The story revolves around the passengers of a yachting trip in the Atlantic Ocean who, when struck by mysterious weather conditions, jump to another ship only to experience greater havoc on the open seas.
For his final assignment, a top temporal agent must pursue the one criminal that has eluded him throughout time. The chase turns into a unique, surprising and mind-bending exploration of love, fate, identity and time travel taboos.
Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet's power problems.
A boy stands on a station platform as a train is about to leave. Should he go with his mother or stay with his father? Infinite possibilities arise from this decision. As long as he doesn't choose, anything is possible.
Engineers Aaron, Abe, Robert and Phillip are working on an invention, the prototype being built in Aaron's garage. This project is beyond their day jobs. The project truly does belong to Aaron and Abe, as they use all their free time working on it, primarily trying to overcome the many engineering related problems they've encountered. It is during one of his tests with the invention running that Abe discovers that a protein inside the main unit has multiplied much more rapidly than it could in nature. Rather than the invention being a protein super incubator, Abe, using himself as a guinea pig, and a very meticulous one at that, discovers that the invention can be used as a time machine. In his self experiment, Abe was especially careful not to interfere with his own self in that time warp. Abe passes along this discovery to Aaron, who he expects will tell his wife Kara in what is the sanctity of their marriage, but he doesn't want to tell either Robert or Phillip. Much to Abe's ... Written by
The budget for the entire film was around $7000. Most of the money was spent on film stock. See more »
When Abe is about to reveal to Aaron how the time manipulator works, they are standing in front of the white truck. The four-way hazard blinkers are blinking, then the camera cuts to another one. At that point, the blinkers are off. Then they are on again with the third camera change. See more »
[Sound of a phone ringing. Aaron, voiceover:]
Here's what's going to happen. I'm gonna read this, and you're gonna listen, and you're gonna stay on the line. And you're not gonna interrupt, and you're not gonna speak for any reason. Some of this you know. I'm gonna start at the top of the page.
Meticulous, yes. Methodical, educated; they were these things. Nothing extreme. Like anyone, they varied. There were days of mistakes and laziness and in-fighting, and there were days,...
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Thanks to Scott Douglass for having the faith to invest in the final stages of marketing and post production See more »
No spoilers. I just saw this and thought it was great. It beats Hollywood films because it portrays science in a believable way. The acting was also good and very believable. Shane Carruth did a fine job as writer, director, and actor. I give it an A+.
Film Quality: The lighting and focus weren't always perfect but neither are most big budget films. I loved that you could at least hear everything they were saying in this film unlike most big Hollywood flicks where they ruin it with orchestra music and background noise (I have no idea what Tom Cruise said at the end of Collateral and I doubt anyone else does either.) Primer does an excellent job with film quality, especially considering their small budget. I found this film very watchable.
Story and Plot Quality: The story and plot are also good, but it does get a little convoluted by the end so I was somewhat lost when I left the theater. I think I understood all but the last 15 minutes. Personally, I think the director purposely made the end hard to follow so people might go see it again. I think a simple 2 minute narrative would have filled in all the gaps. A few segues (transition scenes) also could have been a little clearer. I find that I'm still figuring things out many hours later. Perhaps it was bad editing, but more likely a directors trick to make you think and possibly see it again. I would have done a few things different with editing, which is my biggest gripe here.
Who should see it: It isn't really a movie for the family. Take an enlightened friend or perhaps a date if that person has an open mind. The first half of the movie is there just to give background and make you believe that they could build such a machine. Children and old people aren't going to like this one because it doesn't have a lot of whiz-bang type stuff in it (No eye candy for the mentally challenged or immature.) Special effects are scarce, but really aren't needed in this intellectual thriller.
Rating: I rated this movie 10/10, but I was considering it's genre also. A budget scifi with lots of intellectual intrigue. If your looking for childish, comical, Hollywood whiz-bang type crap then go rent "Back To The Future" instead. I think Primer will sort out the men from the boys here!
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