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13-year-old Monica leads a street life, making her living by selling flowers to couples in local nightspots, she is joined by 10-year-old Andrea who runs out of her house after her mother ... See full summary »
Based on a true story, a group of 147 overworked and underpaid Colombian soldiers find the treasure they didn't seek; $46 million. The film is a surreal black comedy and follows 4 of the ... See full summary »
Juan Sebastián Aragón,
Manuel José Chávez
In a small village in Colombia, the pregnant seventeen years old Maria supports her family with her salary working in a floriculture. She is fired and with a total lack of perspective of finding a new job, she decides to accept the offer to work as a drug mule, flying to USA with sixty-two pellets of cocaine in her stomach. Once in New York, things do not happen as planned. Written by
The scene where Maria and Blanca return the pellets and money to the dealers in the parking lot was the last scene shot during principal photography. Filming was very difficult, because the actors playing the dealers had not rehearsed the scene in over a month and were having trouble getting into character. Threatened by the producers to abandon the scene, Director Joshua Marston eventually achieved what he needed by encouraging the actors to improvise, particularly with their blocking. During the The 77th Annual Academy Awards (2005) ceremony, the scene was played during the reading of Catalina Sandino Moreno's Best Actress nomination. See more »
After Maria gives Don Fernando the money for Lucy's family, she takes her wallet out twice. See more »
What about our money?
What about it? You two ran off with the merchandise!
You have the pellets back!
Exactly, we have them back and we don't need you anymore. You're not worth a fuck now.
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I wouldn't have to like having to make such choices
This movie was powerful, seamless. I can't think of a scene where I asked myself, why did we need that? It was even-handed. The director could have dramatized the plight of María's family more. But he didn't. I didn't think a real-life Maria would have told Lucy's sister that Lucy had died and she didn't.
I liked seeing the crowding in the house in Colombia and in the house in Queens. The customs agents weren't portrayed as stupid boobs, but rather as professionals, thus making María's plight seem more real. Don Fernando's role seemed incredibly accurate as an immigrant ombudsman. And the ending was powerful. It touched me. I will take my students to see this movie this week. (I'm a high school teacher). When will they stop producing heroin and cocaine in Colombia? As soon as we here in the United States stop shoving it up our noses.
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