The Brothers Bloom are the best con men in the world, swindling millionaires with complex scenarios of lust and intrigue. Now they've decided to take on one last job - showing a beautiful and eccentric heiress the time of her life with a romantic adventure that takes them around the world.
In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
Lyle Jensen is subject to sudden and violent outbursts, and he is committed to the juvenile wing of the Northwood Mental Institution. Several other youths are there with a variety of ... See full summary »
Chris is a once promising high school athlete whose life is turned upside down following a tragic accident. As he tries to maintain a normal life, he takes a job as a janitor at a bank, where he ultimately finds himself caught up in a planned heist.
The lonely teenager Brendan finds his former girlfriend Emily dead in the entrance of a tunnel of sewage and recalls her phone call two days ago, when she said to him that she was in trouble. Brendan, who still loved Emily, met bad elements of his high-school trying to contact her, and when he succeeded, she told him that she was OK. He hides her body in the tunnel and decides to investigate the meaning and connection of four words, including "brick" and "pin", that Emily told him to find who killed her. Using the support of his nerd friend Brain, he successively meets the small time drug dealers Kara, Dode, Brad Bramish, Laura and Tugger, to reach the teenager powerful drug dealer The Pin. Slowly, Brendan unravels the motives why Emily was killed and plots a revenge. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The lack of classroom scenes in this high school film was much commented after the movie's release. While there originally was a scene set in Brendan's classroom, Rian Johnson had to re-write it to avoid a location change. This scene was the one where Brendan goes through the notebook he takes from Emily when they meet; in the original script, this happened while a teacher explains something in the background. See more »
When Brendan is talking to Assistant Vice Principal Trueman in his office, a reflection of the boom mic can be seen in a picture on his desk. See more »
Brilliant modern day Film Noir with color, drugs and a twist
That's the story, right? Going back to the days of "China Town" with Jack Nicholson chasing lead after lead, turning corners left and right, only to find more corners. Who's duping who? We don't know until the very end in this fast-paced, hipster lingo drenched wild revival of the classic Black and White Film Noir. Joseph Gordon-Levitt (yes, the kid from Third Rock) is a brilliant hero/foil as Brendan, the bitingly dry, quick-witted, scrappy and yet reluctant detective trying to walk his way through a web of lies, more lies, murder and lots of missing drugs. His character is bright, he can read a situation like a psychic on crack, turn things to his favor in seconds and play people as deftly as he is ultimately played himself. ...And he can take a punch. The plot turns this way, then that, keeping you constantly guessing as to where it will take you next. As soon as you think you know what's going on, you don't. Nora Zehetner is a beautiful and beguiling femme fatale. "The Brian" (Matt O'Leary), who is constantly feeding Brendan his facts and keeping him on track, knows his stuff but never let's you know how. Rian Johnson has written an amazing script and directed it into a whirlwind experience of near misses, painful betrayal and love/love lost. The lingo takes a second to catch. I'm reminded of Swingers, had it been as thrilling as it was funny. The words fall into place and give the film a slick, quick delivery like the best exchanges between Bogart and Bergman, Alan Ladd and Veronica Lake. Take all that and drop it into a dark, starkly brutal modern world... In a high school, of all places. There's even some quirky humor thrown in, though most of the laughs from the audience were really nervous release from all the tension built into the story. A must see.
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