An undercover state cop who has infiltrated an Irish gang and a mole in the police force working for the same mob race to track down and identify each other before being exposed to the enemy, after both sides realize their outfit has a rat.
The seemingly untouchable, corrupt West Yorkshire police, and the true evil mastermind behind the child abductions and murders of the last 14 years, can't resist doing it again. Against them, a fat useless lawyer, and one remorseful copper.
The lonely teenager Brendan finds his former girlfriend Emily dead in the entrance of a tunnel of sewage and recalls her phone call two days ago, when she said to him that she was in trouble. Brendan, who still loved Emily, met bad elements of his high-school trying to contact her, and when he succeeded, she told him that she was OK. He hides her body in the tunnel and decides to investigate the meaning and connection of four words, including "brick" and "pin", that Emily told him to find who killed her. Using the support of his nerd friend Brain, he successively meets the small time drug dealers Kara, Dode, Brad Bramish, Laura and Tugger, to reach the teenager powerful drug dealer The Pin. Slowly, Brendan unravels the motives why Emily was killed and plots a revenge. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The horn signal Brendan instructs Laura to give him (long, short, long, short) is the same as the doorbell signal Sam Spade tells Brigid O'Shaughnessy he'll use in The Maltese Falcon (1941). Brendan's earlier line to Laura, "Now you are dangerous," is taken from the film as well. See more »
When Brendan is talking to Assistant Vice Principal Trueman in his office, a reflection of the boom mic can be seen in a picture on his desk. See more »
I saw this film at a sneak preview the other night not knowing what to expect. To say the least I was pleasantly surprised. Film Noir being one of my favorite film genre's, "Brick" follows the same story structure, odd-ball characters, right down to the very smart and quick paced dialogue of a 30s/40s hard boiled detective thriller. The twist that lifts it above parody and even a mere homage is the presentation of these elements with high school kids in Southern California. The direction by Rian Johnson is very expert and confident in telling the story, giving the audience smooth and quick editing along with skewed and distorted camera angles. He manages to maintain suspense throughout the film, only in a couple of parts letting it drag (the scenes with the Drama Queen are some of the weakest). The actors are great, the most memorable being the "villains" Pen and Tugger. Rather than just being atypical baddies, their portrayals give them depth, sympathy, and at the same time a degree of likability. Kudos also goes to the actor who played Brain, the partner of Frye, who is nearly flawless in his somewhat small role. John Shaft himself, Richard Roundtree, shows up as the Vice Principal, but it is obvious they only had the budget to hire him for one day. I have to say this isn't a classic film by any means; I merely decided to give it such a high rating because it attempts something different and succeeds fairly successfully. I've been tired of the mundane films that get released every year, and for once this is something that is completely different; the use of archetypal characters in the setting and delivery not expected. It's a low budget film, but it is obvious to me that that this filmmaker will be heard from again. Keep an eye out.
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