A documentary on the rise and stumble of Troy Duffy, the bartender-cum-filmmaker who was swept up by Miramax's Harvey Weinstein to turn his script for The Boondock Saints into a feature film.

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Cast

Credited cast:
Jeffrey Baxter ...
Himself (as Jeffrey 'Skunk' Baxter)
...
Himself
...
Himself
...
Herself (archive footage)
Gordon Clark ...
Himself
...
Himself
Jim Crabbe ...
Himself
...
Himself
...
Himself
Marie Duffy ...
Herself
Robert Duffy ...
Himself
Tate Duffy ...
Himself
Taylor Duffy ...
Himself
...
Himself
Tyson Duffy ...
Himself
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Storyline

The rags-to-riches-to-rags story of Troy Duffy, a blue collar Boston twenty something that struck a dream movie deal with Miramax in 1997 to direct the $15 million project "Boondock Saints" from his own script. It was a deal that received worldwide attention. But when Miramax jumped ship and put the film in turnaround, Duffy's overnight success soon starts to crash and burn. Written by Sujit R. Varma

Plot Summary | Add Synopsis

Taglines:

There's More Than One Way To Shoot Yourself

Genres:

Documentary

Motion Picture Rating (MPAA)

Rated R for pervasive strong language, sexual references and some nudity | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

8 July 2005 (UK)  »

Also Known As:

Всю ночь  »

Filming Locations:

 »

Box Office

Budget:

$550,052 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

According to a RUSiriusRadio.com pod-cast interview, Director Terry Zwigoff based his direction for Ethan Suplee in Art School Confidential (2006) on the way Troy Duffy acts as a director in this documentary. See more »

Quotes

Jeffrey Baxter: Very very few people have all the necessary ingredients for ultimate self-confidence.
See more »

Connections

References The Boondock Saints (1999) See more »

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User Reviews

 
glimpse into the dark side of Hollywood
11 November 2004 | by See all my reviews

I saw this film at the San Diego Film Festival and consider myself extremely lucky to have seen it. The film chronicles the rise and crumble of Troy Duffy, temporary wunderkind. The film managed to capture the process of instant success and provide such a thorough window into one man's descent into his own ego. Duffy manages to ruin every single wonderful opportunity he is blessed with. He becomes a pariah in the film industry, a dirty word that even the munificent Harvey Weinstein won't touch. It is an incredibly intense, cringe-inducing film as you see Duffy unravel in front of the directors ever-present camera. Duffy uses the camera as confessional and it in turn captures his self-inflicted demise. It is a testament to the filmmakers ability that they managed to infuse the film with a palpable sense of pity for their subject. This film must be compulsory viewing for any filmmaker as a cautionary tale into the heart of hype, ego, and the fleeting love affair Hollywood has with the next big thing. Bravo gentlemen, you've made a great film.


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Message Boards

Recent Posts
Maybe Duffy wasn't THAT bad? philZman
does anyone else think this doc fails to deliver.... shes_dead
Weinstein never intended to make 'Boondock' purplechef
Mr. Duffy, You Got What You Deserved. SelfProclaimedHuegonot
What a dick move: Carteelith
So does Troy Duffy get a profit from Overnight since he 'starred' in it? nomorepopcorn
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