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No description really relays the experience that is this film; it's not about plot, it's about how writer/director Rosario Garcia-Montero takes an offbeat character and situation, one that should make us completely aghast, and makes us laugh (albeit nervously) while also moving us as we watch the protagonist go about his very unorthodox way of finding connection with the opposite sex. That Baadi works in a morgue only heightens the sense of alienation he experiences while also setting the stage for his inappropriate action that he undertakes with such unabashed ardor. And a great use of the title of one of Elvis' biggest hits!A real treat that shows cinema is not always about the plot points, but also about character and a director's unique outlook.
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