Emily, met bad elements of his high-school trying to contact her, and when he succeeded, she told him that she was OK. He hides her body in the tunnel and decides to investigate the meaning and connection of four words, including "brick" and "pin", that Emily told him to find who killed her. Using the support of his nerd friend Brain, he successively meets the small time drug dealers Kara, Dode, Brad Bramish, Laura and Tugger, to reach the teenager powerful drug dealer The Pin. Slowly, Brendan unravels the motives why Emily was killed and plots a revenge. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The horn signal Brendan instructs Laura to give him (long, short, long, short) is the same as the doorbell signal Sam Spade tells Brigid O'Shaughnessy he'll use in The Maltese Falcon (1941). Brendan's earlier line to Laura, "Now you are dangerous," is taken from the film as well. See more »
When Brendan meets Dode on the football field, he falls down and his jacket gets quite muddy along the right arm and right side. The next scene is Brendan going to the tunnel at 4:00 p.m. for the meeting, and the jacket is perfectly clean. See more »
Just saw this at the Chi. International Film Festival, and must say it was the best feature film that I have seen all year. Excellent tribute to the noir genre, with sort of a Raymond Chandler-esquire slant to the dialog, a sort of hard-boiled type protagonist, and the typical twists, turns and double crosses that come with the territory. All this while taking place within the confines of a modern California high-school social scene. Somehow manages to walk the line of homage, send-up, and original film incredibly well. Parts were edge-of-your seat, parts had me cringing with pain or shock, and parts had me in stitches. Well worth seeing.
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