| Larry Pine | ... | Henry Darger (voice) | |
| Dakota Fanning | ... | Narrator / Vivian Girls (voice) | |
| Frier McCollister | ... | Additional Voice (voice) | |
| Wally Wingert | ... | Additional Voice (voice) | |
| Janice Hong | ... | Additional Voice (voice) | |
| Ruby McCollister | ... | Additional Voice (voice) | |
| Paul Robert Langdon | ... | Additional Voice (voice) | |
| Mary O'Donnell | ... | Herself - Neighbor | |
| Kiyoko Lerner | ... | Herself - Landlady | |
| Mary Rooney | ... | Herself - Parish Bookkeeper | |
| David Berglund | ... | Himself - Neighbor | |
| Regina Waters | ... | Herself - Neighbor | |
| Mark Waters | ... | Himself - Neighbor | |
| rest of cast listed alphabetically: | |||
| Henry Darger | ... | Himself (photos) | |
Directed by | |||
| Jessica Yu | |||
Writing credits(in alphabetical order) | ||
| Henry Darger | writings | |
| Jessica Yu | ||
Produced by | |||
| Ellin Baumel | .... | line producer | |
| Karen Carter | .... | associate producer | |
| Sally Jo Fifer | .... | executive producer | |
| Joan Huang | .... | co-producer | |
| Cara Mertes | .... | executive producer | |
| Kara Vallow | .... | animation producer | |
| Susan West | .... | producer | |
| Jessica Yu | .... | producer | |
Original Music by | |||
| Jeff Beal | |||
Film Editing by | |||
| Jessica Yu | |||
Casting by | |||
| Linda Lamontagne | |||
Art Department | |||
| Henry Darger | .... | artwork | |
| Eric Koenig | .... | storyboard artist | |
| Aurian Redson | .... | storyboard artist | |
Sound Department | |||
| Jeff Beal | .... | sound recordist: Many Rooms Music | |
| Stephanie Brown | .... | supervising sound editor | |
| Rick Ellis | .... | sound recording engineer | |
| Paul Hackner | .... | re-recording engineer | |
| Matt Hedges | .... | sound facility coordinator | |
| Matthew Iadarola | .... | sound re-recording mixer | |
| Eddie Kim | .... | sound designer | |
| Tomas Marsh | .... | sound recording engineer | |
| Del Martin | .... | re-recording engineer | |
| Eryne Prine | .... | foley supervisor | |
| Matt Hedges | .... | sound editorial coordinator (uncredited) | |
| Eryne Prine | .... | sound editor (uncredited) | |
Camera and Electrical Department | |||
| Michael F. Barrow | .... | cinematographer: New York (as Michael Barrow) | |
| Tim Bieber | .... | director of photography: Chicago | |
| Lamar Bloodworth | .... | gaffer | |
| Joe Brady | .... | assistant camera | |
| Osa Elmfors | .... | assistant camera | |
| Ron Forsythe | .... | key grip | |
| Bill Frye | .... | grip | |
| Marlene Haegele | .... | second assistant camera | |
| Shana Hagan | .... | director of photography: Los Angeles | |
| T.S. Hale | .... | grip | |
| Russell Harper | .... | director of photography: Chicago | |
| Wesley Hicks | .... | additional camera operator | |
| Darren Kasmir | .... | gaffer | |
| Harry Lapham | .... | key grip | |
| Juliet Lofaro | .... | still photographer | |
| Guy Moeller | .... | grip | |
| Ryan Puckett | .... | grip | |
Animation Department | |||
| Andrew Brandou | .... | animator | |
| Britt Ehringer | .... | animator | |
| Peter Ehrlich | .... | animator | |
| Matthew Gadbois | .... | animator | |
| Meher Gourjian | .... | animator | |
| Tom Kanchanapinyokul | .... | animator | |
| Eric Koenig | .... | animation storyboard artist | |
| Aurian Redson | .... | animation storyboard artist | |
| David Wigforss | .... | animator | |
Editorial Department | |||
| Michael Mintz | .... | color corrector | |
| Thom Whitehead | .... | on-line editor | |
Music Department | |||
| Joan Beal | .... | conductor: choir | |
Other crew | |||
| Bill Abrams | .... | legal counsel: Abrams, Garfinkel & Rosen LLP | |
| David Beall | .... | cleanup artist | |
| David Berglund | .... | photos of Henry Darger courtesy of | |
| Scott Marvel Cassidy | .... | book art sequences | |
| Denise Chavez | .... | cleanup artist | |
| Cynthia DeLaney Gorman | .... | marketing and sales | |
| Jake Delman | .... | production assistant | |
| Amy Dorn | .... | production assistant | |
| Ron Forsythe | .... | researcher | |
| Tony Haske | .... | production assistant | |
| Rachel Katz-Atkin | .... | production assistant | |
| Kiyoko Lerner | .... | Henry Darger's artwork and writings used by permission of | |
| Kiyoko Lerner | .... | consultant | |
| Kiyoko Lerner | .... | photos of Henry Darger courtesy of | |
| Erik Lusk | .... | cleanup artist | |
| Lisa Masseur | .... | production assistant | |
| Mark Masseur | .... | production assistant | |
| Rodd Miller | .... | cleanup artist | |
| Christopher Nguyen | .... | production assistant | |
| Elise Pearlstein | .... | researcher | |
| Katherine Pitts | .... | operations manager | |
| Larry Powell | .... | production assistant | |
| Andrea Sausen | .... | production assistant | |
| Kris Scheiffele | .... | researcher | |
| Armando Soto | .... | cleanup artist | |
| Joe Vaux | .... | cleanup artist | |
| Chris Ware | .... | title art | |
| Thom Whitehead | .... | digital transfers | |
| Martin Yu | .... | animated website | |
Thanks | |||
| Brooke Anderson | .... | thanks | |
| David Berglund | .... | special thanks | |
| Karen Carter | .... | thanks | |
| Loretta Jeneski | .... | thanks (as Loretta Janeski) | |
| Dao Le | .... | thanks | |
| Kiyoko Lerner | .... | special thanks | |
| Claudine Magre | .... | thanks | |
| Mary O'Donnell | .... | special thanks | |
| David Obermeyer | .... | thanks | |
| Mary Rooney | .... | special thanks | |
| Ted Shen | .... | thanks | |
| Trixie | .... | thanks | |
| Marc Waters | .... | special thanks | |
| Regina Waters | .... | special thanks | |
| Sydney Wilkinson | .... | thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
This was a very impressive documentary. Although it was different from the films I generally go to see, I remained interested in Henry Darger's life throughout the whole movie. He was portrayed as quite an interesting person. As a child, he is taken to an asylum and thought to be insane. When he finally escapes this life, he becomes a janitor and later, a part of the army. His neighbors play an important role in the movie because they describe his personality and what they knew about him. It was interesting to hear each perspective. Much of what they had to say about him was the same, but some of it varied at least through word choice which I felt was significant because it revealed each of their attitudes toward who they thought he was. Henry Darger's artwork was amazing. The illustrations of the Vivian sisters provided insight into his eyes. The most impressive thing was how the lives of these girls seemed to represent his life and feelings toward it. If you are interested in learning something, I encourage you to see, "In the Realms of the Unreal."