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| Photos (see all 6 | slideshow) | Videos |
| Renee Leblanc | ... | Herself | |
| Jonathan Caouette | ... | Himself | |
| Adolph Davis | ... | Himself | |
| Rosemary Davis | ... | Herself | |
| David Sanin Paz | ... | Himself | |
| Joshua Williams | ... | Himself | |
| Michael Cox | ... | Guy cussing in short film | |
| David Leblanc | ... | Himself | |
| Stacey Mowery | ... | Herself | |
| Michael Mouton | ... | Himself | |
| Greg Ayres | ... | Himself (as Bam-Bam) | |
| Vanda Stovall | ... | Herself | |
| Dagon James | ... | Himself | |
| Vivian Kalinov | ... | Herself (as Girl in Student Film) | |
| Steve Caouette | ... | Himself | |
| Lisa Berri | ... | Blue Velvet cast | |
| Kelli Brisbane | ... | Blue Velvet cast (as Kellie Brisbane) | |
| Mike Smith Rivera | ... | Blue Velvet cast (as Apocalypse Clown) | |
| Miek Coccia | ... | Blue Velvet cast | |
| Caity Creitz | ... | Blue Velvet cast | |
| Daniel Letterle | ... | Blue Velvet cast | |
| Sterling Price McKinney | ... | Blue Velvet cast | |
| Michael Sillery | ... | Blue Velvet cast | |
| Layard Thompson | ... | Blue Velvet cast |
Directed by | |||
| Jonathan Caouette | |||
Writing credits | ||
| Jonathan Caouette | (written by) | |
Original Music by | |||
| John Califra | |||
| Max Avery Lichtenstein | |||
Cinematography by | |||
| Jonathan Caouette | |||
Film Editing by | |||
| Jonathan Caouette | |||
| Brian A. Kates | (co-editor) | ||
Production Management | |||
| Robert Warmflash | .... | post-production supervisor | |
Sound Department | |||
| Jonathan Caouette | .... | sound | |
| Sean England | .... | digital archivist | |
| Lora Hirschberg | .... | sound re-recording mixer | |
| Brandon Proctor | .... | sound mix technician | |
| Daniel Sperry | .... | stereo sound consultant: Dolby (as Dan Sperry) | |
Visual Effects by | |||
| Jason Banker | .... | digital effects | |
Editorial Department | |||
| George Bunce | .... | on-line editor: high definition video | |
| Don Ciana | .... | color timer | |
| Michael Haertlein | .... | post-production assistant | |
| Peter Heady | .... | on-line editor: HDTV | |
| Florence Holdeman | .... | assistant editor | |
| Brian Patchett | .... | assistant editor: high definition | |
| Jamila Qazi | .... | editing coordinator | |
| Shelby Siegel | .... | additional editor | |
Music Department | |||
| Jim Black | .... | music supervisor | |
| John Califra | .... | orchestral score producer | |
| John Califra | .... | orchestrator | |
| Milan Cimfe | .... | orchestral score producer | |
| Milan Cimfe | .... | score ProTools operator | |
| Pavel Karlik | .... | assistant to score recording engineer | |
| Pavel Karlik | .... | orchestral score producer | |
Other crew | |||
| Mickey Cottrell | .... | publicist | |
| Tristan Cowen | .... | assistant to producer | |
| Peter Cross | .... | legal counsel | |
| Mayur Deshmukh | .... | production assistant | |
| Don Farber | .... | legal counsel | |
| Tenley Gillmore | .... | production assistant | |
| Michael Haertlein | .... | production assistant | |
| Roberta Morris Purdee | .... | rights and clearances | |
| Troy Nuyens | .... | production assistant | |
| Joe Pagano | .... | plant manager | |
| Wade H.W. Rudolph | .... | production assistant (as Wade Rudolph) | |
| Tracey Soast | .... | video coordinator | |
| Joe Violante | .... | technical advisor | |
Thanks | |||
| Tristan Cowen | .... | thanks | |
| Roger Ebert | .... | thanks | |
| Krystal Kennedy | .... | thanks | |
| Paul Morrissey | .... | thanks | |
| Dolly Parton | .... | thanks | |
| David Sanin Paz | .... | special thanks | |
| Michael Sillery | .... | special thanks | |
| Stephen Sprouse | .... | special thanks | |
| Michael Thornton | .... | thanks | |
| Dany Wolf | .... | thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
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I thought this movie was a masterpiece and something a lot of people really should see. I disagree with what some of the other people have been saying on this, because you don't need to identify with this movie. Its not meant to only effect people who have mentally ill parents or are homosexual. A movie doesn't have to be suited to you for you to enjoy it, that's a really selfish thing to say. The fact that someone is showing what its like using their own life in complete truth is amazing. (to some of the people who commented): stop criticizing everything that isn't perfect and not as entertaining as you wanted it to be and try and learn something from it. It seems like no one can just once put themselves in someone else's shoes and see what their lives are like without complaining and being disgusted. Try to be more open minded and give something a chance without prejudice. Its just like if you do something and the whole time your saying in your head how much you hate it, your obviously not going to like it.
I don't really care though, because I really liked it. It just makes me mad when people can just trash such hard work. So what, the movie was upsetting, you didn't have to actually be put through it, why are you complaining.
In contrast I think the movie was very uplifting how it turned out. Although I can agree that its not something you would watch if you just want to be entertained, but its still worth watching and I can guaranty that if you see it with good expectations, you'll like it. It was an extremely interesting film and also very much original. I definitely recommend it to anyone that is interested in psychology. The movie itself is very well shot and has great sound and music. Again, I think most people will be happy they saw it and please disregard what others say (and what I say). See it and decide for yourself.