A silver spoon cocaine addict is propositioned by two Irish mobsters after messing with the boss' daughter. He is given an unbearable choice, instantly sobering him and the two girls he's partying with.
After breaking up with her boyfriend on Valentine's Day, Jenny shares a red-eye flight from Los Angeles to New York with a love-damaged group of passengers - a pilot with anger management ... See full summary »
Off The Boulevard is a story of art and heart; and the struggle it takes to believe in your dreams. It is an entertaining and informative Documentary Feature about seven artists: two ... See full summary »
David Della Rocco
Documentary that chronicles how Francis Ford Coppola's Apocalypse Now (1979) was plagued by extraordinary script, shooting, budget, and casting problems--nearly destroying the life and career of the celebrated director.
The rags-to-riches-to-rags story of Troy Duffy, a blue collar Boston twenty something that struck a dream movie deal with Miramax in 1997 to direct the $15 million project "Boondock Saints" from his own script. It was a deal that received worldwide attention. But when Miramax jumped ship and put the film in turnaround, Duffy's overnight success soon starts to crash and burn. Written by
Sujit R. Varma
Troy Duffy has disavowed this documentary, stating that directors Tony Montana and Mark Brian Smith left many things out and "Their anger at me overrode their judgment as filmmakers. That's the tragedy of it. And they stabbed everybody who ever helped them in the back." See more »
As for my film career? Get used to it, 'cuz it ain't goin' anywhere. Period.
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I saw this film at the San Diego Film Festival and consider myself extremely lucky to have seen it. The film chronicles the rise and crumble of Troy Duffy, temporary wunderkind. The film managed to capture the process of instant success and provide such a thorough window into one man's descent into his own ego. Duffy manages to ruin every single wonderful opportunity he is blessed with. He becomes a pariah in the film industry, a dirty word that even the munificent Harvey Weinstein won't touch. It is an incredibly intense, cringe-inducing film as you see Duffy unravel in front of the directors ever-present camera. Duffy uses the camera as confessional and it in turn captures his self-inflicted demise. It is a testament to the filmmakers ability that they managed to infuse the film with a palpable sense of pity for their subject. This film must be compulsory viewing for any filmmaker as a cautionary tale into the heart of hype, ego, and the fleeting love affair Hollywood has with the next big thing. Bravo gentlemen, you've made a great film.
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