| Kerr Smith | ... | Jason Argyle | |
| Kristina Anapau | ... | Cassidy Merteuil | |
| Nathan Wetherington | ... | Patrick Bales (as Nathan J. Wetherington) | |
| Melissa Yvonne Lewis | ... | Alison Lebray | |
| Natalie Ramsey | ... | Sheila Wright | |
| Tom Parker | ... | Michael Cattrall | |
| Michael Pemberton | ... | Christopher Newborn | |
| Tara Carroll | ... | Valeria Caldas | |
| Charlie Weber | ... | Brent Patterson | |
| Alex Donnelley | ... | Professor Eldridge | |
| William Gregory Lee | ... | Assistant Registar | |
| Aaron McPherson | ... | Cop | |
| Elizabeth McDonald | ... | Leggy Blonde | |
| rest of cast listed alphabetically: | |||
| Brian Ames | ... | Golf Pro (uncredited) | |
| Cass Asher | ... | Lifeguard (uncredited) | |
| Jennifer Hutchins | ... | Party Girl (uncredited) | |
| Elizabeth M. Kelly | ... | Girl at Party (uncredited) | |
| Willy Roberts | ... | Pool Stud (uncredited) | |
Directed by | |||
| Scott Ziehl | |||
Writing credits(WGA) | ||
| Rhett Reese | (written by) | |
Produced by | |||
| Christopher Ball | .... | executive producer | |
| Elaine Dysinger | .... | co-producer | |
| Elaine Dysinger | .... | line producer | |
| Linda Hawkins | .... | co-producer | |
| Nancy Kirhoffer | .... | co-producer | |
| Amanda Lewis | .... | associate producer (as Amanda Cohen) | |
| Heather Lieberman | .... | co-producer | |
| Neal H. Moritz | .... | producer | |
| William Tyrer | .... | executive producer | |
Original Music by | |||
| David Reynolds | |||
Cinematography by | |||
| Thomas L. Callaway | |||
Film Editing by | |||
| Alan Cody | |||
Casting by | |||
| Shawn Dawson | |||
Production Design by | |||
| Lauren Crasco | |||
Set Decoration by | |||
| Bill Gregory | |||
Costume Design by | |||
| Tom McKinley | |||
Makeup Department | |||
| Rebecca Alling | .... | makeup artist | |
| Tarra D. Day | .... | head makeup artist (as Tarra Day) | |
| Kim M. Ferry | .... | key hair stylist | |
| RaMona Fleetwood | .... | hair stylist | |
| Lisa Hans-Wolf | .... | makeup artist (as Lisa Hans) | |
| Desne J. Holland | .... | makeup department head (as Desne Holland) | |
| Fay Kelly | .... | hair stylist | |
| Tatiana Thorpe | .... | makeup artist | |
Production Management | |||
| Elaine Dysinger | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Peter Hollocker | .... | second second assistant director (as Peter A. Hollocker) | |
| Joe Lotito | .... | first assistant director | |
| Jodi Lowry | .... | second assistant director (as Jodi Lowry-Fisher) | |
Art Department | |||
| Frank Addotta | .... | construction coordinator | |
| Chris Barber | .... | propmaker (as Christopher K. Barber) | |
| Nick Basura | .... | painter | |
| Erin J. Beverly | .... | art department coordinator | |
| Carol Decarr | .... | on-set dresser | |
| Mark Dillon | .... | set dresser | |
| Mark Dillon | .... | set dresser | |
| Amelia Drake | .... | on-set dresser | |
| Charles C. Eguia Jr. | .... | swing gang (as Charles C. Equia) | |
| Greg Finnin | .... | property master | |
| John G. Gallaher | .... | propmaker | |
| Bryan Hill | .... | leadman | |
| George W. Kiel | .... | swing gang | |
| Brian T. Lynk | .... | painter | |
| David E. Robinson | .... | painter (as Dave Robinson) | |
| Jeff Tirado | .... | set dresser | |
| Michael Woods | .... | assistant props (as Michael Wilson Woods) | |
Sound Department | |||
| John Boyd | .... | sound re-recording mixer | |
| Preston Connor | .... | utility sound | |
| Benjamin L. Cook | .... | sound editor | |
| Samuel C. Crutcher | .... | sound editor (as Samuel Crutcher) | |
| John R. Fors | .... | boom operator | |
| Sandy Gendler | .... | supervising sound editor | |
| Vincent Guisetti | .... | foley artist | |
| Wayne Heitman | .... | sound re-recording mixer | |
| Devin Joseph | .... | sound editor | |
| Pamela Kuhn | .... | foley artist | |
| Howard London | .... | adr mixer | |
| Benjamin Patrick | .... | sound mixer (as Ben Patrick) | |
| Kyle Rochlin | .... | foley mixer | |
| Annie Shih | .... | sound department assistant | |
| Scott Stolz | .... | sound mixer: reshoots | |
| Chris Winter | .... | sound assistant (as Christopher Winter) | |
Special Effects by | |||
| Lou Carlucci | .... | special effects coordinator | |
| Dan Edwards | .... | special effects assistant (as Danny Edwards) | |
Casting Department | |||
| Bill Dance | .... | extras casting | |
| Terrence Harris | .... | extras casting associate | |
Costume and Wardrobe Department | |||
| Adrienne Greshock | .... | additional costumer | |
| Shirley Kurata | .... | additional costumer | |
| Meagan McLaughlin | .... | key set costumer | |
| Behnaz Shokouhi | .... | costume supervisor | |
| Jennifer Day Young | .... | wardrobe supervisor | |
Editorial Department | |||
| John Coniglio | .... | assistant editor | |
| Kevin Greutert | .... | assistant editor | |
| Kevin O'Connor | .... | telecine colorist | |
Music Department | |||
| Johnny Caruso | .... | music editor | |
| Paul Hollman | .... | composer: additional music | |
| Wendy Morris | .... | music coordinator | |
| Mary Ramos | .... | music consultant | |
Transportation Department | |||
| David Gerry | .... | transportation captain | |
| Jerry Knight | .... | transportation coordinator | |
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| Thy Neighbor's Wife | Day of the Warrior | Lolita | Look | The Student Teachers |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
When I saw the DVD sitting in blockbusters, I thought "you got to be kidding, the 2nd one was so weak, how can they justify a 3rd". Anyway, I got it none the less, to see what it was like, and I was so amazed. This one, links in to the first brilliantly, and also has its own story line, unlike the 2nd which is basically a weaker remake of the first. Kerr smith, in my opinion plays his part very well, and although most of the other characters were played by fairly unknown actors, it did not show, as they were spot on in their roles. The only disappointment were a few errors on the part of the writers, in regards to Kathrine's coke habbit from the first one, however, we should accept that writers make these mistakes with every film, and should not be something we judge the whole film on