The story revolves around the passengers of a yachting trip in the Atlantic Ocean who, when struck by mysterious weather conditions, jump to another ship only to experience greater havoc on the open seas.
For his final assignment, a top temporal agent must pursue the one criminal that has eluded him throughout time. The chase turns into a unique, surprising and mind-bending exploration of love, fate, identity and time travel taboos.
Engineers Aaron, Abe, Robert and Phillip are working on an invention, the prototype being built in Aaron's garage. This project is beyond their day jobs. The project truly does belong to Aaron and Abe, as they use all their free time working on it, primarily trying to overcome the many engineering related problems they've encountered. It is during one of his tests with the invention running that Abe discovers that a protein inside the main unit has multiplied much more rapidly than it could in nature. Rather than the invention being a protein super incubator, Abe, using himself as a guinea pig, and a very meticulous one at that, discovers that the invention can be used as a time machine. In his self experiment, Abe was especially careful not to interfere with his own self in that time warp. Abe passes along this discovery to Aaron, who he expects will tell his wife Kara in what is the sanctity of their marriage, but he doesn't want to tell either Robert or Phillip. Much to Abe's ... Written by
The budget for the entire film was around $7000. Most of the money was spent on film stock. See more »
When Abe is first telling Aaron about the box, he starts by explaining that the Weeble was accumulating years worth of protein build-up every few days. He later explains that anything in the box must experience subjective time. That is to say, to go back one minute, you must spend one minute in the box. This means that the absolute most amount of time the Weeble could have experienced is only twice the amount of time the box has existed and been turned on. See more »
[Sound of a phone ringing. Aaron, voiceover:]
Here's what's going to happen. I'm gonna read this, and you're gonna listen, and you're gonna stay on the line. And you're not gonna interrupt, and you're not gonna speak for any reason. Some of this you know. I'm gonna start at the top of the page.
Meticulous, yes. Methodical, educated; they were these things. Nothing extreme. Like anyone, they varied. There were days of mistakes and laziness and in-fighting, and there were days,...
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Thanks to Scott Douglass for having the faith to invest in the final stages of marketing and post production See more »
"Primer" is often praised for its clever, convoluted plot that you'll have to watch several times to truly figure out. This is a myth, though, since if you pay close attention and ignore the film's many irrelevant details and scenes, the plot is a pretty simple tale of a guy going back in time, making a mistake, then going back in time again and fixing that mistake.
The film is hard to follow NOT because of any clever or deep writing, but instead because the editing is utterly terrible. The characters spout technical jargon for too long without serving the plot or theme, and a couple scenes are incomprehensible because of bad lighting, awkward cutting, poor staging, and lousy sound quality.
All the dialogue is dry and dull, NEVER giving us the slightest reason to care about any of the characters. Primer won't stir any emotions in you, it won't inspire your imagination, it won't make you reflect on life, & it won't even make you uncomfortable. Its storytelling style is woefully incompetent and would be better suited to instructional pamphlets.
For all its long-winded, muffled dialogue, I can't even find a statement or a message in this film. You might enjoy this film if you are a college kid trying too hard to have "different" tastes from others, but if you want an actually compelling or rewarding film experience, ignore all the hype and give Primer a miss.
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