7.4/10
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Brick (2005)

A teenage loner pushes his way into the underworld of a high school crime ring to investigate the disappearance of his ex-girlfriend.

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11 wins & 23 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Emily (as Emilie De Ravin)
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Reedy Gibbs ...
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Tracy Bitterolf ...
Straggler (as Tracy Wilcoxen)
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Tangles (as Ari Velkom)
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Storyline

The lonely teenager Brendan finds his former girlfriend Emily dead in the entrance of a tunnel of sewage and recalls her phone call two days ago, when she said to him that she was in trouble. Brendan, who still loved Emily, met bad elements of his high-school trying to contact her, and when he succeeded, she told him that she was OK. He hides her body in the tunnel and decides to investigate the meaning and connection of four words, including "brick" and "pin", that Emily told him to find who killed her. Using the support of his nerd friend Brain, he successively meets the small time drug dealers Kara, Dode, Brad Bramish, Laura and Tugger, to reach the teenager powerful drug dealer The Pin. Slowly, Brendan unravels the motives why Emily was killed and plots a revenge. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

"A spellbinder! It pins you to your seat." See more »


Motion Picture Rating (MPAA)

Rated R for violent and drug content | See all certifications »

Parents Guide:

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Details

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Release Date:

14 April 2006 (USA)  »

Also Known As:

A Ponta de um Crime  »

Filming Locations:


Box Office

Budget:

$475,000 (estimated)

Opening Weekend:

$83,574 (USA) (31 March 2006)

Gross:

$2,060,589 (USA) (7 July 2006)
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Company Credits

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Technical Specs

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Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The opening scene, with Brendan looking at Emily's body, is very deceptively shot. What appear to be POV shots of Emily's body are in fact something else. Director Rian Johnson says, "Brendan's eye-line never changes. We see him ostensibly looking at different details each time, but that's never cued by eye movement. Those inserts aren't from the angle at which he's viewing them. From where he is, her feet should be at the top of the frame; instead, they're at the bottom, shot from her other side. The other two shots are likewise reversed. You could call that an error, I suppose, but coupled with the fixed eye-line, what it suggests is that Brendan can't process what he's seeing. It's so unthinkable to him that he can only take in tiny portions at a time. He's abstracted the sight of her into objects. The images are technically 'wrong,' but that contributes to the scene's overwhelming sense of wrongness.I know that when I see something traumatic, I don't really process it in the moment, but I store it with an intense amount of detail and then watch the memory of it very carefully. Those disconnected, weirdly beautiful pieces of Emily are not what Brendan would see from his vantage point, but they feel like what he'd remember from the scene." See more »

Goofs

Brendan's hair is curly in all scenes but one near the start, where it's straight. See more »

Quotes

[first lines]
[Brendan answers the pay phone]
Emily: Brendan.
Brendan Frye: Emily.
Emily: Yeah-h... How's things?
Brendan Frye: Status quo.
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Connections

References V.I.P. (1998) See more »

Soundtracks

The Sun Whose Rays Are All Ablaze
from "The Mikado"
Music by Arthur Sullivan
Lyrics by W.S. Gilbert (as W.S. Gilbert)
Arranged by Renato Neto
Performed by Nora Zehetner
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Frequently Asked Questions

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User Reviews

 
Film Noir meets 90s High School flick
22 March 2005 | by (United States) – See all my reviews

I saw this film at a sneak preview the other night not knowing what to expect. To say the least I was pleasantly surprised. Film Noir being one of my favorite film genre's, "Brick" follows the same story structure, odd-ball characters, right down to the very smart and quick paced dialogue of a 30s/40s hard boiled detective thriller. The twist that lifts it above parody and even a mere homage is the presentation of these elements with high school kids in Southern California. The direction by Rian Johnson is very expert and confident in telling the story, giving the audience smooth and quick editing along with skewed and distorted camera angles. He manages to maintain suspense throughout the film, only in a couple of parts letting it drag (the scenes with the Drama Queen are some of the weakest). The actors are great, the most memorable being the "villains" Pen and Tugger. Rather than just being atypical baddies, their portrayals give them depth, sympathy, and at the same time a degree of likability. Kudos also goes to the actor who played Brain, the partner of Frye, who is nearly flawless in his somewhat small role. John Shaft himself, Richard Roundtree, shows up as the Vice Principal, but it is obvious they only had the budget to hire him for one day. I have to say this isn't a classic film by any means; I merely decided to give it such a high rating because it attempts something different and succeeds fairly successfully. I've been tired of the mundane films that get released every year, and for once this is something that is completely different; the use of archetypal characters in the setting and delivery not expected. It's a low budget film, but it is obvious to me that that this filmmaker will be heard from again. Keep an eye out.


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