| David Suchet | ... | Hercule Poirot | |
| Rachael Stirling | ... | Caroline Crale | |
| Aidan Gillen | ... | Amyas Crale | |
| Toby Stephens | ... | Philip Blake | |
| Marc Warren | ... | Meredith Blake | |
| Aimee Mullins | ... | Lucy Crale | |
| Julie Cox | ... | Elsa Greer | |
| Gemma Jones | ... | Miss Williams | |
| Sophie Winkleman | ... | Angela Warren | |
| Talulah Riley | ... | Young Angela | |
| Patrick Malahide | ... | Depleach | |
| Annette Badland | ... | Mrs. Spriggs | |
| Roger Brierley | ... | Judge | |
| Richard Teverson | ... | Hollinghurst | |
| Melissa Suffield | ... | Young Lucy | |
| Lottie Unwin | ... | Young Caroline | |
| Darien Smith | ... | Young Amyas | |
| Jacek Bilinski | ... | Young Philip | |
| Joel de Temperley | ... | Young Meredith (as Joel De Temperley) |
| Episode Crew |
Directed by | |||
| Paul Unwin | |||
Writing credits | ||
| Agatha Christie | (novel) | |
| Kevin Elyot | (screenplay) | |
Produced by | |||
| Michele Buck | .... | executive producer | |
| Phil Clymer | .... | executive producer: Chorion plc | |
| Delia Fine | .... | executive producer: for A&E Television Networks | |
| Leila Kirkpatrick | .... | line producer | |
| Margaret Mitchell | .... | producer | |
| Emilio Nunez | .... | supervising producer: for A&E Television Networks | |
| David Suchet | .... | associate producer | |
| Damien Timmer | .... | executive producer | |
Original Music by | |||
| Christopher Gunning | |||
Cinematography by | |||
| Martin Fuhrer | (director of photography) | ||
Film Editing by | |||
| Jon Costelloe | |||
Production Design by | |||
| Stuart Walker | |||
Art Direction by | |||
| Fleur Whitlock | |||
Set Decoration by | |||
| Mark Rimmell | |||
Costume Design by | |||
| Sheena Napier | |||
Makeup Department | |||
| Carol Cooper | .... | makeup designer | |
| Rupert Simon | .... | makeup artist | |
| Sian Turner | .... | makeup artist | |
Production Management | |||
| Fiona McGuire | .... | executive in charge of production | |
| Kate Stannard | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Gareth Tandy | .... | first assistant director | |
| Paula Turnbull | .... | second assistant director | |
| Jessica Hurles-Laws | .... | third assistant director (uncredited) | |
| David Zealey | .... | third assistant director: second unit (uncredited) | |
Art Department | |||
| Steve Ede | .... | construction manager | |
| John Hogan | .... | prop master | |
| Dougie Lankston | .... | props (uncredited) | |
Sound Department | |||
| John Downer | .... | supervising sound editor | |
| Tony Jackson | .... | sound recordist | |
| Billy Mahoney | .... | dubbing mixer | |
| Sarah Morton | .... | dialogue editor | |
| Mike Reardon | .... | sound maintenance | |
| Mark DeSimone | .... | adr mixer: New York (uncredited) | |
| Nigel Squibbs | .... | assistant dubbing mixer (uncredited) | |
Visual Effects by | |||
| Alan Church | .... | visual effects | |
| Simon Giles | .... | visual effects | |
Stunts | |||
| Ray Donn | .... | stunt double: David Suchet (uncredited) | |
Camera and Electrical Department | |||
| Jim Boorer | .... | grip | |
| Keith McNamara | .... | focus puller | |
| Mike Miller | .... | camera operator | |
| Phil Penfold | .... | best boy (as Philip Penfold) | |
| Larry S. Prinz | .... | lighting gaffer (as Larry Prinz) | |
| Rab Harling | .... | clapper loader (uncredited) | |
| Ed Jones | .... | clapper loader (uncredited) | |
| Rupert Power | .... | Steadicam operator (uncredited) | |
Casting Department | |||
| Maureen Duff | .... | casting | |
| Claire Saunders | .... | casting assistant | |
| Gail Stevens | .... | casting | |
Costume and Wardrobe Department | |||
| Tamar Zaig | .... | assistant costume designer | |
| Jason Gill | .... | costume assistant (uncredited) | |
Editorial Department | |||
| Dan Coles | .... | telecine colourist | |
| Anya Dillon | .... | assistant editor | |
| Simon Giblin | .... | on-line editor (uncredited) | |
Other crew | |||
| Nuala Alen-Buckley | .... | production accountant | |
| Adam Browne | .... | location manager | |
| Diane Chittell | .... | production coordinator | |
| Alan Church | .... | titles | |
| Simon Giles | .... | titles | |
| Phoebe Masters | .... | assistant coordinator | |
| Carol Thompson | .... | script supervisor | |
| Karen Thrussell | .... | script editor | |
| Derek Wax | .... | script executive | |
| Emily Chittell | .... | production assistant (uncredited) | |
| Elton Farla | .... | unit medic (uncredited) | |
| Lawrence Stevens | .... | floor runner (uncredited) | |
| Series Crew These people are regular crew members. Were they in this episode? |
Sound Department | |||
| Lionel Strutt | .... | adr mixer | |
Other crew | |||
| Mark Albela | .... | location manager | |
| Daren Thomas | .... | location runner | |
| Main series | Episode guide | Full cast and crew |
| Company credits | External reviews | IMDb TV section |
| IMDb Drama section | IMDb UK section |
I saw this when it first aired in 2003, when I was 11, and I was very impressed, really I was. Two years ago, I read the book, and I personally think the book is up there among the best with Death on the Nile and Murder in Mesopotamia. What impressed me most with the TV adaptation, which I got on video recently, was that some of the scenes, like the hanging scene, were genuinely haunting, and that's what I want to feel in a mystery. The music score gave that haunted feeling and some poignancy, in an already complicated story. As far as I can remember, the overall structure was faithful to the book, and I also liked the actress of Caroline Crale, as you really feel for her, and Amias was certainly hissable here in the way they made him behave. Marc Warren and Gemma Jones also do well as Meridith and Mrs Williams. Also what the writers got right were Angela's disfigurement and although it was changed, the ending with Lucy in the lovely dress was very effective. As ever, David Suchet is impeccable as Hercule Poirot, and he is helped by a brooding script. However there were two things I didn't like about the adaptation- the idea of Blake being homosexual(I don't think that was in the book), and Julie Cox was perhaps too old for Elsa. All in all, technically and visually it's a delight to look at, and I enjoyed this adaptation very much, though I do prefer the book. 9/10 Bethany Cox.