The story revolves around the passengers of a yachting trip in the Atlantic Ocean who, when struck by mysterious weather conditions, jump to another ship only to experience greater havoc on the open seas.
Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet's power problems.
Computer scientist Hannon Fuller has discovered something extremely important. He's about to tell the discovery to his colleague, Douglas Hall, but knowing someone is after him, the old man... See full summary »
At night and on weekends, four men in a suburban garage have built a cottage industry of error-checking devices. But, they know that there is something more. There is some idea, some mechanism, some accidental side effect that is standing between them and a pure leap of innovation. And so, through trial and error they are building the device that is missing most. However, two of these men find the device and immediately realize that it is too valuable to market. The limit of their trust in each other is strained when they are faced with the question, If you always want what you can't have, what do you want when you can have anything? Written by
Sujit R. Varma
The budget for the entire film was around $7000. Most of the money was spent on film stock. See more »
During numerous takes the director, Shane Carruth, mutters
"cut" under his breath. According to the DVD commentary, this is due to their extremely low budget which did not allow them to "waste" film. Carruth notes that a total of 80 minutes of footage was shot; the final film is 78 minutes. See more »
[Sound of a phone ringing. Aaron, voiceover:]
Here's what's going to happen. I'm gonna read this, and you're gonna listen, and you're gonna stay on the line. And you're not gonna interrupt, and you're not gonna speak for any reason. Some of this you know. I'm gonna start at the top of the page.
Meticulous, yes. Methodical, educated; they were these things. Nothing extreme. Like anyone, they varied. There were days of mistakes and laziness and in-fighting, and there were days,...
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Thanks to Scott Douglass for having the faith to invest in the final stages of marketing and post production See more »
You remember the first time you saw The Matrix (please, not the awful sequels) and you could barely keep up with what was going on, trying to piece together the pieces of what you were being told into a coherent story?
This movie was exactly like that. The first half or so is fairly linear (despite the frenzied Altman-esque style of everyone talking on top of each other), but then it gets WEIRD and it just absolutely blew me away. This film won a major Sundance award, and normally that means I won't like it (especially the normally pandering audience award winners) but this movie, and first-time filmmaker Shane Carruth, deserves absolutely everything it gets. I am just blown away.
Did you like Pi? If so, go see this one.
By the way, the attention to detail in the beginning is great. Often in thrillers with technical content, if you have a technical education you have consciously ignore all the stupid movie crud that they pull to make it into a good story. But this movie pulls off an incredibly believable technical story, with only a few distracting gaffs. That is, the tech jargon is good enough that you don't get distracted and can focus on the story line.
Final comment: Yes, it is very hard to follow the story line in this movie.
Obviously I'm not going to spoil it, but I think the following fact will help when the movie gets kind of hairy towards the end: Aaron is the dark-haired guy, Abe is the blond-haired guy.
This movie now has distribution and you should keep an eye out for it in the fall.
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